About this product: Since winning an Academy Award for his exuberant performance in Jerry Maguire, Cuba Gooding Jr. has gotten little but static from critics for a spate of calamitous career choices not seen since '80s-vintage Burt Reynolds. But he triumphantly returns to Oscar-worthy status with his moving performance as Radio, a mentally challenged young man, whom South Carolina high school football coach Harold Jones (Ed Harris) takes under his nurturing wing. This does not play well with the school's patient but questioning principal (Alfre Woodard); the school's biggest athletic booster, who views Radio as a distraction; the man's son, the team's star player, who plays cruel pranks on the trusting Radio; and the Coach's teenage daughter, who feels neglected. Almost all will be won over by Radio's trusting and good nature. Based on a Sports Illustrated story, Radio was adapted for the screen by Mike Rich, screenwriter of The Rookie, and as in that superior family film, the heroics are mostly off the field. As Coach says, with all the subtlety of a blitz, "We're not the ones been teaching Radio; he's the one been teaching us." The ending, in which we see the actual Radio, still cheering his team on 26 years later, will melt the most cynical hearts. --Donald Liebenson
About this product: Ted Allen has co-authored several hilarious guides acquainting men with all things cultured and refined. In this special highlight DVD, Queer Eye's food and wine connoisseur sets you straight on the fundamentals of cuisine. From cooking with herbs to choosing wine, Ted teaches you the expert tricks to create the finest fare. Bonus CD
About this product: As paranoid cop Del Spooner, Will Smith (Independence Day, Men in Black) displays both his trademark quips and some impressive pectoral muscles in I, Robot. Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind--he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories; I, Robot, the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan (The Sum of All Fears), Bruce Greenwood (The Sweet Hereafter), and James Cromwell (Babe, LA Confidential). --Bret Fetzer
About this product: Frankie (Ione Skye) is looking for a man "with the soul of a poet and eyes like Frank Sinatra." Her world is black and white--literally in this film--until the blue eyes of David (Mackenzie Astin) enter the café where she works with her uncle and cousin. But Frankie's about to leave San Francisco for L.A. with her best friend, Allison (Jennifer Aniston), where they'll both become actresses. Time is running out for Frankie to convince David that she's the love of his life.
Unfortunately for Frankie, and this film, the lackluster plot and trite characters don't give her much to work with. The dialogue is atrocious (Frankie says, with complete sincerity, "I'm going to circumnavigate his soul until he's anchored on all sides by my love"), and her character is so utterly spoiled and obnoxious you can't understand what David--or her friends--see in her. What makes the film all the more disappointing is the promising cast. Jennifer Aniston is underused, and Michael Landes does the best he can with his clichéd role as a gay man who desperately wants to come out to his father but can't work up the courage. Dream for an Insomniac tries too hard to be the kind of hip '90s love story that films such as Walking and Talking and Naked in New York succeed in being. --Jenny Brown
About this product: Developing one's self confidence is difficult for most 14-year-olds, and doubly so for Will Stanton (Alexander Ludwig, The Sandlot 3: Heading Home) who's recently moved to England and has just begun his first year of study as an American overseas. Feeling shy and inadequate in school as well as amongst his five brothers and one sister, Will becomes increasingly confounded when he starts to see strange visions including a sinister horseman (Christopher Eccleston) who demands Will give him some sort of sign which he knows absolutely nothing about. Befriended by four elders of the local community (Ian McShane, Frances Conroy, Jim Piddock, and James Cosmo) who turn out to be "Old Ones" from ages past, Will learns that his destiny is as a seeker who must travel through time to collect six ancient signs that will somehow enable light to triumph over darkness and save the world as he knows it. As Will discovers that he possesses hidden powers and struggles to learn to control them in order to accomplish his quest, he is racked with insecurity and self-doubt. In the end, Will's inner strength will be tested to the extreme as will his relationship with both family and friends. While based on Susan Cooper's The Dark is Rising, this movie is significantly different from the book: Will's age and family circumstances have been changed, the role of the Old Ones in Will's education about his powers is much diminished, the six signs are less religiously symbolic, and the treatment of the final battle between light and dark is markedly different. Nonetheless, The Seeker is a suspense-filled, action-packed 94-minutes brimming with great special effects comparable to The Bridge to Terabithia and the Lord of the Rings Trilogy that's immensely appealing to viewers ages 10 and older. --Tami Horiuchi
