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  BOOKLook Again Lisa Scottoline $7.00
About this product: When reporter Ellen Gleeson gets a “Have You Seen This Child?” flyer in the mail, she almost throws it away. But something about it makes her look again, and her heart stops—the child in the photo is identical to her adopted son, Will. Her every instinct tells her to deny the similarity between the boys, because she knows her adoption was lawful. But she’s a journalist and won’t be able to stop thinking about the photo until she figures out the truth. And she can’t shake the question: if Will rightfully belongs to someone else, should she keep him or give him up? She investigates, uncovering clues no one was meant to discover, and when she digs too deep, she risks losing her own life—and that of the son she loves. Lisa Scottoline breaks new ground in Look Again, a thriller that’s both heart-stopping and heart-breaking, and sure to have new fans and book clubs buzzing.  BOOKHow to Never Look Fat Again: Over 1,000 Ways to Dress Thinner--Without Dieting! Charla Krupp $14.54
About this product:  BOOKHow Not to Look Old: Fast and Effortless Ways to Look 10 Years Younger, 10 Pounds Lighter, 10 Times Better Charla Krupp $9.20
About this product:  BOOKNever Look Away Linwood Barclay $11.00
About this product: Years ago, when I worked on the city desk for The Toronto Star, every once in a while someone would phone in with a hot tip. Something they’d heard from a friend of a friend. The story was that children were being spirited away from a local theme park. Grabbed, disguised, thrown into a van and driven away so fast their parents hadn’t even noticed they were gone yet. And the kicker was, the story was being suppressed because the theme park owners didn’t want bad publicity. There was never, ever anything to it. I’d worked in the news business long enough to know that when a kid goes missing. That story gets out. Big time. Our theme park was not the only one where this urban myth played out. I’d heard the same story about a number of big attractions. But never with any real names attached. It always happened to the boyfriend of someone’s cousin’s brother’s boss. But the story stayed with me just the same. I started playing around with it in my head. I thought, okay, let’s start with the myth, but then let’s do something entirely different. Someone’s going to disappear, all right, but not the person you’re expecting... As I began working out the storyline for my new thriller, Never Look Away, the amusement park scene became a way in to a very different kind of tale for me. One about secrets, about past, hidden lives, about how sometimes the people we’re closest to are the ones we know the least. One significant way in which it differs from my previous novels is that it is not told entirely in first person. This time, there were things I had to keep from my protagonist that the reader just had to know. That time on the city desk was part of more than 30 years I spent working in newspapers. It was a period in which papers mattered a great deal. They still do, but it’s hardly news to point out they’re facing tough times, a perfect storm of changing technology meeting harsh economic realities. So when it came to deciding what that protagonist would do for a living, I decided to make him a reporter at a small daily that’s more concerned with maintaining revenues than breaking scandals, especially if breaking them will hurt the bottom line. (I like to point out, I never encountered anything like that at The Star.) I was well into writing this novel when Michael Connelly’s terrific novel The Scarecrow came out, which is also set against the backdrop of a newspaper in decline. I suspect these will not be the only two novels to explore--either in depth or in a tangential way--the significant changes this institution is going through. Another urban myth that used to get called into the paper now and again was that some unscrupulous developer was building houses so cheaply, someone’s piano went right through the living room floor. We never found that house, but there might still be a murder mystery in that story, especially if there was some poor bastard in that basement. --Linwood Barclay  BOOKLook Me in the Eye: My Life with Asperger's John Elder Robison $7.65
About this product:  BOOKA First Look at Communication Theory Em Griffin $63.99
About this product:  BOOKA Shepherd Looks at Psalm 23 W. Phillip Keller $2.98
About this product:  BOOKLook, Look! Peter Linenthal $3.14
About this product:  BOOKFace It: What Women Really Feel as Their Looks Change Jill Muir-Sukenick Ph.D. $14.58
About this product: Let’s face it: everyone’s getting older. But millions of women, raised to believe that success and happiness are based on their intelligence and accomplishments, face an unexpected challenge: the physical realities of aging. If looks are not supposed to matter, why do so many women panic as their appearance changes? Their dilemma stems from two opposing societal views of beauty which lead to two different approaches to aging. Should women simply grow old naturally since their looks don’t define them, or should they fight the signs of aging since beauty and youth are their currency and power? This Beauty Paradox leaves many women feeling stuck. Face It, by Vivian Diller, Ph.D., is a psychological guide to help women deal with the emotions brought on by their changing appearances. As a model turned psychotherapist, Diller has had the opportunity to examine the world of beauty from two very different vantage points. This unique perspective helped her develop a six-step program that begins with recognizing “uh-oh” moments that reveal the reality of changing looks, and goes on to identify the masks used to cover deeper issues and define the role beauty plays in a woman’s life, and ends with bidding adieu to old definitions of beauty, so women can enjoy their appearance—at any age! BOOKWhat Looks LIke Crazy On an Ordinary Day Pearl Cleage $5.60
About this product: Ada has spent the last 10 years living in Atlanta. When she discovers she's infected, she sells her hairdressing business and heads back to her childhood home of Idlewild, Michigan, to spend the summer with her recently widowed sister before moving on to San Francisco. Once there, however, she finds herself embroiled in big-city problems--drugs, violence, teen pregnancy, and an abandoned crack-addicted baby, to name just a few--in a small-town setting. Ava also meets Eddie Jefferson, a man with a past who just might change her mind about the imprudence of falling in love. In less assured hands, such a catalog of disasters would make for maudlin, melodramatic reading indeed. But Cleage, an accomplished playwright, has a way both with characters and with language that lifts this tale above its movie-of-the-week tendencies. In Ava she has created a character who not only effortlessly carries the weight of the story but also provides entertaining commentary on African American life as she goes. Discussing the insular nature of the black community in Atlanta, she recalls, "I'd walk into a reception room and there'd be a room full of brothers, power-brokering their asses off, and I'd realize I'd seen them all naked. I'd watch them striding around, talking to each other in those phony-ass voices men use when they want to make it clear they got juice, and it was so depressing, all I'd want to do was go home and get drunk." Later, she describes the preacher's wife's hair as "pressed and hot-curled within an inch of its life.... Hardly anybody asks for that kind of hard press anymore. Sister seems to have missed the moment when we decided it was okay for the hair to move." As the trials and tribulations pile on, the experiences of Cleage's characters prove to be universal: death, love, second chances. Ava's acerbic, smart-mouthed narrative keeps the story buoyant; by the time this endearingly imperfect heroine and her cohorts have negotiated the rocky road to a happy ending, readers will be sorry to see her go, even as they wish her well. --Alix Wilber |
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