About this product: Three ordinary women are about to take one extraordinary step.
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileenâs best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobodyâs business, but she canât mind her tongue, so sheâs lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way womenâmothers, daughters, caregivers, friendsâview one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we donât.
About this product: For serious amateur photographers who already shoot perfectly focused, accurately exposed images but want to be more creative with a camera, heres the book to consult. More than seventy techniques, both popular and less-familiar approaches, are covered in detail, including advanced exposure, bounced flash and candlelight, infrared, multiple images, soft-focus effects, unusual vantage points, zooming, and other carefully chosen ways to enhance photographs. The A-Z format make sit easy for readers to find a specific technique, and each one is explained in jargon-free language. Top Tips for each technique help readers achieve superb results, even on the first attempt.
The success stories speak for themselves in this book from money maestro Dave Ramsey. Instead of promising the normal dose of quick fixes, Ramsey offers a bold, no-nonsense approach to money matters, providing not only the how-to but also a grounded and uplifting hope for getting out of debt and achieving total financial health.
Ramsey debunks the many myths of money (exposing the dangers of cash advance, rent-to-own, debt consolidation) and attacks the illusions and downright deceptions of the American dream, which encourages nothing but overspending and massive amounts of debt. "Don't even consider keeping up with the Joneses," Ramsey declares in his typically candid style. "They're broke!"
The Total Money Makeover isn't theory. It works every single time. It works because it is simple. It works because it gets to the heart of the money problems: you.
When his daughter, Amya gifted doctor, mother, and wifecollapses and dies from an asymptomatic heart condition, Roger Rosenblatt and his wife, Ginny, leave their home on the South Shore of Long Island to move in with their son-in-law, Harris, and their three young grandchildren: six-year-old Jessica, four-year-old Sammy, and one-year-old James, known as Bubbies. Long past the years of diapers, homework, and recitals, Roger and GinnyBoppo and Mimi to the kidsquickly reaccustom themselves to the world of small children: bedtime stories, talking toys, playdates, nonstop questions, and nonsequential thought. Though reeling from Amy's death they carry on, reconstructing a family, sustaining one another, and guiding three lively, alert, and tender-hearted children through the pains and confusions of grief. As he marvels at the strength of his son-in-law, a surgeon, and the tenacity and skill of his wife, a former kindergarten teacher, Roger attends each day to "the one household duty I have mastered"preparing the morning toast perfectly to each child's liking.
With the wit, heart, precision, and depth of understanding that has characterized his work, Roger Rosenblatt peels back the layers on this most personal of losses to create both a tribute to his late daughter and a testament to familial love. The day Amy died, Harris told Ginny and Roger, "It's impossible." Roger's story tells how a family makes the possible of the impossible.
About this product: Amazon Best of the Month, September 2008: Once you start The Girl with the Dragon Tattoo, there's no turning back. This debut thriller--the first in a trilogy from the late Stieg Larsson--is a serious page-turner rivaling the best of Charlie Huston and Michael Connelly. Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an old-school titan of Swedish industry. The catch--and there's always a catch--is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson's novel, but there is at least one constant: you really don't want to mess with the girl with the dragon tattoo. --Dave Callanan
About this product: Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cellsâtaken without her knowledgeâbecame one of the most important tools in medicine. The first “immortal” human cells grown in culture, they are still alive today, though she has been dead for more than sixty years. If you could pile all HeLa cells ever grown onto a scale, they’d weigh more than 50 million metric tonsâas much as a hundred Empire State Buildings. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions.
Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.
Now Rebecca Skloot takes us on an extraordinary journey, from the “colored” ward of Johns Hopkins Hospital in the 1950s to stark white laboratories with freezers full of HeLa cells; from Henrietta’s small, dying hometown of Clover, Virginiaâa land of wooden slave quarters, faith healings, and voodooâto East Baltimore today, where her children and grandchildren live and struggle with the legacy of her cells.
Henrietta’s family did not learn of her “immortality” until more than twenty years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks familyâpast and presentâis inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.
Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks familyâespecially Henrietta’s daughter Deborah, who was devastated to learn about her mother’s cells. She was consumed with questions: Had scientists cloned her mother? Did it hurt her when researchers infected her cells with viruses and shot them into space? What happened to her sister, Elsie, who died in a mental institution at the age of fifteen? And if her mother was so important to medicine, why couldn’t her children afford health insurance?           Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.
About this product: Authorized by Willie Mays and written by a New York Times bestselling author, this is the definitive biography of one of baseball's immortals.
Considered to be "as monumental--and enigmatic--a legend as American sport has ever seen" (Sports Illustrated), Willie Mays is arguably the greatest player in baseball history, still revered for the passion he brought to the game. He began as a teenager in the Negro Leagues, became a cult hero in New York, and was the headliner in Major League Baseball's bold expansion to California. With 3,283 hits, 660 home runs, and 338 stolen bases, he was a blend of power, speed, and stylistic bravado that enraptured fans for more than two decades. Now, in the first biography authorized by and written with the cooperation of Willie Mays, James Hirsch reveals the man behind the player.
