About this product: This is an excellent thriller. A good story, an excellent direction, great actors, good music. I have the DVD and saw it many times. It is sofisticated and tense. The initial scenes when begins the kidnapping, and when the security try to catch the car where is Juliette, are unique. I am shure that I will take a look at the blu-ray!!!
About this product: Collectors Edition Box Set contains Long Way Round, Race To Dakar & Long Way Down. 8 DVD set containing a massive 24 1/2 hours! Take three trips of a lifetime in the company of best friends Ewan McGregor and Charley Boorman, as they straddle their beloved motorbikes and cross unlikely terrain to reach some of the world's most far-flung corners. Powering through notoriously desolate countryside, they ride from London to New York via Europe, Ukraine, Russia, Kazakhstan, Mongolia, Siberia and Canada In Long Way 'Round, and from the northernmost tip of Scotland descending through Western Europe and Africa to South Africa's southernmost point in Long Way Down. These DVD stories cover their adventures and misadventures while they soak up the most incredible natural and cultural wonders. In Race to Dakar, Boorman recounts his extraordinary experience as he tackles the toughest race on earth - The Dakar Rally.
About this product: It's Christmas Eve, and Arnold needs to find a Turbo Man action figure, the craze of the season. Only they're sold-out, of course. So the race is on, and Arnold does fierce battle with other shoppers and merchants alike, all for the prize toy with which to purchase his son's affections. His chief rival and nemesis is Sinbad, a mailman who's always going--you guessed it--postal. (Must have looked good on paper.) All of which is unwittingly very sad, on the content level. But the film supposes itself to be amiable enough, on its own shabby terms, even when it climbs out of the screen and starts gnawing at your furniture. If the humor were to get broader it would make HDTV obsolete. The tone can only be termed good-naturedly mean-spirited. Goofy carnival music runs continuously in the background so we never forget that what we're seeing is, er, um, funny. All the action is composed of comic violence, like an unhip Warner Bros. cartoon. Do the filmmakers actually consider this cynical foray to be indicative of the Christmas spirit? Apparently so, because the resolution has Arnold winning quite inadvertently, and offers no clear alternative to the competitive commercialism that drives the film's attempts at humor. In a key scene that's meant to be touching, Arnold and Sinbad sit down for a heart-to-heart in which we learn that receiving much-wanted Christmas presents in our formative years is responsible for our success in adulthood. You get that Turbo Man, you'll be a billionaire; don't get it, you'll be a loser. Such is the formidable challenge of parenthood, to cater to the child's whims while it can still make a difference. This is what's wrong with this country. --Jim Gay
About this product: At last on DVD—Julia’s invaluable series of cooking lessons designed to bring her right into your own kitchen to teach you the fundamentals of good cooking
Here is the six-part series (complete with recipe booklet), originally produced in 1985, in which Julia teaches you all the fundamentals of good cooking and offers a wealth of her favorite recipes.
POULTRY includes the perfect chicken sauté with variations, classic coq au vin, ways with chicken breasts, butterflied grilled birds, roast turkey, and a special duck. MEAT: Quick and easy sautéed steaks, hamburgers, pork chops, aromatic stews, a crusty hash, grilled pork, and majestic beef and lamb roasts. VEGETABLES: How best to cook twenty of your favorite vegetables, plus gratins, stuffed delights, eggplant pizza, and risotto. SOUPS, SALADS, AND BREAD: The three master soup stocks and improvisations, a French onion soup and a Mediterranean fish soup, tossed and composed salads, plus how to make your own French bread. FISH AND EGGS: Selecting fish and shellfish; broiling, sautéing, and oven-poaching fish; plus the miraculous egg—alone or in omelettes, custards, quiche, sauces, and a spectacular soufflé. FIRST COURSES AND DESSERTS: Patés and fish mousse, tart crusts and crepes with savory and with sweet fillings, two master cakes, and a Tipsy Trifle.
From deglazing a sauce and degreasing a stock to thickening a soup and unmolding a timbale, all the important techniques that make for good cooking are here. Now, at the press of a button, you have instant access to whatever recipe or information you need. Watch Julia do it and you’ll be empowered. Bon appétit!