About this product: The Constant Gardener is the kind of thriller that hasn't been seen since the 1970s: Smart, politically complex, cinematically adventurous, genuinely thrilling and even heartbreaking. Mild diplomat Justin Quayle (Ralph Fiennes, The English Patient, Schindler's List) has a loose cannon of a wife named Tessa (Rachel Weisz, The Shape of Things, The Mummy), who's digging into the dirty doings of a major pharmaceutical company in Kenya. Her brutal murder forces Justin to continue her investigation down some deadly avenues. This simple plot description doesn't capture the rich texture and slippery, sinuous movement of The Constant Gardener, superbly directed by Fernando Meirelles (Oscar-nominated for his first film, City of God). Shifting back and forth in time, the movie skillfully captures the engaging romance between Justin and Tessa (Fiennes shows considerably more chemistry with Weisz than he had with Jennifer Lopez in Maid in Manhattan) and builds a vivid, gripping, and all-too-justified paranoia. And on top of it all, the movie is beautiful, due to both its incredible shots of the African landscape (which at times is haunting and unearthly) and the gorgeous cinematography. Featuring an all-around excellent cast, including Bill Nighy (Love Actually), Pete Postlethwaite (In the Name of the Father), and Danny Huston (Silver City). --Bret Fetzer
About this product: A quartet of Three Stooges shorts, with a 3-to-1 balance tilting toward Shemp over Curly. The 1936 "Disorder in the Court" is definitely an honor-roll Stooges entry, with Curly providing testimony in a murder case. Note to prosecutors: Do not bring a vise into the same courtroom as Curly Howard. The other shorts shift to the late 1940s, adding (and highlighting) returning Howard brother Shemp in place of Curly. "Brideless Groom" has Shemp inheriting a half million dollars if he can get married in a few hours. As Moe observes, this should be a snap: "When Shemp pours on the charm, no dame can resist." Ooof.
"Sing a Song of Six Pants" is a lesser outing, with the boys running a tailor shop and getting mixed up with gangsters. It does provide an illustration of that Stooges truism: when a beartrap is located anywhere nearby, the law of probabilities favors an eventual convergence with Moe's backside. "Malice in the Palace" takes place in an Arabian café, where Moe, Larry, and Shemp are waiters. The best sequence has the boys and their diners convinced that Larry has sacrificed a dog and cat for the evening's entree.
This Fox DVD offers colorized versions of the shorts, but like the 2004 Columbia colorized discs, it also features the original black-and-white versions. The fake color looks pretty bad, with the lurid shades of the Arabian nights episode especially glaring. Stick with the improved black-and-white versions of these familiar shorts. Wraparound introductions are provided by Mike Nelson and a couple of the Mystery Science Theater 3000 crew--they're hit and miss, but their mockery of poor, sputtering Shemp Howard is just a bit cruel. --Robert Horton
About this product: Not to be confused with the 2002 feature film of the same title, Blue Crush is billed as the original all-girl surfer's movie, and it's guaranteed to please devotees of the sport. It's a mixed blessing, however, because it assumes familiarity with the sport and its superstars, dispensing with any educational or historical detail that would appeal to neophytes. After all, how can this film be dedicated to Rell Sunn (the pioneer of female competitive surfing, who died in of breast cancer in 1998 at age 47) and fail to explore her illustrious career? This haphazard approach extends to profiles of the young women who regard Sunn as their hero; we learn little of their backgrounds and how they rose to prominence on the waves. Blue Crush works best as a globetrotting, music-video tour of surfdom's prime locations (Samoa, Hawaii, the Gold Coast, South Africa) hosted by the sport's most prominent competitors, including several (Rochelle Ballard, Megan Abubo, Sanoe Lake, Keala Kennelly, Kate Skarratt) who appeared in Universal's popular feature. It's a lot of fun, especially if you "hang ten" on a regular basis. --Jeff Shannon
About this product: The Reaping capitalizes on cheesy clichés to begin with, rendering it even less scary than predecessors like Children of the Corn, The Devil's Rain, Satan's Blood, or All the Colors of the Dark. Overuse of CG special effects ruin this already bad film about Louisiana State University scientist Katherine Winter (Hilary Swank), who heads to the bayou to investigate what at first she denies is a Biblical plague. The river has turned to blood, frogs fall from the sky, cattle die, and the townspeople keel over covered with red bumps, while Katherine, who happens to have been an ordained minister before she became a university professor, struggles to justify these horrendous events sans religion. Eventually, Katherine's skepticism places her in danger, as the town lays blame on Loren McConnell (AnnaSophia Robb), bewitched daughter of a local Satan worshipping family, and the one whom Katherine tries to protect since Loren recalls her own deceased daughter. As Katherine and Loren battle as angel and devil, they learn to instead forge Team Faith against the townsfolk who are all part of a sinister, inbred, Satanic cult. The film is badly cast, and the acting is horrendous, save Hilary Swank, who at least looks sexy traversing the swamps with a hunting knife hooked through her belt. The Rosemary's Baby ending is the icing on the cake. There is nothing original about The Reaping, except that it might be the biggest rip-off of previous Satanic cult films ever made. —Trinie Dalton
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