About this product: Mahogany Series "Elephant & Baby Calf" - This exclusive quality stone resin hand painted piece is made to emulate mahogany wood, and unless you pick it up and closely examine it, it is hard to tell it is not real wood. Comes in color gift box. Measures 10" x 3 3/4".
About this product: We bring you the best selection of Movie Posters, Music Posters, Sports Posters, Art Prints, Television Posters, College Humor, and more! This is the premier destination for finding entertainment posters. Find authentic movie advertisements, increase your celebrity photo and poster collection, locate that missing pop idol piece you need to complete your set, or discover rare concert sheets from your favorite musicians and bands. Whether its that one rare framed art print youve been looking for, or you need to wallpaper your dorm room with the hottest, sexiest posters, this is the place to find everything. Brand new, perfect condition, fast shipping! Buy from the best!!!
About this product: The Bacon Brothers say it best on this hilarious CD's title track: "Poultry in motion is a beautiful thing." So is a record that grabs you by the funnybone from its opening (the Seldom Herd's "Cows") and doesn't let go till the final note is clucked. Sandra Boynton, whose illustrated board books have become as much a part of every toddler's reading list as Mother Goose, makes a convincing case here that authors can succeed brilliantly as very silly songwriters. Meryl Streep, Laura Linney, Kevin Kline, Natasha Richardson, and fourteen other performers all qualify as contenders for king and queen of the coop, and they whoop it up enough to guarantee the most enjoyable sing-along ever. --Tammy La Gorce
About this product: What the world needs now and then -- what it used to get now and then -- is a true smash Broadway hit. We got an idea when "The Producers" opened, when reviewers raved and people rushed for tickets and The New York Times predicted it would run fifteen years. And then...Nate and Matt left, with Nate's place taken by some fellow who'd done Shylock on the West End, and he got fired, and the whole premium-priced house of cards crumbled in slow motion -- no more sellouts (at least none without the boys), no one acclaiming the "genius" of the newest Max Bialystock or of Susan Stroman, no one willing to overlook the indifferent songs or the "hoary" jokes (so Ben Brantley called them -- on opening night!), and the show closed nine years before the Times said it would, and now it's a relic, just another overrated -- vastly overrated -- memento of its day, a "Black Crook" of over-the-top "comedy."
"How to Succeed in Business" was the "Producers" of 1961 -- a highly-buzzed-about show that became a smash hit and earned tons of awards, including the Pulitzer. JFK came to see it, the ultimate stamp of approval. The difference, of course, is where Mel's show had an amanuensis, this one had the real thing in Frank Loesser. As the theatrical historian Gerald Bordman has noted, Loesser's strong suit was satire, yet somehow he got sidetracked into several big romantic shows, square pegs in round holes given his snappy up-to-the-minute style; he'd bombed the year before with the idyllic whimsy of "Greenwillow." Here he returned to the brassy form of "Guys and Dolls", and if it wasn't at that rarefied level (what could be?) his score was still one of the best -- and like most of the era's hits it was expertly and excellently cast, and thankfully for us superbly recorded. Whether the show itself is so excellent is another matter; it derives from a paper-thin in-joke parody of how-to manuals, and Abe Burrows's book pulls its punches from the get-go, content with easy set pieces. But the satirical prospects for "How to Succeed" have since increased exponentially. One could wrench "A Secretary is Not a Toy" from the weak orbit of Bob Fosse's finger snaps (the clever use of the typewriter here was evidently just for the album and most likely never made the show) and plunge it straight into an office machinery maelstrom of beeping computers and grinding copiers and ring-tone-playing cellphones. Of course J. Pierrepont Finch wouldn't be the only one with executive ambitions -- why not his beloved Rosemary? One or both could sell his (or her, or their) brilliant promotional scheme with a PowerPoint to end all PowerPoints. And Wall Street has outdone itself with imaginative crookery; merely hiding stock for a televised treasure hunt won't do -- unless of course Money Honey® emceed it on CNBC. Maybe she could be the femme fatale. Alas come the 1995 revival the producers' idea of humor was to emblazon their every poster (and the album art too) with a big fat "H2$" -- unfortunately H2S is the chemical symbol for hydrogen sulfide, sewer gas (yes, I know, it's a dollar sign, but it's also an S) -- and to get A&P's Eight O'Clock Coffee in for a willfully ignorant product placement.
