About this product: The title of this DVD says it all. It'll blow your mind when you listen to scientific evidence about how Great God is, all the way out into our universe to all the way in to the tiniest proteins in an individual human cell. A must see.
About this product: Bowling for Columbine did it to the gun culture. Super Size Me did it to fast food. Now The God Who Wasn't There does it to religion.
Holding modern Christianity up to a bright spotlight, this eye-opening documentary asks the questions few dare to ask. "Did Jesus even exist?" is just the beginning for The God Who Wasn't There. Your guide through the world of Christendom is former fundamentalist Brian Flemming, joined by such luminaries as Jesus Seminar fellow Robert M. Price, author Sam Harris and historian Richard Carrier.
In addition to the film, which won the Best Documentary award at the 2005 Grassroots Cinema Film Festival, this feature-packed DVD includes:
-Special commentary tracks with Richard Dawkins and Earl Doherty -Over one hour of compelling additional interview footage -An in-depth Web-enabled slide show -Music from the soundtrack -Bios of all participants
This provocative DVD takes off the gloves and gives religion an unprecedented, no-holds-barred examination. So hold on to your faith. It's in for a bumpy ride.
About this product: God Grew Tired of Us is as much about America as it is about Africa. The moving documentary begins in war-torn Sudan with the mid-1980s exodus of 27,000 Christian boys, most between five and ten. After their arrival in Kenya, the UN steps in with aid. Directors Christopher Quinn and Tommy Walker pick up the story a decade later, narrowing their focus to Panther, John, and Daniel, three of 3,800 given the opportunity to resettle in the US. Quinn and Walker are with them when they land in the States, where everything is new and exciting--electricity, running water, pre-packaged foodstuffs--all the things Americans take for granted. Through the assistance of various relief organizations, their expenses are covered for the next few months. After that, the trio is expected to provide for themselves (they're older than the subjects in 2003's The Lost Boys of Sudan). Divided between Pittsburgh, PA and Syracuse, NY, the young men are thrilled with their suburban lives. Over the next year, however, joy turns to sorrow. They miss their families and have trouble making connections beyond their social group. The directors document another two years, by which point things are finally starting to look up. Produced by Brad Pitt, God Grew Tired of Us won the Documentary Grand Jury Prize and Audience Award at Sundance. Nicole Kidman provides a little narration, but for the most part, the Lost Boys speak for themselves, which is exactly as it should be. --Kathleen C. Fennessy
About this product: Carl Reiner directed this sweet comedy about the Man Upstairs visiting Earth in the form of a funny little guy (George Burns). John Denver is the good man chosen to be God's contact in the modern age--and like an Old Testament prophet, Denver's character pays the price by being ridiculed and faced with criminal charges. Denver is a warm presence, but the film is entirely in Burns's court. Reiner feeds him lines that come out of Burns' mouth like stage patter, and it's no wonder he got a huge career boost from this film in the winter of his life. Except for some courtroom stuff in the third act--where Reiner inadvertently cheapens the movie with editing tricks to suggest "miracles"--Oh, God! is just fine. (It's certainly better than its two perfunctory sequels, Oh God! Book II and Oh God! You Devil.) --Tom Keogh
About this product: Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff Shannon
About this product: Based on Neale Donald Walsch's best-selling, acclaimed trilogy comes a film you won't want to miss! Starring Henry Czerny and Frances Fishers, Conversations with God is an entertaining yet practical exploration of perhaps the most spiritual experience a person can have, regardless of their faith. See why everyone is talking about this exciting, empowering film!
About this product: I just viewed this on PBS. It was excellent. It asks all of the most difficult questions that we all have about this most dark time of our history has human beings - especially those trying to understand G-d in such a time. And it doesn't end with neat answers and happily ever afters. It isn't afraid to ask things about G-d that are usually considered unspeakable. Neither is G-d diminished by the questions. For those that can handle it, it is a most worthwhile endeavor to be challenged by these questions, and to seek to come up with our own answers. The charge: Did G-d keep His covenant or did He break the contract He made. Excellent use of television.
About this product: South African director Jamie Uys caught lightning in a bottle with The Gods Must Be Crazy--a Coke bottle, to be specific. This slaphappy collection of goofy pratfalls and culture-clash gags became an enormous international smash, and made a sort of star out of the Bushman selected to play the central role, the completely ingratiating N!Xau. He plays a man, unaware of white culture, who finds a Coca-Cola bottle in the Kalahari (dropped by a passing pilot) and promptly has his life turned around by this mystical object. The movie looks slipshod and even amateurish at times, yet its attitude is so bubbly it's hard to resist. Proving that physical comedy remains a true international language, millions of moviegoers around the world drank it up.
The Gods Must Be Crazy II (1989) returns N!Xau to the bizarre world of the white man, this time in a slicker plot (and a with a bigger budget) that, perhaps predictably, yields fewer real belly laughs than the first time around. Director Jamie Uys sticks to his cherished notions that tribesmen are wiser than civilized people, and that fast-motion comedy is inherently funny. The storyline begins with N!Xau's innocent Bushman searching for his lost children; he then gets sidetracked by subplots. The humor is basic, but in best silent-movie tradition Uys prepares his set-pieces with elaborate care, and he understands the value of the long-delayed pay-off. --Robert Horton
The more you know about the Civil War, the more you'll appreciate Gods and Generals and the painstaking attention to detail that Gettysburg writer-director Ronald F. Maxwell has invested in this academically respectable 220-minute historical pageant. In adapting Jeffrey Shaara's 1996 novel (encompassing events of 1861-63, specifically the Virginian battles of Bull Run, Fredericksburg, and Chancellorsville), Maxwell sacrifices depth for scope while focusing on the devoutly religious "Stonewall" Jackson (Stephen Lang), whose Confederate campaigns endear him to Gen. Robert E. Lee (Robert Duvall, giving the film's most subtle performance). Battles are impeccably recreated using 7,500 Civil War re-enactors and sanitized PG-13 violence, their authenticity compromised by tasteful discretion and endless scenes of grandiloquent dialogue. Still, as the first part of a trilogy that ends with The Last Full Measure, this is a superbly crafted, instantly essential film for Civil War study. For all its misguided priorities, Gods and Generals is a noble effort, honoring faith and patriotism with the kind of reverence that has all but vanished from American film – but provides abundant proof that historical accuracy is no guarantee of great storytelling. --Jeff Shannon
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