About this product: THIS GE MSWF WATER FILTER REMOVES IMPURITIES AND CHEMICALS SUCH AS BACTERIA AND CHLORINE FROM THE WATER. WATER FILTERS SHOULD BE REPLACED EVERY SIX MONTHS OR IF YOUR WATER HAS A BAD TASTE OR ORDER.
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About this product: INDICATIONS: Features of Brita Refrigerator Replacement Water Filter Fitting for GE or Hotpoint, Kenmore The Brita refrigerator filter replacement is guaranteed by Brita to fit most GE and Hotpoint refrigerators. This refrigerator filter can be used to fit refrigerators using part numbers Smart Water MWF, GWF01, GWF06, HXRT, and Hotpoint HWF.
About this product: Music is powerful. The Bible makes this clear. Within the heart of man is a desire to release their emotions, affections, dreams, concerns, even theological truths in musical form. The Psalms (literally "praises") were written with all forms of human emotions but contained truths focused on God's Word (Psalm 119 is a prime example).
Today, however, it seems Christian music has lost its theological focus. Its now more bent on experience or a "personal relationship with Jesus." Songs taken from the Scriptures and the truth therein is found mainly in some praise & worship artists and Michael Card. Card is a theologian who happens to play guitar. His love and passion for the Scriptures flows in his songs. From El Shaddai to The Final Word, Card takes deep theological truths and put them to music.
There is a silent revolution taking place in Christian music. The likes of Keith Green, Steve Camp, John Fisher, and Michael Card is not lost. God is reviving musicians who desire to glorify God alone! And I'm happy to endorse this album as an example of that revolution.
About this product: Firesight makes good on the critical praise and grass-roots fan support that's already been heaped upon 24-year-old Jessie Baylin. The2008 album offers a vibrant, soulful showcase for her talents as both an uncommonly insightful songwriter and a deeply expressive, effortlessly charismatic vocalist. Recorded in the artist's recently adopted hometown of Nashville with noted producer Roger Moutenot (Yo La Tengo, Rogue Wave), Firesight features contributions from some of Nashville's most respected rock players, and songwriting collaborations with such notable co-writers as Whiskeytown member Mike Daly and grammy-winning songwriter/performer Jesse Harris, L.A. Troubadour Zack Hexum and the Rembrandts' Danny Wilde.
About this product: Sweeping irresistibly forward like some dream hybrid of Ziggy Stardust, Kashmir-era Zeppelin and German techno, U2's massive "Hold Me, Thrill Me, Kiss Me, Kill Me" launches this disc. Also included are tracks by Brandy (the Lenny Kravitz-produced "Where Are You Now?"), Seal ("Kiss from a Rose"), Eddi Reader ("Nobody Lives Without Love"), and The Devlins ("Crossing the River"). Michael Hutchence butchers Iggy Pop's "The Passenger," but The Offspring mines big fun from The Damned's "Smash It Up." --Jeff Bateman
About this product: This 1949 Disney feature has never been available on video in its original form until now. The 68-minute film contains two shorts: The Wind in the Willows and The Legend of Sleepy Hollow. The former is a lively version of Kenneth Grahame's book of animal adventures, including Mr. Toad, a rambunctious sort with a passion for motorcars. Basil Rathbone narrates the story. Sleepy Hollow is the Washington Irving story of a stuffy schoolmaster and his ability to win the love of the fair Katrina from the brutish Brom Van Brunt. Many fans will see a resemblance to Disney's masterpiece created some 40 years later, Beauty and the Beast, in style and story. The end is still scary enough to send youngsters under the table. Bing Crosby supplies the narration, character voices, and songs. The opening number in a library including two stories has been included in this good-looking restoration. The shorts were made in Disney's prime, a year before Cinderella, and the look is wondrous. The exaggeration of Ichabod's skinny frame and his slumping horse is a glorious example. --Doug Thomas
This imaginative summer comedy from director Barry Sonnenfeld (Get Shorty) is a lot of fun, largely on the strength of Will Smith's engaging performance as the rookie partner of a secret agent (Tommy Lee Jones) assigned to keep tabs on Earth-dwelling extraterrestrials. There's lots of comedy to spare in this bright film, some of the funniest stuff found in the margins of the major action. (A scene with Smith's character being trounced in the distance by a huge alien while Jones questions a witness is a riot.) The inventiveness never lets up, and the cast--including Vincent D'Onofrio doing frighteningly convincing work as an alien occupying a decaying human--hold up their end splendidly. --Tom Keogh
Take the best elements from Seinfeld and Arrested Development and you have It's Always Sunny in Philadelphia. Combining the social-degenerate-buddy formula (three men, one woman) with the beyond-dysfunctional-family element, Philadelphia creates scenarios that are so hysterical, wrong, appalling, familiar, embarrassing, uncomfortable, and entertaining, the show is addictive like staring at a car wreck when you know you shouldn't, but you just can't look away; it's invigorating like a fresh, loud, wake-up slap on the face. The writing, the quick timing, and the performances are so natural, one wonders if anyone is even acting (but hopes to heaven they are). Danny DeVito joined the cast in the second season, in one of the best roles on TV. DeVito is "Frank," the buddy dad that just wants to be part of the gang, the dad that looks good on paper, but the experience for his kids is more like taking care of a vicious dog that isn't potty-trained. Three of his four talented cohorts (Charlie Day, Glenn Howerton, and Rob McElhenney) not only star in the series, but write it as well. Thanks to their new take on old themes and a willingness to stretch the boundaries of appropriateness and exploit the audiences' inner insecurities, originality is back on TV.--Rachel Moss
Stills from It's Always Sunny in Philadelphia: Seasons 1 & 2
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