About this product: Jean-Claude Van Damme stars in this hard-hitting action thriller about a border patrol agent who attempts to take down a rogue American Special Forces unit that's smuggling Afghan heroin into the United States.
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: He was no one's (including his own) idea of a great actor--one senses that the one Oscar he won, for True Grit in 1970, was as much for his longevity as his talent--but "icon" is an apt description for John "Duke" Wayne, who starred in scores of movies in a career that spanned 50 years. Five of them are collected on John Wayne - An American Icon Collection, a two-disc, no-frills (as in no bonus material) set offered at a very reasonable price. Ranging from 1940 to 1957, these items reveal that although he didn't have a lot of range ("I play John Wayne in pretty much every film I do," he once admitted), Wayne was at least willing to tackle other genres besides the Westerns with which he's so closely identified; here he portrays a coal miner, a moonshiner, and a legendary warrior, along with the more expected military roles. As for the quality of the films, let’s just say that "good" and "entertaining" don't always go on the same page, and the set at least has plenty of the latter. Seven Sinners ('40) is the best of the lot, with Marlene Dietrich sly and radiant as the delightfully named Bijou Blanche, a South Pacific cabaret singer who tantalizes naval officer Wayne. At the other end of the spectrum is The Conqueror ('55), generally regarded as Wayne's worst feature ever, but even it is a campy hoot. Sporting a Fu Manchu 'stache and many silly hats and delivering some preposterously stilted dialogue ("Hi, Mom" becomes "I greet you, my mother!"), Wayne plays Mongol warlord Temujin, soon to become Genghis Khan, who's obsessed with a beautiful princess (Susan Hayward as a Tartar? Mayonnaise is more like it) who just happens to be the daughter of the man responsible for the death of Temujin's father. Pittsburgh ('42), again pairing Wayne with the luminous Dietrich, is considerably better, charting the rise, fall, and redemption of miner-turned-captain-of-industry Charles "Pittsburgh" Markham in a story that's both humorous and dramatic before devolving into flag-waving World War II propaganda. Neither The Shepherd of the Hills ('41), sentimental hokum about a clan of drawling, superstitious Ozark hicks, nor Jet Pilot ('57), with a pre-Psycho Janet Leigh as a Russian spy (!), ranks as what you'd call a classic--indeed, there are no classics to be found anywhere here--but the Duke, always a man's man, probably wouldn't mind. "When people say a John Wayne picture got bad reviews," he said, "I always wonder if they know it's a redundant sentence, but hell, I don't care. People like my pictures and that's all that counts." --Sam Graham
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: Cybill Shepherd plays a pregnant woman whose husband is killed before their baby is born; once he gets to heaven, he begs for a chance to come back to her and his unborn child. The twist is that he returns in the form of Robert Downey Jr., boyfriend to Cybill's daughter (Mary Stuart Masterson). When the daughter brings him home from college, he gets his memory back--and starts coming on to her mom. Sounds like a Jerry Springer show--"Help! My dad has been reincarnated as my boyfriend!"--but this Emile Ardolino film actually has a passable amount of charm and wit, once it gets into gear. It gives you a sense of just how funny and charming Downey can be, given the right material. --Marshall Fine
About this product: A complicated movie about the Central Intelligence Agency and its agents, The Good Shepherd isn't your typical spy movie. Though it stars Matt Damon (The Bourne Identity films) and Angelina Jolie (Mr. & Mrs. Smith, Lara Croft franchise)--actors with considerable experience in the action-espionage genre--The Good Shepherd requires that they play more subdued and (much less interesting) characters here. The movie focuses on the career or Edward Wilson (Damon), a privileged Yale graduate who goes on to help found the CIA. He is a quiet, serious, and guarded man, even in the most intimate moments with his civilian wife (Jolie, in a role that wastes her talent). Set against a backdrop of real-life events such as the Bay of Pigs, The Good Shepherd is meticulous in creating a realistic timeframe. The film gets a jolt of excitement when Robert DeNiro (in his first directing role since 1993's A Bronx Tale) peppers the screen with appearances by Joe Pesci, Alec Baldwin, and William Hurt. But those moments are too infrequent. At 157 minutes long, the film is crammed with many factual details, but the characters are shortchanged when it comes to development. Viewers have to wonder why anyone, much less someone like Wilson who has everything going for him, would devote his life to a thankless job that brings so little happiness to himself and his family. The Good Shepherd is an ambitious but flawed film. The actors do a formidable job with a well-intentioned but meandering script. However, we meet so many characters and learn so little about each that it's difficult to drum up much empathy for any of them. --Jae-Ha Kim
About this product: Cybill aired on CBS from 1995 to 1998. Cybill was a sexy, sophisticated series, comically dealing with single parenthood, divorce, sex and dating over forty, from a realistic and fresh perspective. Cybill Shepherd stars as Cybill Sheridan, a woman who had it all: two spiteful daughters, two clingy ex-husbands, an outrageous best friend, an unstable future and a house on an eroding LA hillside. But with humor and determination, Cybill braved each new challenge that came her way, while having the time of her life discovering that life after forty was anything but downhill.
