About this product: This poster shows Sean Patrick Flanery and Norman Reedus as they both are lighting cigarettes. At the bottom it says "The Boondock Saints". This poster measures approx. 24" x 36" The Boondock Saints is a 1999 crime thriller film written and directed by Troy Duffy. The film stars Sean Patrick Flanery and Norman Reedus as Catholic Irish American fraternal twins, Connor and Murphy MacManus, who become vigilantes after killing two members of the Russian Mafia in self-defense. After a message from God, the brothers, together with their friend David Della Rocco, set out to rid their home city of Boston, Massachusetts of crime and evil, all the while being pursued by FBI agent Paul Smecker (Willem Dafoe). It was divisive among viewers, ultimately developing both a large cult following.
About this product: This poster shows Jacob in front of some trees. At the bottom it says "The Twilight Saga: New Moon". This poster measures approx. 24" X 36" New Moon (also known as The Twilight Saga: New Moon) is an upcoming romantic-fantasy film scheduled for release on November 20, 2009. It is based on the novel of the same name by Stephenie Meyer and is the sequel to 2008's Twilight, which is based on Meyer's previous novel. Directed by Chris Weitz, the film will star Kristen Stewart, Robert Pattinson, and Taylor Lautner, reprising their roles as Bella Swan, Edward Cullen, and Jacob Black, respectively. Bella is devastated by the abrupt departure of her vampire love, Edward, but her spirit is rekindled by her growing friendship with the irresistible Jacob. Suddenly she finds herself drawn into the world of the werewolves, ancestral enemies of the vampires, and finds her loyalties tested.
About this product: Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi
About this product: Stan Getz and Oscar Peterson were both consummate performers, comfortable at any tempo, when they met for this 1957 recording, and they're clearly enjoying one another's skills on ballads and uptempo tunes alike. The group is one of the finest editions of Peterson's trios, with bassist Ray Brown and guitarist Herb Ellis. It's virtually a machine for quiet swing, and the absence of a drummer lets Getz's silky sound come to the fore with all its details intact. For all his fame as a virtuosic pianist, Peterson is an underrated accompanist. He complements a soloist with deft fills and unobtrusive propulsion, and the backgrounds he supplies here are as subtle as his solos are extroverted. The program is a good mix of standards and Getz originals, including the joyous "Tour's End," while the extended ballad medley could define jazz lyricism. There's also a brief but infectious version of Ellis's "Detour Ahead," the guitarist's early and highly successful foray into songwriting. --Stuart Broomer
About this product: James Stewart, at his warmest and most avuncular, plays the bandleader who rocketed to fame during the swing era. The Glenn Miller Story may be a whitewashed version of Miller's life, but it certainly is a pleasant example of the feel-good Hollywood biopic, with the usual conventions: early struggles, loyal wife (June Allyson at her chirpiest), personal sacrifice--Miller joins the Army when war breaks out, although he doesn't have to--and ultimate tragedy. All the Glenn Miller classics filling the soundtrack make the film pretty easy to take, too: "Moonlight Serenade," "A String of Pearls," "Chattanooga Choo-Choo." Miller plays the great "In the Mood" with his military band during a World War II air-raid warning. Pure corn, but it works. Director Anthony Mann, better known for his superb series of hard-bitten fifties westerns with Stewart, keeps the story moving gently and gracefully. A hot jazz interlude features Louis Armstrong and Gene Krupa. --Robert Horton
About this product: This visual and musical masterpiece features Yul Brynner's Academy Award® winning performance, an inforgettable Rodgers and Hammerstein® score, and brilliant choreography by Jerome Robbins. It tells the true story of an Englishwoman, Anna Leonowens (Deborah Kerr), who comes o Siam as schoolteacher to the royal court in the 1860's. Though she soon finds herself at odds with the stubborn monarch (Brynner), over time, Anna and the King stop trying to change each other and begin to understand one another.
About this product: The dazzling Rodgers and Hammerstein musical, brought to lush life by the director of the original stage version, Joshua Logan. Set on a remote island during the Second World War, South Pacific tracks two parallel romances: one between a Navy nurse (Mitzi Gaynor) "as corny as Kansas in August" and a wealthy French plantation owner (Rossano Brazzi), the other between a young American officer (John Kerr) and a native girl (France Nuyen). The theme of interracial love was still daring in 1958, and so was director Logan's decision to overlay emotional moments with tinted filters--a technique that misfires as often as it hits. The comic relief tends to fall flat, and an overly spunky Mitzi Gaynor is a poor substitute for the stage original's Mary Martin. But the location scenery on the Hawaiian island of Kauai is gorgeous, and the songs are among the finest in the American musical catalog: "Some Enchanted Evening," "Younger than Springtime," "I'm Gonna Wash That Man Right Outta My Hair," "This Nearly Was Mine." That's Juanita Hall as the sly native trader Bloody Mary, singing the haunting tune that launched a thousand tiki bars, "Bali H'ai." Based on stories from James Michener's book Tales from the South Pacific. --Robert Horton
KITCHEN
