About this product: Based on a true story Mickey Rooney portrays Bill a 40-year-old mentally retarded man with an I.Q. of 50 unable to read or write living in the brutal rough and tumble of New York City. He must learn the ways of the city or face going back to the institution in which he spent a better part of his life in. Barry Morrow (Dennisn Quaid) an amateur documentary filmmaker befriends and enables Bill to learn about family and true friendship. Edie McClurg costars. The sequel Bill On his Own also starring Rooney continues the tale of courage strength and understanding as the generous and sensitive Bill becomes independent and self-sufficient.System Requirements:Running Time: 240 minsFormat: DVD MOVIE Genre: DRAMA UPC: 787364778591
About this product: Meet Bill (Aaron Eckhart) - a doormat if ever there was one. A man reduced to a mere accessory to his family by working a dead end job at his father-in law s bank and arguing about his overindulgent love for chocolate with his wife Jess (Elizabeth Banks) who is loathe to explain her friendship with the local news anchorman (Timothy Olyphant). But Bill's fate begins to change when he becomes mentor to a self-assured boy (Logan Lerman) who engineers Bill s recovery with the help of a cute lingerie sales girl named Lucy (Jessica Alba). Together, the trio confronts Bill s hapless life with humor and energy while forcing him to capture his dream of being financially independent and self-confident. MEET BILL is a film about what it means to let go of your inhibitions and find the path you re destined for.
About this product: After I Spy and before The Cosby Show, Bill Cosby left his own inimitable mark on the arena of stand-up comedy in this live concert showcasing his down-to-earth observations on the rigors and joys of family life. Cosby, using only a microphone and a chair, discusses his take on raising kids and the illogical nature of children and the futility of trying to argue with a child that in the end may be smarter than you. Notable highlights include Cosby's ruminations on the meaning of the all-purpose phrase "I don't know" to kids, and Cosby describing the effect raising children has on his wife Camille's mental state and the pitch of her voice. Containing the basis for the humor of his long-running situation comedy, Bill Cosby: Himself is a polished, occasionally insightful, and frequently hilarious night of comedy from one of the longtime masters of the form. --Robert Lane
About this product: UPC:786936715545 DESCRIPTION: Kill Bill: Volume 1, the critically acclaimed film from groundbreaking writer and director Quentin Tarantino (Pulp Fiction, Jackie Brown), now packs even more of a punch in high definition on Blu-ray disc! Uma Thurman (Pulp Fiction), Lucy Liu (Charlie s Angels, Chicago) and Vivica A. Fox (Two Can Play That Game) star in this astonishing, action-packed motion picture about brutal betrayal and an epic vendetta. Four years after taking a bullet in the head at her own wedding, The Bride (Thurman) emerges from a coma and decides it s time for payback...with a vengeance! Determined to finish the kill-or-be-killed fight she didn t start, she hunts down her former boss, Bill (David Carradine), and the deadly squad of international assassins who perpetrated the bloody attack. END
About this product: "The Bride" (Uma Thurman) gets her satisfaction--and so do we--in Quentin Tarantino's "roaring rampage of revenge," Kill Bill, Vol. 2. Where Vol. 1 was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino's film-loving brain, Vol. 2--not a sequel, but Part Two of a breathtakingly cinematic epic--is Tarantino's contemporary martial-arts Western, fueled by iconic images, music, and themes lifted from any source that Tarantino holds dear, from the action-packed cheapies of William Witney (one of several filmmakers Tarantino gratefully honors in the closing credits) to the spaghetti epics of Sergio Leone. Tarantino doesn't copy so much as elevate the genres he loves, and the entirety of Kill Bill is clearly the product of a singular artistic vision, even as it careens from one influence to another. Violence erupts with dynamic impact, but unlike Vol. 1, this slower grand finale revels in Tarantino's trademark dialogue and loopy longueurs, reviving the career of David Carradine (who plays Bill for what he is: a snake charmer), and giving Thurman's Bride an outlet for maternal love and well-earned happiness. Has any actress endured so much for the sake of a unique collaboration? As the credits remind us, "The Bride" was jointly created by "Q&U," and she's become an unforgettable heroine in a pair of delirious movie-movies (Vol. 3 awaits, some 15 years hence) that Tarantino fans will study and love for decades to come. --Jeff Shannon