About this product: Robert Redford and Barbra Streisand star as sociopolitical opposites--he's a WASP novelist, she's an activist--who nevertheless strike up a romance in the 1930s, and have a rocky relationship through the next two decades that reflects much of America's history. An essential part of the movie--the Hollywood blacklist and the McCarthy witch- hunt years--comes across as a botch, due to some excessive cutting before the film was released. But except for that hole in the heart of the story, director Sydney Pollack (Out of Africa) has crafted a strong and moving drama about two interesting characters. Redford (always good with Pollack) is at the height of his powers, and Streisand is persuasive. --Tom Keogh
About this product: This irresistible Oscar winner from writer-director Leo McCarey (An Affair to Remember) stars Bing Crosby as a low-key, crooning priest who joins the parish of a no-nonsense but sweet old Irish man of the cloth (Barry Fitzgerald). While Bing turns local toughs into a choir, the elder priest worries over the church building fund and whether he'll get a chance to see his old mother back in Ireland before she dies. One would have to have a heart of stone not to be won over by this charmer, with a lovely ending guaranteed to make you bawl for a week. --Tom Keogh
About this product: Ray Bradbury adapted his own novel for Something Wicked This Way Comes, Jack Clayton's beautiful rendering of the turn-of-the-century fantasy of a mysterious carnival that literally blows into a small town to taunt and tempt the inhabitants. Jonathan Pryce (Brazil), the handsome but demonic proprietor of Dark's Pandemonium Carnival, preys upon the vanities, the delusions, and the regrets of the townspeople by granting their wishes at the expense of their souls. Jason Robards, as the meek librarian Charles Halloway, becomes his unlikely nemesis when his son Will, with his best friend Jim Nightshade (a deliciously dark name in its own right), discovers the secret of Dark's nightmarish carnival. When they become hunted by Dark's minions (including Pam Grier as the beautiful and mysterious Dust Witch), Halloway must confront his own fears and regrets to save the boys. Clayton captures the idyll of childhood in the fall with rich autumnal colors, his camera gliding along with the energetic boys as they tear through field and forests. The climax, however, gets lost in a cacophony of competing special effects, imaginatively visualized but never very terrifying, as if producer Disney resisted the uneasy undercurrent of the story. It's more dark fantasy than horror, a nightmarish adventure filtered through the memory of a man remembering his childhood in mythic terms. --Sean Axmaker
About this product: Otto Preminger's sprawling World War II drama packs a lot into its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbor is bombed while they are on maneuvers. Minutes into WWII, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker
About this product: Award-winning film, The Way We Get By, is a deeply moving story about life and how to live it. Beginning as a seemingly idiosyncratic story about troop greeters - a group of senior citizens who gather daily at a small airport to thank American soldiers departing and returning from Iraq, the film quickly turns into a moving, unsettling and compassionate story about aging, loneliness, war and mortality. When its three subjects aren't at the airport, they wrestle with their own problems: failing health, depression, mounting debt. Joan, a grandmother of eight, has a deep connection to the soldiers she meets. The sanguine Jerry keeps his spirits up even as his personal problems mount. And the veteran Bill, who clearly has trouble taking care of himself, finds himself contemplating his own death. Seeking out the telling detail rather than offering sweeping generalizations, the film carefully builds stories of heartbreak and redemption, reminding us how our culture casts our elders, and too often our soldiers, aside. More important, regardless of your politics, The Way We Get By, celebrates three unsung heroes who share their love with strangers who need and deserve it. Awards include: WINNER - SXSW Special Jury Award WINNER - Full Frame Audience Award WINNER - Best Documentary Phoenix Film Fest WINNER - Best Documentary Atlanta Film Fest WINNER - Best Documentary Newport Intl. Film Fest WINNER - Audience Award Newport Intl. Film Fest WINNER - Best Documentary Little Rock Film Fest WINNER - Standing Up Cleveland Intl. Film Fest. WINNER - Audience Award Camden Film Festival
About this product: "Something familiar, something peculiar, something for everyone: a comedy tonight!" Those words from the opening song pretty much describe the menu in A Funny Thing Happened on the Way to the Forum, a frantic adaptation of the stage musical by Larry Gelbart and Burt Shevelove. The wild story, set in ancient Rome, follows a slave named Pseudolus (Zero Mostel, snorting and gibbering) as he tries to extricate himself from an increasingly farcical situation; Mostel and a bevy of inspired clowns, including Phil Silvers, Jack Gilford, and Buster Keaton, keep the slapstick and the patter perking. The cast also includes the young Michael Crawford as a love-struck innocent. This project landed in the lap of Richard Lester, then one of the hottest directors in the world after his success with the Beatles' films. Lester telescoped the material through his own joke-a-second sensibility, and also ripped out some of the songs from Stephen Sondheim's Broadway score. The result is a pixilated romp and very close to the vaudeville spirit suggested by the title--though anyone with a low tolerance for Zero Mostel's overbearing buffoonery may be in trouble. Oddly enough, amidst all the frenzy, Lester creates a grungy, earthy Rome that seems closer to the real thing than countless respectable historical films on the subject. --Robert Horton
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