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BOOK
House Rules: A Novel
Jodi Picoult
$9.25

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The astonishing new novel from #1 New York Times bestselling author Jodi Picoult about a family torn apart by an accusation of murder.

They tell me I'm lucky to have a son who's so verbal, who is blisteringly intelligent, who can take apart the broken microwave and have it working again an hour later. They think there is no greater hell than having a son who is locked in his own world, unaware that there's a wider one to explore. But try having a son who is locked in his own world, and still wants to make a connection. A son who tries to be like everyone else, but truly doesn't know how.

Jacob Hunt is a teenage boy with Asperger's syndrome. He's hopeless at reading social cues or expressing himself well to others, and like many kids with AS, Jacob has a special focus on one subject -- in his case, forensic analysis. He's always showing up at crime scenes, thanks to the police scanner he keeps in his room, and telling the cops what they need to do...and he's usually right. But then his town is rocked by a terrible murder and, for a change, the police come to Jacob with questions. All of the hallmark behaviors of Asperger's -- not looking someone in the eye, stimulatory tics and twitches, flat affect -- can look a lot like guilt to law enforcement personnel. Suddenly, Jacob and his family, who only want to fit in, feel the spotlight shining directly on them. For his mother, Emma, it's a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it's another indication of why nothing is normal because of Jacob. And over this small family the soul-searing question looms: Did Jacob commit murder?

Emotionally powerful from beginning to end, House Rules looks at what it means to be different in our society, how autism affects a family, and how our legal system works well for people who communicate a certain way -- and fails those who don't.

BOOK
The Kitchen House: A Novel
Kathleen Grissom
$13.30

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When a white servant girl violates the order of plantation society, she unleashes a tragedy that exposes the worst and best in the people she has come to call her family.

Orphaned while onboard ship from Ireland, seven-year-old Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master's illegitimate daughter, Lavinia becomes deeply bonded to her adopted family, though she is set apart from them by her white skin.

Eventually, Lavinia is accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself perilously straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, dangerous truths are laid bare, and lives are put at risk.

The Kitchen House is a tragic story of page-turning suspense, exploring the meaning of family, where love and loyalty prevail.

Explore the reading group guide for The Kitchen House.

A Conversation with Author Kathleen Grissom

Q: What information surprised you while doing research on white indentured servants?

A: When I first began my research I was astonished to discover the great numbers of Irish that were brought over as indentured servants. Then, when I saw advertisements for runaway Irish indentured servants, I realized that some of them, too, must have suffered under intolerable conditions.

Q: Why did you chose not to go into detail about some of the most dramatic plot points in the novel, for example, the death of Waters or the abuse of young Marshall?

A: For the most part, Lavinia and Belle dictated the story to me. From the beginning, it became quite clear that if I tried to embellish or change their story, their narration would stop. When I withdrew, the story would continue. Their voices were quite distinct. Belle, who always felt grounded to me, certainly did not hold back with description, particularly of the rape. Lavinia, on the other hand, felt less stable, less able to cope; and at times it felt as though she was scarcely able to relate her horror.

Q: It is interesting that your novel has two narrators--Lavinia and Belle. Do you have any plans to continue the story into the next generation--perhaps from the perspectives of Jaime and Elly?

A: In 1830, Jamie is a well-respected ornithologist in Philadelphia and Sukey is enslaved by the Cherokee Indians in North Carolina. Theirs are the two voices I hear. In time I will know if I am meant to tell their story. Presently I am writing Crow Mary, another work of historical fiction. A few years ago I was visiting Fort Walsh in the Cypress Hills of Saskatchewan. As I listened to an interpreter tell of Mary, who, in 1872, at the age of sixteen, was traded in marriage to a well-known fur trader, a familiar deep chill went thorough me. I knew then that I would return to write about this Crow woman. Some of her complex life is documented, and what fascinates me are her acts of bravery, equal, in my estimation, to those of Mama Mae.

Q: This is your first novel after diverse careers in retail, agriculture, and the arts. How have each of these experiences contributed to your writing style?

A: I don't know that any endeavor specifically contributed to my writing style, but I do know that every phase of my life helped prepare me to write this book.

