Font Basics for Small Business's Logo and Brand
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Article Title:
==============
Font Basics for Small Business's Logo and Brand
Article Description:
====================
There are many components of a brand identity: logo, color
palette, font choice, and the Visual Vocabulary. There's a lot
of information available about the use of logos, colors, and
Visual Vocabulary, but not much on the effective use of fonts.
So, here's some information on the creative, practical, and
technical aspects of fonts.
Additional Article Information:
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Distribution Date and Time: 2006-06-06 15:10:00
Written By: Erin Ferree
Copyright: 2006, All Rights Reserved
Contact Email: elf@elf-design.com
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Font Basics for Small Business's Logo and Brand
Copyright © 2006 elf design, All Rights Reserved
Written by: Erin Ferree
Elf Design
www.elf-design.com/
There are many components of a brand identity: logo, color
palette, font choice, and the Visual Vocabulary. There's a lot
of information available about the use of logos, colors, and
Visual Vocabulary, but not much on the effective use of fonts.
So, here's some information on the creative, practical, and
technical aspects of fonts.
Font Basics
A font is a set of all the letters in the alphabet, designed with
similar characteristics. This is also known as a typeface.
Fonts are usually designed to include several style variations.
This can include styles like light, regular, bold, semibold,
ultra bold, and italic. Some fonts also include "Expert"
versions, which are fonts that include fractions and mathematical
symbols.
Font families are typically packages of fonts that include all of
the different versions of a font. Using fonts with large families
will give you a wide range of fonts to use in your materials, for
variety and emphasis.
There are many basic classifications of fonts. Four of the most
common classes of fonts are:
1. Serif fonts, which have little "feet," called serifs, at the
ends of the lines that make up the letters. Some examples of
serif fonts include Times, Palatino, and Garamond. These fonts
are more traditional, elegant, and old-fashioned.
2. Sans-serif fonts don't have those feet. "Sans serif" means
"without serifs." Arial, Verdana, Tahoma, and Helvetica are
some of the most common sans-serif fonts. These fonts are more
clean and modern.
3. Script fonts are calligraphic or cursive fonts. Brush Script
and Nuptial Script are two common script fonts.
4. Display fonts are decorative and often used for logos or
headlines.
There are other types of fonts as well, including handwriting
fonts and all-caps fonts. However, the four listed above are the
most common and useful in business communications.
Creative Font Usage Guidelines
Each type of font has certain characteristics that translate into
that font's personality. A font might be serious or
light-hearted, traditional or modern, legible or decorative, or
any number of other personality traits. The traits of the font
that you use in your marketing materials and business
communications should reflect and enhance your company's brand.
Your company should have designated fonts to use in the following
situations:
1. A logo font, which is typically not one of the fonts that come
installed on Windows machines: it should be more unique and
interesting. Some logos will have two or three different fonts in
them. If this is the case, then consider using one of those fonts
as the secondary font as well.
2. A secondary font, used for headlines, sub-headlines, taglines,
special text such as graphics and captions, and decorative text
such as pull quotes, which are the large quotes that are used
decoratively in articles and documents. This can be the same font
as is used in your logo. This is typically an interesting and
unique font as well. This may also be used as the font for your
contact information in your stationery, depending on its
legibility.
3. A tertiary font is optional and may be used when the secondary
font is not always legible, for mid-length texts such as pull
quotes and contact information.
4. A serif text font, for lengthy printed documents. Printed
materials are more easily read if they are in serif font rather
than sans-serif font.
5. A sans-serif font, for shorter printed documents and on-screen
use. Text on a computer monitor is easier to read in a sans-serif
font than in a serif font.
6. A website font, which may be the same font as is used as the
main sans-serif text font, depending on how that font translates
for online viewing.
All of these fonts should have similar or contrasting
characteristics. Choosing fonts with similar characteristics will
make your fonts match and create consistency throughout your
documents. Choosing fonts with contrasting characteristics will
build visual texture and interest into your materials. For
example, you could pick all thin, sans-serif fonts such as Arial
and Frutiger to create a harmonious, matching suite of fonts. Or
you could pick fonts with contrasting characteristics to create
greater interest, such as using a serif font like Palatino for
the headlines and then using a sans-serif font like Verdana for
the text.
