About this product: Shop for Chefs With Wine IV Poster Print by Shari Warren Motivational Art Prints. Over 400k posters, art prints, artwork, lithographs, and photographs online. Custom framing is available. Framing your favorite art print has never been easier. PosterExpo introduces a friendly and exciting way to view your customized framed art. All mouldings are high-quality, elegant choices at affordable prices and come in a variety of colors and finishes. Each print is first mounted onto an acid-free foam-board to prevent creasing and warping, and then glazed using picture grade framer's Plexiglass. All frames ship ready-to-hang and include the necessary hardware.
About this product: Chefs With Wine III by Shari Warren Image Size 8"x10" Paper Size 8"x10" Fine Art Reproduction on High Quality Art Paper. Retails for $5.00 or more.
About this product: Using your magazines and newspapers (or whatever you can find) to avoid those nasty rings on your furniture from drips and sweaty glasses? Here's a solution: absorbent stone coasters. They have a porous stone surface that absorbs moisture from your beverage glass, and are cork-backed that prevents nicks and scratches to your furniture. They're also a great accent to your interior home decor!
About this product: 2009 two CD collection of soundtrack recordings. Nick Cave and Warren Ellis have been playing together for more than 15 years, with The Bad Seeds, Grinderman and The Dirty Three. More recently, they've been collaborating on soundtracks for films such as The Proposition (2005) and The Assassination Of Jesse James By The Coward Robert Ford (2007) as well as Gisli orn Gardarsson's acrobatic theatrical productions of Woyzeck (2005) and Metamorphosis (2006). White Lunar is a selection of pieces taken from some of the motion pictures and documentaries for which Cave and Ellis have composed and recorded music. Includes music from the motion picture The Road based on the book by Cormac MacCarthy (No Country For Old Men) and starring Viggo Mortensen. 17 tracks. Mute Records.
About this product: A classic Disney fairytale collides with modern-day New York City in a story about a fairytale princess (Amy Adams) from the past who is thrust into present-day by an evil queen (Susan Sarandon). Soon after her arrival, Princess Giselle begins to change her views on life and love after meeting a handsome lawyer (Patrick Dempsey). Can a storybook view of romance survive in the real world? A musical comedy starting Oscar nominee Amy Adams, Grey's Anatomy star Patrick Dempsey and Oscar winner Susan Sarandon. The film is a combination of animation and live-action and, as Disney's big movie for Christmas, you won't be able to move around without seeing the princess image (above) everywhere you go. The film will launch simultaneously on approx 800 screens nationwide.
About this product: Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ("My Funny Valentine," "How Long Has This Been Going On?") with Faith Prince-style sauciness ("If"), gets to show off her operatic and scat chops in the miniplay "The Girl in 14G," and shares a light duet with Jason Alexander (reviving his musical theater career post-Seinfeld). Perhaps her "Stranger Here Myself" isn't the weightiest you've ever heard, but this is an enjoyable album with a good deal of old-fashioned class, expertly accompanied by Rob Fisher and the Coffee Club Orchestra. --David Horiuchi
About this product: Burt Kennedy wrote several of the finest Westerns ever for director Budd Boetticher in the late '50s--marvels of austere, subtle storytelling. Yet on his own, writer-director Kennedy tended to very broad comedy-Westerns. The Rounders, based on a novel by Max Evans, falls somewhere between Support Your Local Sheriff (high) and Dirty Dingus Magee (low). Glenn Ford and Henry Fonda play two bronc busters in the pickup-driving West who, by their own admission, "ain't exactly the smartest cowboys that ever lived." Somehow they always end up owing rancher Jim Ed Love (Chill Wills) one more year of indentured servitude. The year we observe is dominated by a purely diabolical roan and capped by a randy brush with two showgirls (Sue Ane Langdon and Hope Holiday) who play "Dumber" to Ford and Fonda's "Dumb." It's all very amiable and unassuming, but the toot-plunk-whistle-boom soundtrack--to signal "This is the funny part"--is sheer torture. --Richard T. Jameson
About this product: A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
About this product: Demonstrations of classic military tactical procedures and excellent footage of vintage aircraft (like the rare B-36), combine here to give viewers a cold war primer on the Air Force's defense capabilities, circa 1955. Former World War II pilot James Stewart is called out of retirement to assist in the strengthening of the Strategic Air Command, the new bomber forces that are America's first line of defense against the Russian nuclear threat. Wife June Allyson sits at home and frets over her husband's devotion to duty, while Harry Morgan lends a hand on the aircraft. Through Stewart, director Anthony Mann takes us on an ersatz tour of the elite Air Force operations that safeguarded America at the time. Unless you're interested in the aircraft of the day or stateside propaganda techniques during the cold war, Strategic Air Command tends to be a bit of a yawner. --Mark Savary
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