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About this product: I have played the Debussy: Clair de lune & Other Piano Favorites so much, that I can pick out any Debussy from a variety of music. It is great to listen to when I am reading, studying, or even cleaning house. The music is so relaxing and serene. I highly recommend it to anyone!
About this product: The success of her first international hit, Watermark, confirmed Enya as less a singer or songwriter than a sonic architect: working with producer Nicky Ryan and his wife, lyricist Roma Ryan, the classically-trained pianist built vaulting cathedrals of sound, framed by luminous piano, shimmering synthesizer orchestrations, and, above all, the seemingly infinite layers of vocal harmonies she plied on every song. The deeply romantic Celtic pop on its 1991 successor, Shepherd Moons, sustains the same spectrum of hushed reverie and surging, rhapsodic releases, as well as its mix of ballads, floating midtempo pieces, and forays into Celtic and Latin--and it's every bit as seductive. The terminally hip will sneer, but it's no accident that "Caribbean Blue," the best known song here, managed to sneak onto modern rock, top 40, "adult alternative" and public radio playlists. --Sam Sutherland
About this product: This "back-to-the-roots" road-trip documentary CD/DVD from blues-rocking guitarist Kenny Wayne Shepherd can be viewed in two ways--it's either the culmination of a long-held desire to promote and play with some unheralded blues veterans before they pass away (as six had already done since the recording was made, 2½ years before its early 2007 release) or a way to regain the blues audience Shepherd all but alienated on his artistically and commercially disappointing 2004 hard-rock release, The Place You're In. Ultimately, it succeeds on both accounts. Regardless of the project's inspiration, the results by and large justify whatever the means might have been to get this show on the road--literally and figuratively. Shepherd hit the highway for a week and a half along with producer Jerry Harrison (ex-Talking Heads), a portable studio, and backup musicians including the rhythm section from Stevie Ray Vaughan's Double Trouble. He searched out blues artists both obscure (the late guitarist Etta Baker, who plays in her kitchen, is a highlight) and better known (Clarence "Gatemouth" Brown and B.B. King) for a series of acoustic and electric jams, all of which feature Shepherd--who, to his credit, generally keeps his hot-dogging tendencies in check. A closing concert featuring members of Howlin' Wolf and Muddy Waters' bands never quite generates the heat it should, but country bluesmen Cootie Stark, Neil Pattman, and harmonica ace Jerry "Boogie" McCain provide plenty of sparks. Shepherd seems sincere enough, but the real stars are the ageing musicians who have maintained their chops and intensity through a lifetime of performing music that clearly comes from the soul. --Hal Horowitz
About this product: I f You love the jerky boys, you will love this movie. I like what the person above me said about this movie being so bad its good. That sums it up. Also you get a cameo of Ozzy and Helmet, so check it out.
About this product: The soap-opera career of Motown's most successful group, the Temptations, lends credence to the old belief that great art comes from troubled lives. Over three decades, the band struggled through numerous ego trips, countless members, broken relationships, coke addiction, alcoholism, suicide, cancer, deadly arthritis--in short, all the melodramatic devices necessary for a TV miniseries. This two-and-a-half-hour docudrama touches on all of these personal tragedies, but unfortunately forgets the real reason for the strength of the story: the music. Sure, there's wonderful reenactments of the quintet's finest material, such as "My Girl," "Just My Imagination," "Papa Was a Rolling Stone" and "The Way You Do the Things You Do," all performed with the slick choreography and shimmering vocal harmonies that made the band legendary. But, unfortunately, director Allan Arkush (Rock and Roll High School) and writers Kevin Arkadie and Robert Johnson forget to put the music into any historical perspective. Why were the Temptations so important? What was their contribution to pop music? By watching this saccharine, manipulative exposé, you'd never know. The performances are nonetheless terrific, especially Charles Malik Whitfield as leader (and narrator) Otis Williams, D.B. Woodside as his partner, Melvin Franklin, and Leon as the group's talented livewire, David Ruffin. The DVD edition offers several fine features including 2.0 Dolby Surround Sound, a discography, cast and crew profiles, extensive production notes, and most important, the ability to jump to any of the seven songs performed... basically the main reason to watch this epic. --Dave McCoy
About this product: By now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.
The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister Delia Ephron, updates and relocates the Ernst Lubitsch classic The Shop Around the Corner to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.
It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland
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