About this product: You can tell Clint Eastwood is getting old by all of the "retired" characters he plays who are pressed back into service, as in this early '80s effort. It's one of Eastwood's lesser action entries, in which he served as both star and director. He plays a retired fighter pilot who is enlisted by the U.S. government to infiltrate the Soviet Union (back in the days when it was still an Evil Empire) and steal an ultra-top-secret fighter plane with all kinds of superior capabilities (back when the Stealth bomber was still a struggling prototype). Sure, no problem. Except that it takes forever to actually get Clint into the plane--and once he's got it, he keeps interrupting the fighter-plane sequences (the best thing about the movie) to land the thing and have fistfights and gunfights. --Marshall Fine
About this product: Clint Eastwood directs and stars in three hard-hitters. The Cold War heats up when pilot Eastwood slips inside the Soviet Union to steal the high-tech fighter called Firefox [Disc 1/Side A]. The Gauntlet [Disc 1/Side B] is "classic Clint Eastwood: fast, furious, and funny" (Roger Ebert, Chicago Sun-Times). Clint plays a cop escorting a key witness (Sondra Locke) to trial. No one can stop him, yet everyone crawls out of the woodwork to try. The pedal hits the metal for the great chase sequence and stunts of The Rookie [Disc 2]. Clint’s the grizzled cop and Charlie Sheen’s the by-the-book rook who take on a deadly auto-theft ring.
DVD Features: Featurette Interactive Menus Production Notes Scene Access Theatrical Trailer
About this product: Angelina Jolie's strong-willed performance in Foxfire as Legs, the charismatic outsider based on the rebellious character from Joyce Carol Oates's novel, is a very good reason to see this 1996 drama. The film updates the story from the 1950s to the '90s, but for a while the air of teenage angst and confrontation is closer to the legacy of James Dean than gun-toting/body-piercing disaffection. Bold and larger-than-life, Legs quickly gathers a group of adolescent girls around her, each of whom has been sexually abused and is dealing in her own way with the emotional consequences. As expected, the girls plot out their revenge, but even more interesting is the intensity of their bond and rituals, the way they hang out in an abandoned house, their expressions of devotion. So tight and self-protective does this clique become that onlookers--fellow students, parents--become resentful. The final act loses faith somewhat with the mystique of this story, as a few hoary ideas (kidnapping, firearms) breach the film's originality. But what's good is good indeed, and Jolie's performance remains a harbinger of great things to come. --Tom Keogh
About this product: As the 2005 theatrical release of Serenity made clear, Firefly was a science fiction concept that deserved a second chance. Devoted fans (or "Browncoats") knew it all along, and with this well-packaged DVD set, those who missed the show's original broadcasts can see what they missed. Creator Joss Whedon's ambitious science-fiction Western (Whedon's third series after Buffy the Vampire Slayer and Angel) was canceled after only 11 of these 14 episodes had aired on the Fox network, but history has proven that its demise was woefully premature. Whedon's generic hybrid got off to a shaky start when network executives demanded an action-packed one-hour premiere ("The Train Job"); in hindsight the intended two-hour pilot (also titled "Serenity," and oddly enough, the final episode aired) provides a better introduction to the show's concept and splendid ensemble cast. Obsessive fans can debate the quirky logic of combining spaceships with direct parallels to frontier America (it's 500 years in the future, and embattled humankind has expanded into the galaxy, where undeveloped "outer rim" planets struggle with the equivalent of Old West accommodations), but Whedon and his gifted co-writers and directors make it work, at least well enough to fashion a credible context from the incongruous culture-clashing of past, present, and future technologies, along with a polyglot language (the result of two dominant superpowers) that combines English with an abundance of Chinese slang.
What makes it work is Whedon's delightfully well-chosen cast and their nine well-developed characters--a typically Whedon-esque extended family--each providing a unique perspective on their adventures aboard Serenity, the junky but beloved "Firefly-class" starship they call home. As a veteran of the disadvantaged Independent faction's war against the all-powerful planetary Alliance (think of it as Underdogs vs. Overlords), Serenity captain Malcolm Reynolds (Nathan Fillion) leads his compact crew on a quest for survival. They're renegades with an amoral agenda, taking any job that pays well, but Firefly's complex tapestry of right and wrong (and peace vs. violence) is richer and deeper than it first appears. Tantalizing clues about Blue Sun (an insidious mega-corporation with a mysteriously evil agenda), its ties to the Alliance, and the traumatizing use of Serenity's resident stowaway (Summer Glau) as a guinea pig in the development of advanced warfare were clear indications Firefly was heading for exciting revelations that were precluded by the series' cancellation. Fortunately, the big-screen Serenity (which can be enjoyed independently of the series) ensured that Whedon's wild extraterrestrial west had not seen its final sunset. Its very existence confirms that these 14 episodes (and enjoyable bonus features) will endure as irrefutable proof Fox made a glaring mistake in canceling the series. --Jeff Shannon
About this product: Scorned by reviewers when it came out, this concentrated dose of commando death-dealing to legions of Nazi machine-gun fodder has acquired a cult over the years. In 1968 Clint Eastwood was just getting used to the notion that he might be a world-class movie star; Richard Burton, whose image had been shaped equally by classical theater training and his headline-making romance with Elizabeth Taylor, was eager to try on the action ethos Eastwood was already nudging toward caricature. Alistair MacLean's novel The Guns of Navarone had inspired the film that started the '60s vogue for World War II military capers, so he was prevailed on to write the screenplay (his first). The central location, an impregnable Alpine stronghold locked in ice and snow, is surpassing cool, but the plot and action are ultra-mechanical, and the switcheroo gamesmanship of just who is the undercover double (triple?) agent on the mission becomes aggressively silly. --Richard T. Jameson
About this product: One of Clint Eastwood's two most important filmmaking mentors was Don Siegel (the other was Sergio Leone), who directed Eastwood in Dirty Harry, Coogan's Bluff, Two Mules for Sister Sara, and this enigmatic, 1979 drama based on a true story about an escape from the island prison of Alcatraz. Eastwood plays a new convict who enters into a kind of mind game with the chilly warden (Patrick McGoohan) and organizes a break leading into the treacherous waters off San Francisco. As jailbird movies go, this isn't just a grotty, unpleasant experience but a character-driven work with some haunting twists. --Tom Keogh
About this product: You can tell Clint Eastwood is getting old by all of the "retired" characters he plays who are pressed back into service, as in this early '80s effort. It's one of Eastwood's lesser action entries, in which he served as both star and director. He plays a retired fighter pilot who is enlisted by the U.S. government to infiltrate the Soviet Union (back in the days when it was still an Evil Empire) and steal an ultra-top-secret fighter plane with all kinds of superior capabilities (back when the Stealth bomber was still a struggling prototype). Sure, no problem. Except that it takes forever to actually get Clint into the plane--and once he's got it, he keeps interrupting the fighter-plane sequences (the best thing about the movie) to land the thing and have fistfights and gunfights. --Marshall Fine
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