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  BOOKGetting the Love You Want: A Guide for Couples, 20th Anniversary Edition Ph.D. Harville Hendrix Ph.D. $8.65
About this product: As a result of his research, Hendrix created a therapy he calls Imago Relationship Therapy. In it, he combines what he's learned in a number of disciplines, including the behavioral sciences, depth psychology, cognitive therapy, and Gestalt therapy, to name just a few. He expounds upon this approach in Getting the Love You Want: A Guide for Couples. His purpose in writing the book, he says, is "to share with you what I have learned about the psychology of love relationships, and to help you transform your relationship into a lasting source of love and companionship." Divided into three sections, the book covers "The Unconscious Marriage," which details a marriage in which the remaining desires and behavior of childhood interfere with the current relationship; "The Conscious Marriage," which shows a marriage that fulfils those childhood needs in a positive manner; and a 10-week "course in relationship therapy, " which gives detailed exercises for you and your partner to follow in order to learn how to "replace confrontation and criticism ... with a healing process of mutual growth and support." The text is occasionally dry and technical; however, the information provided is valuable, the case studies are interesting, and the exercises are revealing and helpful. By utilizing his program, Hendrix hopes you too will be able to solve your marital difficulties without the expense of a therapist. --Jenny Brown  BOOKSo You Don't Want to Go to Church Anymore Dave Coleman $6.15
About this product:  BOOKWhat Americans Really Want...Really: The Truth About Our Hopes, Dreams, and Fears Frank I. Luntz $12.49
About this product: No one in America has done more observing of more people than Dr. Frank I. Luntz. From Bill O'Reilly to Bill Maher, America's leading pundits, prognosticators, and CEOs turn to Luntz to explain the present and to predict the future. With all the upheavals of recent events, the plans and priorities of the American people have undergone a seismic shift. Businesses everywhere are trying to market products and services during this turbulent time, but only one man really understands the needs and desires of the New America. From restaurant booths to voting booths, Luntz has watched and assessed our private habits, our public interests, and our hopes and fears. What are the five things Americans want the most? What do they really want in their daily lives? In their jobs? From their government? For their families? And how does understanding what Americans want allow businesses to thrive? Luntz disassembles the preconceived notions we have about one another and lays all the pieces of the American condition out in front of us, openly and honestly, then puts the pieces back together in a way that reflects the society in which we live. What Americans Really Want...Really is a real, if sometimes scary, discussion of Americans' secret hopes, fears, wants, and needs. The research in this book represents a decade of face-to-face interviews with twenty-five thousand people and telephone polls with one million more, as well as the exclusive, first-ever "What Americans Really Want" survey. What Luntz offers is a glimpse into the American psyche, along with analysis that will rock assumptions and right business judgment. He proves that success in virtually any profession demands that we either understand what Americans really want, or suffer the consequences. Praise for Frank Luntz: "When Frank Luntz invites you to talk to his focus group, you talk to his focus group." "Frank Luntz understands the American people better than anyone I know."
"The Nostradamus of pollsters." "America's top companies listen to Frank Luntz because he understands what customers want and what employees think. He has a keen sense of the American psyche and an outstanding command of language that empowers and persuades."
 BOOKI am a Genius of Unspeakable Evil and I Want to be Your Class President Josh Lieb $7.95
About this product: Twelve-year-old Oliver Watson’s got the IQ of a grilled cheese sandwich. Or so everyone in Omaha thinks. In reality, Oliver’s a mad evil genius on his way to world domination, and he’s used his great brain to make himself the third-richest person on earth! Then Oliver’s father—and archnemesis—makes a crack about the upcoming middle school election, and Oliver takes it as a personal challenge. He’ll run, and he’ll win! Turns out, though, that overthrowing foreign dictators is actually way easier than getting kids to like you. . . Can this evil genius win the class presidency and keep his true identity a secret, all in time to impress his dad?  BOOKGetting the Love You Want Workbook: The New Couples' Study Guide Helen, Ph.D. Hunt $9.71
