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About this product: 8' Green Camouflage Netting measures approximately 6' x 8'. Please Note: Package includes only Camouflage Netting and not the crates and boxes shown above.
About this product: Please Note: Products are designed and rated for use in the United States using 120 volt current. With or without a transformer, this product is not recommended for use outside the US. Blacklight comes with UL Listed metal fixture and 18" long blacklight tube. For indoor use only. Plugs into any standard AC outlet. Power Cord is approximately 6.5' long. Can be mounted on the wall. Takes a 15-watt black light tube (type T8). Please Note: Blacklight fixture can only hold 1 blacklight, not 2 lights as pictured on the package image. Please Note: Make sure the blacklight bulb is secured tightly in the holder for the light to operate properly.
About this product: "Tragedy tomorrow, comedy tonight!" With that song, one of the most famous opening numbers ever, the brilliant career of Stephen Sondheim as a Broadway composer and lyricist was born. Sondheim had written lyrics for the classics West Side Story and Gypsy, but he wanted to compose as well, and after 1954's Saturday Night was derailed, A Funny Thing Happened on the Way to the Forum (1962) gave him his first Broadway show. Based on the Roman comedies of Plautus, it's a light frothy entertainment (as promised in the opening) led by the outrageous Zero Mostel as the scheming slave Pseudolus. The Gordian knot of a plot also involves Jack Gilford as fellow slave Hysterium, Preshy Marker as the vacant Philia, Brian Davies as the young hero, Hero, and Ron Holgate as the testosterone-oozing soldier Miles Glorious. Sondheim the composer proves an ideal match for Sondheim the lyricist: you can hear halting uncertainty and not-yet-blossomed passion in "Love, I Hear," "I'm Calm" perfectly captures Hysterium's hysteria, and "Everybody Ought to Have a Maid" is pure vaudeville genius. --David Horiuchi
About this product: A Funny Thing Happened on the Way to the Forum, the first Broadway show for which Stephen Sondheim wrote both music and lyrics, has proven to be one of the master's most enduring creations, appearing in community theaters and, in 1996, in this full-scale Broadway revival. In the role of the scheming slave Pseudolous, Tony-winner Nathan Lane isn't the maelstorm that was Zero Mostel in the 1962 original Broadway cast, giving a subtler, neurotic performance. While one might miss the sheer force of Mostel's personality driving these madcap antics (based on the Roman comedies of Plautus), Lane's approach allows the show to become more of an ensemble vehicle. In a gender- and race-neutral move, Lane was subsequently replaced on Broadway by Whoopi Goldberg. --David Horiuchi
About this product: No Description Available No Track Information Available Media Type: CD Artist: THREE DOG NIGHT Title: CAPTURED LIVE AT THE FORUM Street Release Date: 06/19/1989 Domestic Genre: ROCK/POP
About this product: This was a reunion bringing back most of the characters from The Andy Griffith Show. It begins with Andy Taylor returning to Mayberry and planning to run for his old job of Sheriff but when he arrives, he discovers that his old deputy and friend, Barney Fife, is planning to run also. So Andy decides to back down. And at the same time there are some strange things going on, and Barney's stumped, so Andy has to help him out. Also Barney's planning to propose to his old girlfriend Thelma Lou, and Opie, Andy's son is about to become a father.
About this product: Dear Penthouse,
Two words that are guaranteed to set you off on a wild ride of sensual experiences.
Direct from the pages of Penthouse come six erotic tales.
Little is left to the imagination in this steamy video.
About this product: "Something familiar, something peculiar, something for everyone: a comedy tonight!" Those words from the opening song pretty much describe the menu in A Funny Thing Happened on the Way to the Forum, a frantic adaptation of the stage musical by Larry Gelbart and Burt Shevelove. The wild story, set in ancient Rome, follows a slave named Pseudolus (Zero Mostel, snorting and gibbering) as he tries to extricate himself from an increasingly farcical situation; Mostel and a bevy of inspired clowns, including Phil Silvers, Jack Gilford, and Buster Keaton, keep the slapstick and the patter perking. The cast also includes the young Michael Crawford as a love-struck innocent. This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is a pixilated romp and very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amidst all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. --Robert Horton
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