Perhaps it can't be done. Perhaps this brilliant cast album is a deceptive siren song to a revival's possibilities -- like "On a Clear Day You Can See Forever", a first-rank score next to a rank book. But "Pal Joey" became a stage treasure thanks to Goddard Lieberson's studio album, and the stage is nothing if not for dreaming.
About this product: Unlike his cowboy contemporaries Skip Gorman and Don Edwards, Ian Tyson doesn't reach back to the Old West for inspiration. He has been a working rancher since the 1970s, and Tyson's songs make reference to cell phones as well as bay studs. Rather than demand that he not be fenced in, he sings, "I've roamed this world as a free man / One thing I ask of you / Don't let them put no tubes in me." No managed care for Tyson! Lost Herd finds the Canadian range rider mining the kind of big-sky acoustic sounds that first earned him notoriety as one-half of Ian & Sylvia, of "You Were on My Mind" and "Four Strong Winds" acclaim. Alternately virile and sensitive, this cowpoke is comfortable enough with his masculinity to sign off with a Judy Garland tune--"Over the Rainbow." Culled from sessions out of Toronto, Nashville, and Calgary, these songs are as wind-worn and comfortable as a weathered saddle. --Steven Stolder
About this product: Given the presence of both Steve Martin and John Candy, one would expect this John Hughes comedy to be much, much funnier than it is. Certainly it's not for lack of effort on the part of its stars. Martin is an uptight businessman trying to get home from New York for the holidays. But one thing after another gets in his way--most of it having to do with Candy, a boorish but well-meaning boob who takes a liking to him. Together they travel all over the map; no matter how hard Martin tries to shake him, he can't. But Hughes's writing is never as sharp as it should be and this film winds up being only intermittently humorous. --Marshall Fine
About this product: One night in 1963, two plainclothes LAPD officers were abducted by armed small-time criminals after a routine traffic stop, then driven to a remote area where one was brutally executed. The other officer managed to escape and the perpetrators were captured and brought to trial. Despite overwhelming evidence, the slayers managed to drag the justice process on for years through appeals and delaying tactics, one of them making use of the prison law library to become a "jailhouse lawyer." Taken from the Joseph Wambaugh book, The Onion Field is a true story about a case that changed LAPD policies forever. More than a simple police procedural, though, the film is a character study that follows the aftermath of the murder for all involved. John Savage, as the surviving officer, is called on over and over to reenact the event in court, chided by his superiors and eventually fired from the force, with redemption a long way off. He does a great job in a harrowing role as frustration, guilt, and depression cause his life and career to disintegrate over time. There are impressive early performances by Ted Danson and James Woods (setting the tone for countless raw-nerve, psycho-lowlife roles that Woods would take on in the future). The compelling script, written by ex-cop Wambaugh (with no studio interference), is a reminder of why he's one of novelist James Ellroy's favorite writers. It's a story of tragedy and hope, dignity and pain, with a potent emotional payoff. --Jerry Renshaw
About this product: John Candy's first leading role was in this 1985 film by Carl Reiner, in which the comic actor played a stressed-out air traffic controller who takes his family on a Florida vacation and has to deal with arrogant, rich jerks. Candy is good in what is almost a straight part (albeit with some jokes), and Reiner keeps the tone in check so his star has an opportunity to show more than one dimension. --Tom Keogh
About this product: An ad exec and a shower-curtain-ring salesman become co-travelers on the way to thanksgiving in chicago. Studio: Paramount Home Video Release Date: 03/22/2005 Starring: Steve Martin Laila Robbins Run time: 93 minutes Rating: R Director: John Hughes
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