Q: The dialogue of the slaves in this novel is very believable. It must have been a difficult thing to achieve. How did you go about creating authentic voices from two hundred years ago?

A: At the very beginning of my research I read two books of slave narratives: Bullwhip Days: The Slaves Remember and Weevils in the Wheat: Interviews with Virginia Ex-Slaves. Soon after, the voices from The Kitchen House began to come to me. My original draft included such heavy dialect that it made the story very difficult to read. In time I modified the style so the story could be more easily read.

Q: You said you wrote the prologue in one sitting after being inspired by a map you found while renovating an old plantation tavern. Since this is your first novel, do you think you were "guided" by residents of the past?

A: Not only do I feel I was guided but also that I was gifted with their trust. However, I am not alone in this. In Alice Walker's book The Color Purple, she writes: "I thank everybody in this book for coming. A.W., author and medium." Unless I misread that, I'd say, in this experience, I'm in good company.

Q: Your book has been described as "Gone with the Wind turned upside down." Are you a fan of Margaret Mitchell's novel? Which writers have inspired you through the years?

A: I have only recently read Gone with the Wind. Although I did enjoy it, a few of the writers that have truly inspired me are Robert Morgan, Alice Randall, Susan Fromberg Schaeffer, Edward P. Jones, Nuala O'Faolain, Alexandra Fuller, Susan Howatch, Rick Bragg, Breena Clarke, Beryl Markham, Alice Walker, Joan Didion . . . this list could go on forever. I love to read.

Q: There are many characters in this novel. How did you go about choosing their names?

A: They were all taken from different lists of slaves that I found in my research.

Q: What advice do you have for writers working on their first novels?

A: If you feel called to write a book, consider it a gift. Look around you. What assistance is the universe offering you as support? I was given an amazing mentor, a poet, Eleanor Drewry Dolan, who taught me the importance of every word. To my utter amazement, there were times she found it necessary to consult three dictionaries to evaluate one word! Take the time you need to learn the craft. Then sit down and write. When you hand over your completed manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. And, of course, never give up! Q: At times in the novel, you can almost smell the hearty foods being prepared by Mama and others. In your research, did you find any specific notes or recipes from kitchen houses that you can share with your readers?

A: In 1737, William Byrd, founder of Richmond, wrote of the many types of fruits and vegetables available in Virginia. Watermelons, pumpkins, squashes, cucumbers, artichokes, asparagus, green beans, and cauliflower were all being cultivated. I discovered that many of these were preserved by pickling. For those interested in how this was done and for recipes from that time, an excellent resource is Martha Washington's Booke of Cookery and Booke of Sweetmeats, transcribed by Karen Hess.
While in Williamsburg, I watched re enactors roast beef over a spit in a kitchen fireplace. Small potatoes in a pan beneath the meat were browning in the drippings, and I cannot tell you how I longed for a taste. That was my inspiration for the Christmas meal. For basics, such as the chicken soup, I built a recipe around what I knew would have been available for use in the kitchen house at that time.
Whenever Belle baked a molasses cake, I craved a taste. I did try several old recipes that I found, but I was unsatisfied with the results. So, using the old recipes as a baseline, my daughter, Erin, and I created our own version of a simple yet moist and tasty molasses cake. I am happy to share it with the readers:

Simple Molasses Cake
½ cup butter
1/3 cup packed brown sugar
1 egg
½ cup milk
1 cup molasses
2 cups flour
1 teaspoon baking soda
1 teaspoon ground ginger
1 teaspoon cinnamon
2 dashes ground cloves
¼ teaspoon salt

Preheat the oven to 350 degrees. Grease an 8-inchsquare baking pan. In a large bowl, cream the butter and sugar. Beat in the egg. In a separate bowl, combine the milk and the molasses. In another bowl, combine the flour, baking soda, ginger, cinnamon, cloves, and salt. Add each of these alternately to the butter mixture, beating well between additions. Spoon batter into the prepared pan. Bake for approximately 45 minutes, or until a toothpick comes out clean.

BOOK
The Midnight House
Alex Berenson
$25.00

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Amazon Exclusive: Alex Berenson Talks About His New Novel, The Midnight House

As a reporter for The New York Times, Alex Berenson has covered topics ranging from the occupation of Iraq to the flooding of New Orleans to the financial crimes of Bernie Madoff. His previous novels include The Faithful Spy, winner of the 2007 Edgar Award for best first novel, The Ghost War, and The Silent Man.