About this product: A companion workbook to the enormously successful New York Times bestselling relationship book, Getting the Love You Want: A Guide for Couples. In 1988, Harville Hendrix in partnership with his wife, Helen LaKelly Hunt, published a terrifically successful relationship guide, Getting the Love You Want. The book introduced thousands to their Imago Relationship Therapy, a unique healing process for couples, prospective couples, and parents, and developed into an overnight sensation. For their part, Doctors Hendrix and Hunt managed to aid scores of couples in their plight for more loving, supportive, and deeply satisfying relationships. Now, more than a decade later, this companion book picks up where its predecessor left off, delving further into relationship therapy once again, to help transform relationships into lasting sources of love and companionship. The Getting the Love You Want Workbook is designed for the hundreds of thousands of couples who have attended Imago workshops since Getting the Love You Want hit bookstands, as well as new and curious ones seeking a practical route back to intimacy and passionate friendship. The workbook contains a unique twelve-week course (The New Couples' Study Guide) designed to help work through the exercises published in Part III of Getting the Love You Want. Included are complete step-by-step instructions for transforming relationships into a lasting source of love and companionship. For those of us struggling to maintain our most precious relationships, the Getting the Love You Want Workbook helps us grow aware of our individual, unconscious agenda while steering us towards a more harmonious link with our loved ones that will satisfy our deepest needs.  BOOKIf You Want to Walk on Water, You've Got to Get Out of the Boat John Ortberg $3.75
About this product:  BOOKI Don't Want to Talk About It: Overcoming the Secret Legacy of Male Depression Terrence Real $3.95
About this product:  BOOKWhat Do You Want for Christmas?: An Advent Study for Adults James W. Moore $3.79
About this product:  BOOKGet the Life You Want: The Secrets to Quick and Lasting Life Change with Neuro-Linguistic Programming Richard Bandler $10.87
About this product:  BOOKBoth Ways Is the Only Way I Want It Maile Meloy $34.00
About this product: Amazon Exclusive: Maile Meloy on Arranging Stories  My most recent book, Both Ways Is the Only Way I Want It, is a story collection, as was my first. Lately people have been asking me about how you decide which stories to include in a collection, and what order they go in, which was (and still is) a big question of mine. When I was writing the stories that became my first book, Half in Love, I read great collections to see how it was done: Philip Roth’s Goodbye, Columbus; J.D. Salinger’s Nine Stories; Merce Rodereda's My Christina; D.H. Lawrence's England, My England; Hemingway's In Our Time. I wanted to know how the arrangement of eight or ten or twelve stories could create a complete experience that the reader could move through, when the stories weren't linked in any way except for the fact that one writer wrote them, but it was hard to see how I could transfer that information to my own book. I was taking a class from Ann Patchett then, and she said, about the number of stories in a collection, that Salinger's Nine was like eight hours sleep—a little more was okay, a little less was fine, but it was a good general guideline. About variety, she said that a collection was like a mall: it needed a few big stories with broad horizons, like the big anchor stores, to make a space in which the smaller, quirkier stories could survive. That made sense, so in putting Half in Love together I took some stories out, and left others in, and set aside two linked ones to start a novel with. I made lists of the titles, and annotated them with codes about what was in each story, some of which were so obscure I can't decipher them now. (One was "adbhj." I have no idea what that means.) The easily breakable codes indicated that the story was in 1st person, or 3rd, or 2nd, and whether the protagonist was male or female, and where the story was set. Then I cut the lists apart and moved the titles around on the kitchen table. I spent a long time trying to keep the first-person stories away from each other, before realizing that I didn't need to, that it wasn't difficult to move from one first-person narrator to another. We're used to hearing different voices telling us things about their lives, and I ended up having four in a row. I did the same thing for Both Ways Is the Only Way I Want It, with the annotated titles on cut-up pieces of sticky notes, so they would stay in place—an improvement on the method. Otherwise, the arranging hadn't gotten any easier. I knew which title went first, and had a sense about which one might go last, but I moved the middle around for days, trying different sequences. I got out Salinger's Nine again, because it struck me as the Platonic ideal of a story collection, and I thought about it as a template, wondering which story was my "DeDaumier Smith's Blue Period," and which was my "Teddy." But that came to seem futile and silly, and I went back to thinking about my own stories. I put a story set in Connecticut third, after two Montana stories, so it was clear that the collection was going to go to other places. And there were two stories that made sense near each other, but needed to be separated, like quarreling siblings. The story about a man whose daughter has been murdered couldn't go early. It had to go somewhere in the middle, at a point when the reader was already in the book. And it seemed good to have a lighter story after it, about a grandmother who comes back from the dead. Sometimes the arranging felt like lining up the batting order for a baseball game: which story leads off? And sometimes it felt like seating people at a dinner party: boy-girl-boy-girl if possible, and certain stories shouldn't go next to each other, and try to encourage interesting conversation. And sometimes it felt like making a mix tape for someone you love. But mostly it felt like a puzzle with a discoverable solution, and moving the pieces around was part of the pleasure. |
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