About this product: Nip/Tuck fans, season 5 delivers exactly what you've come to expect from the over-the-top series about plastic surgeons and their love lives, foibles, off-kilter clients, and whirling inner demons. The eight episodes follow what has been one of Nip/Tuck's most engaging--and outrageous--seasons overall, and are absolutely delicious savored individually and as ongoing pieces of the story line.
Both Dr. Sean McNamara (Dylan Walsh) and Dr. Christian Troy (the delectably vile Julian McMahon) are battling their own health and physical issues--Sean, who is using a wheelchair in the aftermath of the truly shocking knife attack by Colleen (Sharon Gless), and Christian, who discovers he's suffering from cancer--a type that he and viewers may find ironic, given his choice of occupation. But the diagnosis forces Christian, finally, to look inside--and not to like what he sees. The arc of the story line over these episodes is striking for its ability to show Christian as multilayered and complex--maybe even in possession of a conscience, and a soul. Julia (Joely Richardson) manages to be divinely glowing even while deathly ill, and up-and-comer protégé Raj (the hilarious Adhir Kalyan, formerly of Aliens in America) makes a great impression as the longtime doc duo's new straight man, but also eagerly partakes in the sexual depravity that seems to follow that plastic surgery practice all over the country. And love can spring up in the most unlikely places--suffice to say that Christian may want to settle down for real--and that Dr. Liz Cruz (the rock-solid Roma Maffia) has touched his heart in a way that few apparently ever have. Another unlikely place--and this is Nip/Tuck, after all--is the designer sofa in Christian's office to which a visiting doctor forms, shall we say, an attachment. (If the viewer doesn't say "Oh, no, they're not going to do that!" it's not Nip/Tuck.)
The boxed set also comes with the hefty feature The Science of Beauty, in which plastic surgeons, mathematicians, and other scientists explain that the ideal of attractiveness truly can be broken down into planes and proportions. It's a fascinating counterpoint to the roller coaster fun of Nip/Tuck. --A.T. Hurley
About this product: i think it is cool that they are making the box sets so early i love bleach 10/10 i watch it every saterday on adult swim at 11:00 and i have all the box set and figures try bleach out you will love it but buy season one first to understand it the series. this box set only comes with 4 disc because season 4 is so long recommand it to any anime fan
About this product: Okay, let’s get one thing straight right off the bat: Family Guy is not, never has been, and never will be, The Simpsons. Nor is it South Park, King of the Hill, or any one of a number of other shows on Adult Swim. But yes, it is in many ways a rip-off of those other shows (especially The Simpsons; let’s not even pretend otherwise). But so what? By now, you either think the show’s funny, or you don’t, and the derivativeness either bothers you, or it doesn’t. Volume 4 is likely to just cement your feelings one way or the other, because this collection features some of the funniest, and the most offensive material yet. It’s also the most cohesive. The show has always been incredibly erratic, turning on a dime to fit in all those jokes from out of the blue that start with Peter saying "Boy, this is worse than that time when..." But by now, the writers and series creator/executive producer Seth MacFarlane have figured out how to more seamlessly integrate them into the show, and that’s just what it needed to really come together. In fact, the extra attention being paid to the show recently in the form of swipes from The Simpsons and especially South Park (which dedicated an entire episode to trying to kill off Family Guy) is evidence that this is probably the peak for the series. This volume is 14 episodes, and stand-outs include "The Courtship of Stewie’s Father," which gives more face time to creepy old man Herbert (brilliantly voiced by Mike Henry), and "The Father, the Son, and the Holy Fonz," in which Peter starts his own church dedicated to Fonzie from Happy Days. Of course, there is still the lingering question of who the real star of Family Guy is: Peter or Stewie? The little football-head gets his moments to shine in "Sibling Rivalry," in which he battles with half-brother Bertram, and... well, pretty much every other episode, as he continues to get many of the memorable lines. Along with the extra features, over 40 deleted scenes, extensive commentaries, and featurettes, you true fans will get more than your share of laughs from this collection, which is what you watch the show for in the first place. --Daniel Vancini
About this product: Mel Brooks's 1981, three-part comedy--set in the Stone Age, the Roman Empire, and the French Revolution--is pure guilty pleasure. Narrated by Orson Welles and featuring a lot of famous faces in guest appearances (beyond the official cast), the film opens well with Sid Caesar playing a caveman, then moves along to the unlikely but somehow hilarious juxtaposition of Caesar's soldiers (the other Caesar, not Sid) with pot humor, and ends on a dumb-funny note in the French bloodbath. This is a take-it-or-leave-it movie, and it works best if you're in a take-it-or-leave-it mood. --Tom Keogh
About this product: When Whitney Port moved to New York City she quickly found that she had it all: the job, the friends, the boyfriend, the apartment. But in New York, things change overnight. Now Whitney is taking a chance on her dream of becoming a designer, under the critical eye of Kelly Cutrone. She's single, dating, and settling in to a new place in NYC's West Village, but an old friend from Los Angeles is about to show up, looking for a job, a place to crash, and a life just like Whitney's. Meanwhile, Olivia Palermo has wasted no time parlaying her promotion at Diane von Furstenberg to a new position at ELLE Magazine. But soon Olivia is partnered with a young, ambitious upstart who is determined to make sure that Olivia doesn't get a free ride on her name and social status alone. It's back to work for the girls of The City. New jobs, new boys, new friends, New York.
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About this product: Completing the run of one of the most acclaimed television shows in broadcast history, season 6, part II of The Sopranos will be remembered mostly not for what happened during the season, but for what didn't happen at the very end. Creator David Chase pulled off a series ending that was as controversial as it was surprising and unforgettable, leaving countless fans to look away from the show and to blogs and articles for answers to the biggest mystery since "who shot J.R.?": what happened to Tony Soprano? But before we get to that point, there are nine episodes to digest, and they are some of the best in the run of the show since season 3. As Tony's (James Gandolfini) paranoia and suspicions grow, his family makes choices that are threatening to bring big changes to his personal life, and his other "family" is crashing headlong towards an inevitable showdown with Phil Leotardo and the New York crew. Episode 1, "Soprano Home Movies," starts off peacefully enough with Tony and Carmela (Edie Falco) enjoying a relaxing summer weekend at Bobby and Janice's (Steve Schirripa and Aida Turturro) bucolic lake house, and by the end of the episode Tony has effectively taken Bobby's soul, proving Tony's ruthlessness and ending any doubt about his will to maintain dominance over those around him. In "Kennedy and Heidi," one of the season's signature episodes, Christopher's (Michael Imperioli) drug use continues to spiral out of control, forcing Tony to take matters into his own hands and resolve things with his nephew once and for all.
Inevitably it's all leading up to that big finale, and it's deftly handled over the last two episodes, "The Blue Comet" and "Made in America" (an episode replete with subtle references to The Godfather). Things finally start to get resolved with Phil's crew, Dr. Melfi (Lorraine Bracco), Uncle Junior (Dominic Chianese), A.J. (Robert Iler), and Meadow (Jamie-Lynn Sigler), and as for Tony… Cut to black. To quote from another hit HBO show of the same era, "everything ends," even The Sopranos, and while the way Chase chose to end The Sopranos may not be to the liking of fans hoping for a definitive resolution, give the man credit for not stooping to clichés or tired old scenarios. As A.J. says in one of the last lines of the entire series, quoting his father, "Try to remember the times that were good." That's good advice. --Daniel Vancini
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