John Wells has been through a lot.

Over the course of his first three missions—chronicled in The Faithful Spy, The Ghost War, and The Silent Man —he’s been shot. Twice. He’s been beaten nearly to death in a prison in Beijing. He’s fought hand-to-hand against Russian special forces soldiers in a cave in Afghanistan. He’s repelled an assassination attempt in a traffic jam in Washington.

And, of course, there was that time he was infected with the plague.

Just writing this list makes me wince a little bit, too. You see, John is real to me—and, based on the e-mail I receive, to lots of readers, too. Unlike a typical action hero, he’s not a human Etch-a-Sketch. He can’t shake himself clean, forget everything he’s seen and done, and wake up ready for his next mission. He has nightmares and fits of depression. Yet he will never give up his roles as protector and—unique to Wells—infiltrator, each of which brings with it specific and intense psychological stresses, and so he has no choice but to soldier on.

Put simply, Wells, like many veterans, has posttraumatic stress disorder. The syndrome has gone by different names over the years: “shell shock,” “the thousand-yard stare,” “combat fatigue.” Most soldiers don’t like talking about it, especially to civilians. And with the help of their families and fellow soldiers, the great majority eventually find a way to put their experiences behind them. But some suffer terribly. The number of suicides in the Army has more than doubled since the Iraq war began, rising from 67 in 2003 to at least 150 in 2009.

So in writing my fourth novel, The Midnight House, I wanted to respect the real-world impact that war has on the men and women who fight it. I hear from soldiers and veterans who read these novels, and who see themselves in Wells. I would hate to betray them by turning him into a comic-book character. And I am very conscious of the trauma Wells has accumulated, both physical and psychic. It’s just not realistic to bring him to the edge of death over and over and expect him to survive. I also wanted to give him a break from killing, to the extent I could. Not that he’s become a pacifist; far from it. But, without giving too much away, he is a detective as much as a soldier in this book, and he tries to avoid using force whenever he can. (In The Silent Man in contrast, he deliberately seeks out revenge even when Jennifer Exley, his then fiancée, asks him not to.)

Don’t worry, though. From start to finish, The Midnight House has plenty of excitement, and the early reviews have been great. Kirkus Reviews called the novel “a superbly crafted spy thriller that doubles as a gripping mystery,” and Publishers Weekly said it is “exceptional” and “compelling.” I hope you’ll agree. And I hope that when you’re done reading, you’ll remember that although John Wells is only as real as the pages (or screens) of these novels, the valor and sacrifice that he represents is alive every day in Iraq, in Afghanistan, and in the homes of soldiers and veterans across America.

--Alex Berenson

(Photo of Alex Berenson © Sigrid Estrada)

BOOK
Burned (House of Night Novels)
Kristin Cast
$9.71

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BOOK
Hunted (House of Night Novels)
Kristin Cast
$9.99

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Book Description
What if the hottest guy in the world was hiding a nameless evil and all he wanted was you?

At the start of this heart-pounding new installment of the bestselling House of Night series, Zoey's friends have her back again and Stevie Rae and the red fledglings aren't Neferet's secrets any longer.  But an unexpected danger has emerged. Neferet guards her powerful new consort, Kalona, and no one at the House of Night seems to understand the threat he poses.  Kalona looks gorgeous, and he has the House of Night under his spell. A past life holds the key to breaking his rapidly spreading influence, but what if this past life shows Zoey secrets she doesn't want to hear and truths she can't face?

On the run and holed up in Tulsa's Prohibition-era tunnels, Zoey and her gang must discover a way to deal with something that might bring them all down.  Meanwhile, Zoey has a few other little problems.  The red fledglings have cleaned up well--they've even managed to make the dark, creepy tunnels feel more like home--but are they really as friendly as they seem?  On the boyfriend front, Zoey has a chance to make things right with super-hot ex-, Eric, but she can't stop thinking about Stark, the archer who died in her arms after one unforgettable night, and she is driven to try to save him from Neferet's sinister influence at all costs.  Will anyone believe the power evil has to hide among us?

