About this product: Showtime's breakout hit series Dexter, about a lovable psychopath, a serial killer who targets only the scummiest of the scum, hits its stride in season 3. Dexter Morgan, played with nuance and glee by the outstanding Michael C. Hall, begins the season somewhat chastened by the events of the previous season--where whiffs of his secret life became known to others and he was nearly found out. "I need to find out what it's like just to be normal. If that's something that's even possible for me," he muses, as he tries to settle in to domestic life with girlfriend Rita (the baby-voiced Julie Benz) and her kids.
Yet Dexter is soon back to his compulsion for seeking out criminals who've somehow escaped traditional justice. Hall, one of TV's most talented actors, manages to make Dexter's off-kilter moral compass totally believable, if not quite sympathetic. The rest of the cast is stellar, including Dex's sister, Debra, played by Jennifer Carpenter as the seemingly more combustible Morgan--a hot-tempered Miami detective in the same division where Dexter toils in the background as a blood-spatter specialist. Deb wears her heart on her sleeve, as a cop and a sister, and her deep love for her brother is a key part of what makes Dexter so human. (And Carpenter's chemistry with Hall is amped by the fact that in real life, the actors are married.)
Season 3's breakout guest star is the amazing Jimmy Smits, who plays District Attorney Miguel Prado, a polished pillar of the community, an ambitious politician--and a guy with a secret every bit as dark as Dexter's. As Miguel and Dexter peel away each other's unsavory layers, Dexter tries to tamp down Miguel's blistering desire for revenge, and Miguel begins leading a double life--one that could threaten Dexter's life and family as much as the growing list of bad guys in Miguel's crosshairs. The other main star of Dexter is the city of Miami, its teeming beauty and corruption celebrated in equal measure, and its blistering sun shot without tempering. The city is so integral, visually and viscerally, that it's impossible to think of Dexter being shot anywhere else. The set's best extras--engaging interviews with cast members Hall, Benz, Carpenter, Lauren Vélez (Lt. Maria Laguerta) and David Zayas (Det. Angel Batista)--must be watched on a computer, for reasons that are unclear. Still, the interviews are must-sees for all Dexter fans. It's a killer season. --A.T. Hurley
About this product: Dave (Jason Lee) isn't exactly the typical father figure with an average family, but he cares deeply about his adoptive chipmunks Alvin (Justin Long), Theodore (Jesse McCartney), and Simon (Matthew Gray Gubler). While the performing life presents its own unique challenges, Dave always does his best to instill a sense of compassion and familial love into his young charges. When Alvin begins to get a little too caught up in his own stardom, Dave reminds him to share the spotlight with his fellow chipmunks, but Alvin gets carried away and ends up inadvertently injuring Dave on location in Paris. Aunt Jackie (Kathryn Joosten) steps in to look after the Chipmunks, but when her wheelchair rolls down a flight of stairs, only her irresponsible grandson Toby (Zachary Levi) is left to watch over the boys. An unemployed video gamer who lives with Jackie, Toby is completely unprepared for the responsibility of caring for the Chipmunks, but he agrees nonetheless. Starting school is not easy for the Chipmunks, and they are the target of bullying from their very first day. But Alvin eventually works his way in with the popular crowd, leaving Theodore and Simon to fend for themselves with little support from Toby. The school principal (Wendie Malick) is one of the Chipmunks' biggest fans, and when the school's music department is about to be shut down due to lack of funds, she decides to enter them in a competition that will save the music program. Enter the Chipettes--female chipmunks Brittany (Christina Applegate), Eleanor (Amy Poehler), and Jeanette (Anna Faris), who are seeking their own chance for singing stardom--and the Chipmunks' dishonest ex-agent, Ian (David Cross), and the stage is set for some serious backstabbing competition. Craziness reigns as the two groups wage a musical war against one another, but in the end it all comes down to a question of what's more important--stardom or friendship. As in the first Alvin and the Chipmunks movie, the music is strangely appealing despite being performed mostly in falsetto, the characters are cute, the action is comical, and the life lessons ring true. (Ages 6 and older with parental guidance due to some mild rude humor) --Tami Horiuchi
About this product: What if there are creatures living on other planets in other galaxies? And what if those creatures are a lot like us? When American astronaut Chuck Baker (Dwayne Johnson) lands on what's supposed to be barren, rocky planet devoid of life, he gets a big surprise. It seems that Planet 51 is home to little green people who are living in what's basically 1950s Americana--or should that be 1950s Alieana? Chuck bears a marked resemblance to Planet 51's science-fiction comic book and horror movie characters the "Humaniacs," and hysteria breaks out because the little green men think his appearance marks the beginning of an alien invasion. Lem (Justin Long) is a junior curator at the local planetarium and one of the only people on the planet who is awed, rather than frightened, by the concept of a larger universe. While his fellow citizens set out to capture the invading alien, Lem believes Chuck when he declares that his mission is peaceful, and Lem risks his own safety to help him return to his ship and his home planet. With a little help from Rover (an American robot probe that has been sending rock samples back to Earth while ignoring the planet's life forms), Lem's neighbor and secret crush Neera (Jessica Biel), his friend Skiff (Seann William Scott), and hippie protester Glar (Alan Marriott), Lem just might be able to save Chuck. The question is--what will the personal consequences be for Lem? The story is an amusing twist on America's long-standing fascination with the possibility of extraterrestrial life, and the film has plenty of comic moments, but it ultimately lacks suspense and fails to truly engage the viewer. The result is a film that provides some laughs but is ultimately not that entertaining. (Ages 7 and older) --Tami Horiuchi
About this product: On Jersey Shore, MTV follows eight young adults as they move into a summer share to indulge in everything Seaside Heights, New Jersey has to offer. Jersey Shore uncovers sometimes surprising, often hilarious and usually over-the-top personalities as they juggle work, love, nightlife, friendship and the drama that ensues.
Special Features include: Uncensored Episodes, Deleted Scenes, Reunion Special, Tips from The Situation & Snooki, Jersey Shore Makeover with Michael Cera and much more..
This disc is expected to play back in DVD Video "play only" devices, and may not play in other DVD devices, including recorders and PC drives.
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About this product: Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.
It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).
Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton
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