About this product: Little Shepherd is a playful drama with an endearing message that will captivate the entire family.
In the dark of night, the fields surrounding Bethlehem are alive with expectation. Wolves have been spotted and every shepherd is nervous -- including young Joel and his family. Yet what is about to happen is not expected at all!
As Joel embarks upon the journey of becoming a shepherd, he is afraid of the dangers that lie ahead. But he is about to discover that he need not face these dangers alone. An unexpected surprise will lead to the revelation that God provides the answer for every fear.
Little Shepherd is the timeless story of Christmas with a twist. Follow Joel and his pet lamb, Bramble, as they frolic into rocky territory. Laugh at sister Sarah's practical jokes. Watch Grandfather plant the seeds of faith, and witness the transforming power of hope and love.
Includes Parent's Guide. Recommended for ages 3-12.
DVD Features: Languages: Includes audio tracks for English (surround + dolby), Spanish, French, German, Cantonese, and Mandarin Subtitles: English, Spanish, French, German, Simplified Chinese and Traditional Chinese. Viewing Format: Widescreen and Fullscreen Bonus Material: - Behind the Scenes - Sneak Peaks - About the Makers - DVD Rom Extras
About this product: This full-length concert DVD was filmed & recorded at Shepherds Bush Empire, London, England on April 27th, 2003 in Digital 5.1 Surround Sound. It includes an amazing 32-song performance as well as an exclusive interview with Pete Shelley & Steve Diggle.
About this product: Capably crafted from beginning to end, this melodrama, with alternate titles of TRICK EYES and PORTRAIT OF A JOHN, is an Italian/U.S. co-production made for television, and will please those viewers responsive to interesting cinema. Christopher Jordan (William Shatner), an aeronautical engineer, is becoming restive due to a frustrating home life with an attractive wife, Katie (Michelle Phillips), toward whom he has become sexually indifferent (increasingly problematic since he dwells upon past intimacy), and with three lively and demanding offspring. Although Jordan wishes to keep intact their 12 year marriage, he is artless and inexperienced and begins to savour the possibilities of having assignations with street walking prostitutes. His fantasies become fact, but after some close scrapes, one with venereal disease, another with a police vice sting, Jordan ceases his clandestine copulation, albeit the marital incompatibility continues. While shopping in a lingerie store to find something fetching that could repair the cracked relationship with his spouse, Chris is boldly approached by an ostensibly stringless call girl, Elaine (Cybill Shepherd). Vulnerable Christopher quickly becomes more emotionally attached to Elaine than is wise for his general welfare, and he becomes adrift between a respectable domestic existence and an affair of lust that has a potential of becoming something larger. However, Elaine might not be as agreeable a person as she initially appears to be, and Jordan finds himself spiralling into a distressed state. Eventually, due to his hidden relationship with Elaine, Chris is in danger of losing all else that is important to him, and he is forced to make desperate choices. Perfectly paced by competent director William A. Graham, the film additionally benefits from skillful acting, Shepherd a standout as an apparently conflicted lady of the evening, while Phillips earns the performing laurels here with her nuanced reading as Katie. Attention to detail is remarkable throughout, important in the development of a strong sense of realism in the face of sleazy happenings as a well-scripted story by Dennis Nemec serves as aid to Graham, providing arresting characters for Graham to deploy without serious lapses in credibility and logic. Editor Ronald Fagan seamlessly polishes the work that is set and shot in Vancouver, British Columbia, and scoring from Mark Snow is consistently appropriate. Congratulations are in order for the entire crew, as well, an exceptional impartment coming from costumer Robert Turturice who adroitly marries the very fair Shepherd with suitable apparel as shifts in her personality occur, this but one example of an unusual amount of care that is taken during the patterning of this too-little known film.
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