Willie is perhaps best known for "The Catch"--his breathtaking over-the-shoulder grab in the 1954 World Series. But he was a transcendent figure who received standing ovations in enemy stadiums and who, during the turbulent civil rights era, urged understanding and reconciliation. More than his records, his legacy is defined by the pure joy that he brought to fans and the loving memories that have been passed to future generations so they might know the magic and beauty of the game. With meticulous research, and drawing on interviews with Mays himself as well as with close friends, family, and teammates, Hirsch presents a complex portrait of one of America's most significant cultural icons.
A Conversation with Author James Hirsch
Q: As a baseball fan, what were your impressions of Willie Mays before you first approached him regarding a book?
A: I never actually saw him play, but I grew up in St. Louis, and Cardinal announcer Jack Buck used to describe Mays as "the greatest player I ever saw" and speak of him with such reverence that the name itself was pure magic. Over the years, I read some stories about him and saw some video clips, and my impression was of a player who had mastered all parts of the game. As it happened, that impression didn't change. In considering who the greatest player of all time was, I conclude that Babe Ruth was baseball's most dominant player while Willie Mays was its greatest master.
Q: The biography includes a rich description and analysis of âThe Catchâ--the play in the 1954 World Series for which Willie Mays is perhaps best known. What were your sources for this passage? How much time did you spend researching and crafting it? Was it more, or less, difficult to write than any other given passage in the book?
A: Willie himself has discussed "The Catch" many times over the years, including in the locker room immediately after the game. The key, for me, was to capture not just his athletic skill but the true artistry of the moment. I found an interview that Willie gave in the 1990s in which he walked through the mental calculations he made while running toward the centerfield fence, trying to determine how he was going to throw the ball before the runner on second could tag up and score. It was Willie's most scientific, but also his most elegant, account of the play.
Beyond filling in the gaps with Willie in person, I interviewed as many people I could find who saw the play, including players (Alvin Dark, Monte Irvin, Al Rosen) and sportswriters (Roger Kahn, Robert Creamer), and I culled the many descriptions of it that have been recorded, including from the hitter Vic Wertz and the second base umpire, Jocko Conlan. All told, I had about 35 eyewitness accounts. Given the wealth of information--Arnold Hano wrote an entire book about "The Catch"--the biggest challenge was finding some fresh angles.
It was often said that "The Catch" was Willie's signature play. But it was more than that. It established the Willie Mays brand name--to this day, you can go to any ball field, watch a kid make a catch over his shoulder, and someone will scream, "Willie Mays!" I don't believe there is anything comparable with any athlete in any sport. What's also important is that "The Catch" now lives in the film footage that is played over and over on TV or on computers. The film is in black-and-white, but the following year, the World Series was filmed in color. Symbolically, we passed into the modern era--and indeed, Willie played most of his career in what we would consider the modern era, defined in part by the relocation of teams, World Series night games, and the widening financial divide between players and their fans. Yet Willie's defining moment placed him in that earlier era--the black-and-white television age, if you will--when players were more integrated into their communities, World Series games started in the afternoon, and owners didn't betray fans. Willie Mays, through the constant showing of "The Catch," has become our touchstone to that bygone era.
Q:How would you sum up Maysâs legacy, both within the game of baseball and outside of it?
A: That was the single most important question I wanted to answer, and I discovered it when I went to speak to my son's second-grade class. After talking to the students about how to write stories, I asked how many of them had heard of Willie Mays. I was shocked by how many hands went up--most of the boys, and some of the girls. I asked how they knew about Willie. Some had seen "The Catch" on ESPN, but many told me that their fathers, or their grandfathers, or their uncles had told them about "the great Willie Mays." The kids didn't really know anything about Willie, except that he represented this platonic ideal of baseball perfection. It was then that I realized Willie's legacy is not his numbers, his records, or the games he helped win. It is the pure joy that he brought to those fans who watched him and the loving memories that have been passed to future generations so they might know the magic and beauty of the game.
Q:Why do you think Willie Mays finally agreed to be interviewed extensively for a biography?
A:Timing was part of the reason. Willie was 77 when I first met him, and I believe he was ready to reflect on the totality of his life and encourage those around him to do so well. I was a complete stranger to Willie, but I now believe that helped me. Willie is extraordinarily proud of his life--quite mindful of that trajectory, from a poor, Depression-era black kid from the Deep South to someone who now rides on Air Force One with the president. While I asked Willie to do something that he really doesn't enjoy--talk about himself--I believe that he wanted an outsider to independently validate his accomplishments as well as disappointments.
Q:What was your most unexpected discovery while researching and writing Willie Mays?
A:Willie made baseball look so easy that most people assumed he just took the field and breezed through the season. Henry Aaron told me that some of the black players, who had to work extra hard just to keep their spots on the roster, resented Willie because he made baseball look so effortless. The fact is, even Willie's peers had no appreciation of his sacrifices, both physical and emotional. Those sacrifices caused Willie to be hospitalized on several occasions during his career--he was simply too tired to compete, and the pressure of being Willie Mays was at times too great even for Willie Mays. That was a surprise, but the revelation also made Willie a more human and sympathetic figure.
Look Inside Willie Mays (Photos Courtesy of Willie Mays) Click on each image below to see a larger view