Each piece of marketing material or document created should have
a maximum of three or four families of fonts on them. (A font
family includes all of the bold and italic variations of a
particular font, so using bold or italic effects does not count
as additional fonts.) Using more than three or four fonts is
confusing, and it looks unprofessional.
Practical Font Usage Guidelines
Fonts can require special consideration when you send materials
to a professional printer for reproduction, use them on your
website, or send Word documents to others. Here are some basics
on using fonts and preserving their appearance in these cases.
1. In printed materials, it's easier to read long blocks of copy
that is set in a serif font. Sans-serif fonts are usually used in
print for short blocks of information, like headlines, pull
quotes, or bulleted lists.
When sending your materials to be professionally printed, make
sure to address your desires regarding the use of fonts. You can
either include the fonts with the files you send to the printer
(which might be considered a copyright license infringement),
rasterize your artwork (convert it to pixels, so the font data is
no longer needed), or outline your fonts (creating shapes out of
the fonts, an option that's available in most vector art
programs such as Adobe Illustrator and Macromedia Freehand), so
that they can be printed accurately. Outlining the fonts is the
best way to guarantee that your fonts will remain accurate and
sharp.
2. Online, in websites, emails, and HTML newsletters, sans-serif
fonts look the best: they're clean, clear, and easy to read.
There is one other trick to online font use: you have to make
sure that you use fonts that will be installed on the computers
of people reading your site. Otherwise, your text will appear in
the default font selected by their browser, which is often
Courier, a very plain font. That limitation does leave you with
several fonts to choose from, though, including Verdana, Arial,
Tahoma, and Trebuchet MS.
Serif fonts could also be used on websites; however, it's best
to use them in limited quantities, such as for headlines and
subheads. Some fonts that are available to use on the web include
Times, Times New Roman, and Georgia.
Another issue that commonly arises with online fonts is the
difficulty in controlling the size and appearance of those fonts.
Standard font tags in HTML don't offer precise sizing control
and need to be used several times throughout each HTML document,
so making changes can be time-consuming. You can use Cascading
Style Sheets, or CSS, to precisely control the exact size of your
fonts and to make site-wide font, size, or color changes with one
simple alteration.
3. In Word Documents, you also want to make sure that the fonts
that you use for the text will be available on the recipient's
computer. Good fonts to use are the standard fonts that come
installed on PCs, which include Arial, Verdana, Tahoma, Times New
Roman, Georgia, Palatino, Courier, and Trebuchet MS.
In order to insert a small amount of customized text—such as your
logo, tagline, or address information—create an image of that
information and to place it in the header and footer of the
page.
Another way to preserve the appearance of text is to export your
document as a PDF file and send it to the recipient; PDF files
embed the fonts into each document so that they can be viewed on
any computer and still look right.
Some Technical Info About Font File Types
When you purchase fonts to use on your computer, you'll often be
given a choice of buying a Post Script, True Type, or Open Type
font. Here is a brief explanation of the characteristics and
problems with each of these formats:
1. Post Script fonts are considered industry standard and are
therefore preferred by professional printers. There is a format
of Post Script fonts available for Macintosh computers and
another format available for Windows computers; those fonts
cannot be shared between Macs and PCs.
2. True Type fonts are often found on Windows machines. These
fonts do not print as well as Postscript fonts.
3. Open Type fonts are the newest type of font. They are
cross-platform compatible, but many fonts aren't yet available
in this format.
With this information about the creative, practical, and
technical aspects of font usage, we hope that you can make font
choices that will enhance your brand.
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Erin Ferree, Founder and Lead Designer of elf design, is a
brand identity and marketing design strategist who creates big
visibility for small businesses. Erin helps her clients discover
their brand differentiators, then designs logos, business cards,
and other collateral materials and websites to reflect that
differentiation, as well as to increase credibility and
memorability. To learn more about defining your difference, check
out our eBook, Stand Out, at www.stand-out-branding.com .
For more information about elf design, please visit: Logo design
at www.elf-design.com
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