Concerts are part art, part party--and a big part business. This Business of Concert Promotion and Touring is the first to focus on that all-important business aspect, from creating a show, to selling a show, to organizing the show, to staging the show. Working with venues, personnel, booking, promoting, marketing, publicity, public relations, financial management, and much more are covered in this indispensable one-volume resource. And the ideas and techniques explained here can be used for every type of concert promotion, including college shows, artist showcases, club gigs, as well as major events handled by local promoters, nationwide promoters, and worldwide promoters. Concert promoters and tour mana
About this product: For Hart Evans, being the most popular kid in sixth grade has its advantages. Kids look up to him, and all the teachers let him get away with anything -- all the teachers except the chorus director, Mr. Meinert. When Hart's errant rubber band hits Mr. Meinert on the neck during chorus practice, it's the last straw for the chorus director, who's just learned he's about to lose his job due to budget cuts. So he tells the class they can produce the big holiday concert on their own. Or not. It's all up to them. And who gets elected to run the show? The popular Mr. Hart Evans.
Hart soon discovers there's a big difference between popularity and leadership, and to his surprise, discovers something else as well -- it's really important to him that this be the best holiday concert ever, and even more important, that it not be the last.
About this product: At their peak, Led Zeppelin's gigantic rock shows outsold every other band on the planet, and this celebratory guide features every detail of their remarkable career. Originally published in 1977, this is much more than a reference book. Led Zeppelin were the quintessential live rock act, setting the blueprint for rock and metal that has barely changed since. This book unfolds the Zeppelin saga from their beginnings on the London club scene, through the ballrooms of America and on to the record-breaking tours, private jets and legends of debauchery. This long-awaited update includes An accurate guide to exactly when and where the quartet played Reviews, recollections and on-stage comments that add fresh perspective to the legends and myths Masses of rare ticket stubs, flyers, posters and photos Full details of all major TV and radio appearances Extensive bootleg and visual film references Solo appendices bringing the whole story right up to date.
About this product: jon's book is a no bull book about what shooting music is all about. a succint style of writing and good photo illustrations to make case in point. i recommend it
About this product: "A highly readable, innovative investigation of the potential political implications of popular music." --Edwar Bryan Portis, Texas A&M University "Political science has too often ignored the critical political dimensions of music in social life. Now Mark Mattern has given us a groundbreaking examination of the varied political functions of populist musics--from social glue to social dynamite--as reflected in three fascinating, diverse, and disenfranchised case-study communities. Acting in Concert is, truly, music to intellectual ears." --George H. Lewis, author of Side Saddle on the Golden Calf: Social Structure and Popular Culture in America "Acting in Concert is a pioneering work that opens up new ways of thinking about the public dimensions of music. In an era when music is all too often packaged, standardized, and drained of energy and political passion, Mattern shows through vivid case studies and probing discussion of large ideas like politics and community that people's participation in the creation and experience of music can be a vital resource for democracy." --Harry C. Boyte, coauthor of Building America In this lively account of politics and popular music, Mark Mattern develops the concept of "acting in concert," a metaphor for community-based political action through music. Through three detailed case studies of Chilean, Cajun, and American Indian popular music, Mattern explores the way popular muisicians forge community and lead members of their communities in several distinct kinds of political action that would be difficult or impossible among individuals who are not linked by communal ties. More than just entertainment, Mattern argues that popular music can serve as asocial glue for bringing together a multitude of voices that might otherwise remain silent, and that political action through music can increase the potential for relatively marginalized people to choose and determine their own fate. Mark Mattern is an assistant professor of political science at Chapman University, Orange, California.
On January 18, 1958, the Columbia Broadcasting Corporation aired the first of Leonard Bernstein's 53 Young People's Concerts with the New York Philharmonic. So successful were these performance lessons that they ran for over a decade on television.
About this product: As a pianist fills the hearts of an audience, this book begins in black and white and the music gradually fills the pages with color. Here is a visual expression of the joy that beautiful music brings to the world. Full color.
About this product: Frank Gehry has called Walt Disney Concert Hall a "living room" for the city of Los Angeles. Opened in Fall 2003 to rapturous praise, the hall beckons all comers with a billowing steel facade gleaming in the sunlight. Nearly 100 stunning color photographs and four concise, engaging essays by notable, mostly L.A.-based contributors make Symphony: Frank Gehry’s Walt Disney Concert Hall the ideal overview of this major civic and cultural landmark. Significant architectural, acoustical, urban design and civic leadership angles are all covered, including the checkered history of the project, stalled for years due to a ballooning budget, a complex decision-making process and a misguided attempt to relegate Gehry to a consulting role. In the end, as Michael Webb points out, the lag time proved valuable to Gehry, coinciding with his mastery of a new architectural language that he first explored in the Guggenheim Museum Bilbao. The book is full of intriguing details. For example, the acoustical scheme developed by Dr. Minoru Nagata relies in part on a surprising discovery he made—-that the quality of sound in the Concertgebouw in Amsterdam, long attributed to the resonant wood walls, was really due to the four inches of plaster underneath. The most ambitious chapter is Carol McMichael Reese's discussion of the hall's role in the long-term rehabilitation of downtown Los Angeles. For all its scrupulous detail and balanced assessments, however, she fails to give an eye-level view of the gritty texture of downtown Los Angeles and how alien it still is to the average symphony patron. The book concludes with an essay by Esa-Pekka Salonen, conductor of the Los Angeles Philharmonic, who notes the appropriateness of visionary design to the modern symphonic repertoire he champions. —Cathy Curtis
Moses and his school friends are deaf, but like most children, they have a lot to say. They communicate in American Sigh Language, using visual signs and facial expressions. This is called signing. And even though they can't hear, they can enjoy many activities through their other senses. Today, Moses and his classmates are going to a concert. Their teacher, Mr. Samuels, has two surprises in store for them, to make this particular concert a special event.
Isaac Millman tells Moses's story in pictures and written English, and in American Sign Language (ASL), introducing hearing children to the signs for some of the key words and ideas. At the end of the book are two full conversations in sign language and a page showing the hand alphabet.
About this product: Concert Lighting is a comprehensive primer on lighting design for concerts. Placing special emphasis on rock-and-roll concert lighting equipment and techniques, the book takes its reader on tour, covering every aspect of that experience for the touring professional lighting technician and designer. It also devotes several chapters to cross-media use of concert lighting techniques. Discussions of applications in film, video, the theatre, and the corporate world demonstrate the ways in which today's lighting designers cross over into other design areas.
This new edition has been thoroughly updated and includes new sections on computer-aided drafting, moving lights, hi-bred consoles, concert techniques in television production and features designs by some of the top concert designers in the industry. Concert Lighting is designed to assist students and professionals in understanding the unique fixtures, structures, special effects and design element used in concert lighting today.
Thoroughly updated with new sections on Computer Aided Drafting, moving lights and other new equipment and techniques. A real-life look at what a lighting designer does- from fighting for contracts to designing a show. Special emphasis on rock-and-roll concert lighting.
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