About this product: Jean-Claude Van Damme stars in this hard-hitting action thriller about a border patrol agent who attempts to take down a rogue American Special Forces unit that's smuggling Afghan heroin into the United States.
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: He was no one's (including his own) idea of a great actor--one senses that the one Oscar he won, for True Grit in 1970, was as much for his longevity as his talent--but "icon" is an apt description for John "Duke" Wayne, who starred in scores of movies in a career that spanned 50 years. Five of them are collected on John Wayne - An American Icon Collection, a two-disc, no-frills (as in no bonus material) set offered at a very reasonable price. Ranging from 1940 to 1957, these items reveal that although he didn't have a lot of range ("I play John Wayne in pretty much every film I do," he once admitted), Wayne was at least willing to tackle other genres besides the Westerns with which he's so closely identified; here he portrays a coal miner, a moonshiner, and a legendary warrior, along with the more expected military roles. As for the quality of the films, let’s just say that "good" and "entertaining" don't always go on the same page, and the set at least has plenty of the latter. Seven Sinners ('40) is the best of the lot, with Marlene Dietrich sly and radiant as the delightfully named Bijou Blanche, a South Pacific cabaret singer who tantalizes naval officer Wayne. At the other end of the spectrum is The Conqueror ('55), generally regarded as Wayne's worst feature ever, but even it is a campy hoot. Sporting a Fu Manchu 'stache and many silly hats and delivering some preposterously stilted dialogue ("Hi, Mom" becomes "I greet you, my mother!"), Wayne plays Mongol warlord Temujin, soon to become Genghis Khan, who's obsessed with a beautiful princess (Susan Hayward as a Tartar? Mayonnaise is more like it) who just happens to be the daughter of the man responsible for the death of Temujin's father. Pittsburgh ('42), again pairing Wayne with the luminous Dietrich, is considerably better, charting the rise, fall, and redemption of miner-turned-captain-of-industry Charles "Pittsburgh" Markham in a story that's both humorous and dramatic before devolving into flag-waving World War II propaganda. Neither The Shepherd of the Hills ('41), sentimental hokum about a clan of drawling, superstitious Ozark hicks, nor Jet Pilot ('57), with a pre-Psycho Janet Leigh as a Russian spy (!), ranks as what you'd call a classic--indeed, there are no classics to be found anywhere here--but the Duke, always a man's man, probably wouldn't mind. "When people say a John Wayne picture got bad reviews," he said, "I always wonder if they know it's a redundant sentence, but hell, I don't care. People like my pictures and that's all that counts." --Sam Graham
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: Cybill aired on CBS from 1995 to 1998. Cybill was a sexy, sophisticated series, comically dealing with single parenthood, divorce, sex and dating over forty, from a realistic and fresh perspective. Cybill Shepherd stars as Cybill Sheridan, a woman who had it all: two spiteful daughters, two clingy ex-husbands, an outrageous best friend, an unstable future and a house on an eroding LA hillside. But with humor and determination, Cybill braved each new challenge that came her way, while having the time of her life discovering that life after forty was anything but downhill.
About this product: Cybill Shepherd plays a pregnant woman whose husband is killed before their baby is born; once he gets to heaven, he begs for a chance to come back to her and his unborn child. The twist is that he returns in the form of Robert Downey Jr., boyfriend to Cybill's daughter (Mary Stuart Masterson). When the daughter brings him home from college, he gets his memory back--and starts coming on to her mom. Sounds like a Jerry Springer show--"Help! My dad has been reincarnated as my boyfriend!"--but this Emile Ardolino film actually has a passable amount of charm and wit, once it gets into gear. It gives you a sense of just how funny and charming Downey can be, given the right material. --Marshall Fine
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: DVD Region 0 NTSC. November 2006 saw a highly successful UK tour by John Lees' BARCLAY JAMES HARVEST. Featuring founder BJH members John Lees & Woolly Wolstenholme, the tour featured some of the finest music from the BJH canon. Perennial classics such as "Mockingbird", "Poor Man's Moody Blues", "Child of the Universe" & "Hymn" were joined by definitive versions of "The Great 1974 Mining Disaster", "The Poet" / "After the Day" and "Poor Wages", none of which had been performed live for over 30 years. The London concert on November 5th was captured by a film crew & mobile recording unit for a DVD & CD release. Cited by John Lees as "The best live album I've ever made", "LEGACY" is a superb audio document of a legendary band.
DVD