An Interview with P.C. Cast

Amazon.com: Why vampyres? What was intriguing to you about them? (Also, why "y"?)

P.C. Cast: Actually, the idea for the series originated with my fabulous agent, Meredith Bernstein. We were at RWA [Romance Writers of America] Nationals in Reno several years ago and Meredith said she had an idea for a series she'd like to see me write. Then she said the three magic words: vampire finishing school. I instantly thought of YA because I'd been reading the Hawksong books by Amelia Atwater-Rhodes--so my head was already in YA. Also, I've been teaching high school English since 1993 (I'm from a family of teachers) so I definitely knew my audience. Basically, it sounded like fun to write, so I jumped in even though I'd only written fantasy and paranormal romance up until then.

Oh, and the spelling is just my choice 'cause I like the way it looks!

Amazon.com: I don't want to draw too many comparisons between your series and Twilight, because they are completely different types of stories. However, I am curious if the popularity of that series has changed the way you see your genre, or do you even see it being the same genre?

PC: I see my genre as YA, and to me that encompasses everyone from Rowling to Laurie Halse Anderson to Janice Erlbaum. So, yes, Twilight fits in the same genre. And while I enjoy Ms. Meyer's books very much, I think the genre has been growing and changing and gaining popularity steadily over the past decade--mostly thanks to Ms. Rowling! As a high school English teacher I certainly noticed the increase in sophistication and popularity of the genre some time ago. Today's YA has an incredible range and depth, and it deals with real coming of age issues in varied and interesting ways. I'm proud to be a member of the ranks of YA authors!

Amazon.com: Can you talk a little bit about the role that religion plays in the novels? The whole series revolves around the worship of Nyx, the Goddess of Night, and Hunted really digs into questions of faith and free will (often related to what guy Zoey will be drawn to next...very clever to make that her weakness!). At various points in the series you also have People of Faith, Catholic nuns, and Cherokee legend. How do you see all these elements working together?

PC: Very clever of you to recognize the ramifications of Zoey's weakness!

It's easy for me to weave the different religious elements of the world together because it's not really "religion" I'm dealing with when I create the conflicts and faith foundations in the House of Night. Instead I see it as a way to illuminate coming of age issues, which often deal with conformity and obsession and trying to learn boundaries. I chose to give my heroine a belief system in which to live that is matriarchal because my purpose is to empower young women, and by allowing Zoey to join a world where women are valued as leaders and really have no glass ceiling, except the ones they create for themselves, as exemplified by Neferet, I have a springboard for a lot of girl power.

Amazon.com: What were some of your influences for the House of Night school?

PC: South Intermediate High School in Broken Arrow, Oklahoma! I just looked around me and wrote what I saw. I also write what I wish I could see, as in the amazing HoN facility and their very cool classes. I'd love to teach a Vampyre Sociology class!

Amazon.com: How has Kristin being in school affected the series as it's progressed? The scenes with friends hanging out and geeking out on movies in the dorm seem pretty familiar...

PC: When the series started Kristin was nineteen and was still living at home her first semester in college. And then when she did move out it certainly wasn't into a dorm that looked as cool as the House of Night dorms! But she does DEFINITELY geek out with her friends. (She's going to kill me for that…)

Amazon.com: When did the two of you decide to write a book together? How does your writing process work?

PC: I brought Kristin in while I was writing the first three chapters of Marked. I kept stumbling over silly little things, like specific slang that I thought I knew, but found out once I started writing about teenagers that MY deeply buried inner teen from the 70's kept trying to resurface and butt in with her slang! Kristin keeps me straight about that. She also says she keeps Zoey from "sounding like a 40-something disgruntled school teacher." Sigh.

We're on book six of the series, and we have the process down. We do some brainstorming, then I write the first draft, often asking Kristin questions right in the manuscript or leaving blanks for her to fill in. Then I send the entire thing to her, and she goes through it, answering questions, filling in blanks, and asking me questions/making comments of her own. She sends it back to me and I go through it again. Then it's ready to go to St. Martin's and our lovely editor, Jennifer Weis. It sounds like a tedious process, but it's really very freeing for me. I can write whatever and know Kristin has my back.