About this product: Quentin Tarantino's Kill Bill, Vol. 1 is trash for connoisseurs. From his opening gambit (including a "Shaw-Scope" logo and gaudy '70s-vintage "Our Feature Presentation" title card) to his cliffhanger finale (a teasing lead-in to 2004's Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain--and this frequently breathtaking movie--with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books. Everything old is new again in Tarantino's humor-laced vision: he steals from the best while injecting his own oft-copied, never-duplicated style into what is, quite simply, a revenge flick, beginning with the near-murder of the Bride (Uma Thurman), pregnant on her wedding day and left for dead by the Deadly Viper Assassination Squad (or DiVAS)--including Lucy Liu and the unseen David Carradine (as Bill)--who become targets for the Bride's lethal vengeance. Culminating in an ultraviolent, ultra-stylized tour-de-force showdown, Tarantino's fourth film is either brilliantly (and brutally) innovative or one of the most blatant acts of plagiarism ever conceived. Either way, it's hyperkinetic eye-candy from a passionate film-lover who clearly knows what he's doing. --Jeff Shannon
About this product: "The Bride" (Uma Thurman) gets her satisfaction--and so do we--in Quentin Tarantino's "roaring rampage of revenge," Kill Bill, Vol. 2. Where Vol. 1 was a hyper-kinetic tribute to the Asian chop-socky grindhouse flicks that have been thoroughly cross-referenced in Tarantino's film-loving brain, Vol. 2--not a sequel, but Part Two of a breathtakingly cinematic epic--is Tarantino's contemporary martial-arts Western, fueled by iconic images, music, and themes lifted from any source that Tarantino holds dear, from the action-packed cheapies of William Witney (one of several filmmakers Tarantino gratefully honors in the closing credits) to the spaghetti epics of Sergio Leone. Tarantino doesn't copy so much as elevate the genres he loves, and the entirety of Kill Bill is clearly the product of a singular artistic vision, even as it careens from one influence to another. Violence erupts with dynamic impact, but unlike Vol. 1, this slower grand finale revels in Tarantino's trademark dialogue and loopy longueurs, reviving the career of David Carradine (who plays Bill for what he is: a snake charmer), and giving Thurman's Bride an outlet for maternal love and well-earned happiness. Has any actress endured so much for the sake of a unique collaboration? As the credits remind us, "The Bride" was jointly created by "Q&U," and she's become an unforgettable heroine in a pair of delirious movie-movies (Vol. 3 awaits, some 15 years hence) that Tarantino fans will study and love for decades to come. --Jeff Shannon
About this product: From the multi-platinum comedian that brought you the #1 comedy albums Here's Your Sign, 15 Degrees Off Cool, Now That's Awesome! and Dorkfish, comes the newest release from Bill Engvall, Aged and Confused.
About this product: Most critics couldn't get behind Bill Murray's modern retelling of Charles Dickens's A Christmas Carol, finding it too unfocused at times and not nearly wicked enough. Still, if you're a Murray fan, you have to enjoy his deliciously nasty portrayal of the world's meanest TV executive, who has his cathartic moment one cold Christmas night in New York City. The various ghosts lead him on a ghost-town tour of Manhattan, with stops at holidays past, present, and future and a Kumbaya moment when Al Green and Annie Lennox sing "Put a Little Love in Your Heart." The effects are otherworldly, but one wishes the writing were as sharp as Murray's edgy portrayal. --Marshall Fine
About this product: Bill Maher incurs the wrath of multiple religious zealots of myriad faiths in Religulous, a snarky but unexpectedly powerful documentary. Maher bluntly disputes the value of religion in a world made increasingly dangerous, on the one hand, by fanaticism of all kinds and the human race's environmental self-destructiveness on the other. No one is immune from Maher's dogged questions about the illogic and negative fallout of doctrines that advocate violence or shun scientific evidence or marginalize minorities or punish anyone who disagrees with any religion's extreme tenets. Maher takes his inquiries to the Vatican; to small, evangelical Christian churches; to Jerusalem; to Amsterdam (where elements of an increasingly vocal Muslim community have shown violence toward critics); to a large, African-American church in a big city; and to several bizarre theme parks celebrating creationism and the life of Jesus. Wherever he goes, Maher seeks to demonstrate that many of the world's major religions are rife with hypocrisy, completely self-referential, and destructive to the collective good. The fast-moving, globe-trotting film is full of highlights, including a great scene where Maher, in disguise, argues for the core beliefs of Scientology to a bemused crowd at Speaker's Corner in London's Hyde Park. There's also a wonderful moment where Maher, just having been thrown out of the Vatican, gets a terrific interview with a maverick priest. Raised Catholic but in reality half-Jewish, Maher also spends time with his mother and sister trying to reconcile the role of religion in his childhood. Everything is really leading toward Maher's major point that atheists and agnostics are in a sizable minority but are afraid to speak out in these days of zealotry. If that minority stays in the background, Maher says, we may very well be heading toward catastrophe. --Tom Keogh
Beyond Religulous on DVD
Religulous the soundtrack
New Rules: Polite Musings from a Timid Observer the book
DVD