Amazon.com: Zoey has a few mother-daughter-like relationships--with her mom, her grandma, Neferet, Nyx. How much does your mother-daughter relationship inform your writing? Is it ever awkward?

PC: Hmm...that's a good question. Kristin and I have a unique writing relationship. Actually, I probably wouldn't even consider writing with anyone else--it's unusually easy with my daughter (perhaps because I can beat her?). She and I have always been close, and we have a very honest relationship. Talking with each other has never been a problem, so we're used to communicating. That helps a lot in a co-author situation.

Regarding the mother-daughter relationships in the book: clearly Zoey's relationship with her own mom is nothing like Kristin and mine. Sadly, both of us have met many Linda Heffers here in Oklahoma, which is why she is so easy--and disturbing--for us to write. When I write Nyx's words I often think about how I feel about Kristin, and then try to expand that to how this goddess would view the vampyres, especially Zoey, as her children.

We get the awkward question often because of the sexual tension in the books. Kristin and I do discuss the temperature of the books and the specific situations a lot. It doesn't feel awkward between us because we're used to communicating, and because we don't just stick sex in our series to be gratuitous. The sexual issues are there because they're realistic to teenagers. Yes, Zoey has several boyfriends--often at the same time. But in six books she has had sex once, and that was because she was manipulated and used by a charismatic adult. It wasn't awkward writing those parts with my daughter--we believe in the reality of the books and the points we make about mistakes and consequences.

Amazon.com: Each of the books sort of has its own personality. Chosen, for example, was more focused on the friends and the guys, and Untamed was much more deeply focused on folklore and goddess rituals. Do you think that's influenced by each of your interests, with Kristin having more influence on one book and P.C. showing up more in another? Or is that just the natural arc of the story?

PC: I think the shifting emphasis is because of the natural arc of the story. Think about your own life. Doesn't your focus shift from time to time? I know mine does. Actually, sometimes it feels like events happen in waves: lots of guy, no guys, friend stres, no friend stress, crazy stuff at school, kinda calm school, etc. So I guess fiction is just mimicking the patterns I see in life.

Amazon.com: Even though it has a satisfying ending (no spoilers!) Hunted certainly doesn't seem like the end of Zoey's story. What's next?

PC: Zoey has to save the world! And it's definitely a big job. Seriously, now that the dark influences that have been lurking on the periphery of Zoey's world have been brought out into the open, it's time to deal with them. Of course that's a lot harder than "Okay, Z, kick their butts and save the world now!" sounds. Especially as there are many layers to the House of Night world and often good appears bad, and bad seems terribly attractive.

BOOK
Tempted (House of Night Novels)
Kristin Cast
$7.50

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BOOK
Magic Tree House #43: Leprechaun in Late Winter (A Stepping Stone Book(TM))
Mary Pope Osborne
$6.30

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Jack and Annie are on their third mission to find (and inspire!) creative people to bring happiness to others through the arts (Mozart and Louis Armstrong so far). Set in Ireland, Jack and Annie meet an Irish girl and go on a magical adventure that changes the girl’s life—she grows up to be Lady Gregory, who helped bring back the Irish legends, started a theater, and helped the Irish people regain both their heritage and their pride.

BOOK
Untamed (House of Night Novels)
Kristin Cast
$9.64

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BOOK
The House at Riverton: A Novel
Kate Morton
$5.99

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Amazon Best of the Month, April 2008: In her cinematic debut novel, Kate Morton immerses readers in the dramas of the Ashbury family at their crumbling English country estate in the years surrounding World War I, an age when Edwardian civility, shaken by war, unravels into the roaring Twenties. Grace came to serve in the house as a girl. She left as a young woman, after the presumed suicide of a famous young poet at the property's lake. Though she has dutifully kept the family's secrets for decades, memories flood back in the twilight of her life when a young filmmaker comes calling with questions about how the poet really died--and why the Ashbury sisters never again spoke to each other afterward. With beautifully crafted prose, Morton methodically reveals how passion and fate transpired that night at the lake, with truly shocking results. Her final revelation at the story's close packs a satisfying (and not overly sentimental) emotional punch. --Mari Malcolm

BOOK
Chosen: A House of Night Novel (House of Night Novels)
Kristin Cast
$10.00

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