About this product: Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."
King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.
King isn't just a writer, he's a true teacher. --Tim Appelo
About this product: Whether you write an occasional professional letter or a daily newspaper column, William Zinsser's On Writing Well should be required reading. Simplicity is Zinsser's mantra: he preaches a stripped-down writing style, strong and clear. He has no patience for excess (most use of adjectives and adverbs, he writes, just adds clutter) or tired phraseology (for instance, he'd like to outlaw all leads involving those "future archaeologists" most often found "stumbl[ing] upon the remains of our civilization"). He recommends that all writers of nonfiction read their work aloud (don't commit something to paper that you wouldn't actually say) and write under the assumption that "the reader knows nothing" (not to be confused with assuming the reader's an idiot). In addition to the chapters on the expected--usage, audience, interviews, leads--Zinsser also focuses on such trouble spots as science and technical writing, business writing, sports, and humor.
About this product: Wherein we discover that many of the "rules" for good writing and good sex are the same: Keep your hand moving, lose control, and don't think. Goldberg brings a touch of both Zen and well... *eroticism* to her writing practice, the latter in exercises and anecdotes designed to ease you into your body, your whole spirit, while you create, the former in being where you are, working with what you have, and writing from the moment.
About this product: In his introduction to The Best American Travel Writing 2008, editor Anthony Bourdain writes that the pieces that "spoke the loudest and most powerfully to me were usually evocative of the darker side, those moments fearful, sublime, and absurd; the small epiphanies familiar to the full-time traveler, interspersed by a sense of dislocation—and the strange, unholy need to record the experience." With this in mind, Bourdain and series editor Jason Wilson have assembled a wide-ranging and wonderfully eclectic collection that delves headlong into those darker moments and subtle realizations, looking to absorb, provoke, and offer a moving record of what it means to travel in the twenty-first century.
Here you will find Seth Stevenson's extraordinary experience of "Looking for Mammon in the Muslim World" as he makes his way through sweltering and paradoxical Dubai. Exotic tastes and larger-than-life personalities abound as Bill Buford accompanies the chocolate maker Frederick Schilling to the rain forests of Brazil. And on the other side of the world, Calvin Trillin trolls Singapore for the ultimate street food, while Kristin Ohlson delves into the harrowing challenges faced by proprietors of restaurants in Kabul, Afghanistan.
The twenty-five pieces in this collection have their fair share of the absurd as well. David Sedaris explains the hilarious highs (sundaes) and woeful lows (sobbing with your seatmate) of flying Business Elite. Gary Shteyngart goes "To Russia for Love" during St. Petersburg's vodka-soaked wedding season. And Emily Maloney gets up close and personal with her fellow travelers — and their massage devices — in a South American hostel.
Culled from an amazing variety of publications, "the writing in this volume is so vibrantly good, you'll feel like you've armchair-traveled around the world" (Chicago Sun Times).
About this product: Get ready to transform "ho-hum" intermediate-grade writers into mature writers who love to write -- and perform well on assessments.
Razzle Dazzle Writing shows you how to teach narrative and informational writing through mastery of 50 key, target writing skills.
Your students succeed because Razzle Dazzle Writing: - organizes writing craft teaching into standards-based single-lesson chunks for easy modeling practice, and mastery. - addresses different learning styles, preferences, and interests with a variety of student-friendly formats to teach writing strategies. - makes learning easy and fun wtih student-oriented writing craft lessons, checklists, models, student exercises, and graphic organizers.
Move your students to the next level with Razzle Dazzle Writing!
About this product: A complete course in the art of writing and an essential reference for any working or would-be writer of any kind. Step-by-step it shows how to come up with ideas, get past writer's block, create an irresistible opening, develop an effective style, choose powerful words and master grammar, rewrite, and much, much more.
About this product: "The articles . . . draw the reader more tightly into the web of the world. They forge links in unexpected ways. They connect us to nature and to each other, and those connections nourish the intellect and uplift the spirit."—Jerome Groopman, M.D., editor
This year's Best American Science and Nature Writing offers another rich assortment of "fascinating science and impressive journalism" (New Scientist) culled from an array of periodicals, such as The New Yorker, Scientific American, and National Geographic. The twenty-four provocative and often visionary stories chosen by guest editor Jerome Groopman form an outstanding sampling of the very best in a field of writing that stays ahead of the curve, bringing important topics to the forefront of American discussion.
In "The Universe's Invisible Hand," Christopher Conselice takes us into the recent spectacular discovery of the crucial role of dark energy, which is making our universe expand faster and faster. Florence Williams tells the story of a more down-to-earth form of energy in "A Mighty Wind," which describes how a small Danish island community is making great leaps in energy conservation by using innovative wind farms. John Cohen explores the marvelous world of ligers, zorses, wholphins, and other hybridized creatures in "Zonkeys Are Pretty Much My Favorite Animal." And Robin Marantz Henig delves into the possibly hazardous ramifications of the rapidly expanding science of nanotechnology.
The Best American Science and Nature Writing 2008 packs a wallop of intriguing, informative, and wondrous stories, each one bringing with it, as Jerome Groopman writes, "a sense of excitement [to be] shared with others."
About this product: Grant Writing For Dummies, 3rd Edition serves as a one-stop reference for readers who are new to the grant writing process or who have applied for grants in the past but had difficulties. It offers 25 percent new and revised material covering the latest changes to the grant writing process as well as a listing of where to apply for grants. Grant writers will find: * The latest language, terms, and phrases to use on the job or in proposals. * Ways to target the best websites to upload and download the latest and user-friendly application forms and writing guidelines. * Major expansion on the peer review process and how it helps improve one's grant writing skills and successes. * One-stop funding websites, and state agencies that publish grant funding opportunity announcements for seekers who struggle to find opportunities. New to third edition.
About this product: Updated and revised, this new edition of the best-selling favorite enables readers to master the fundamentals of humor writing and better understand the demands of the comedic market. Comedy Writing Secrets now includes:
-Examples from comedy greats as well as cutting-edge contemporary comedians, including Jon Stewart, Chris Rock, and Tina Fey
-A complete spectrum of techniques, from writing one-liners and stand-up routines, to finding a market for one's work
-Step-by-step writing exercises accompanied with sample answers, so readers can practice and hone their skills
With this guide, aspiring comics can learn how to sharpen their comedic talent and turn it into a well-paying pursuit.
In Writing Magic, Newbery Honor author Gail Carson Levine shares her secrets of great writing. She shows how you, too, can get terrific ideas for stories, invent great beginnings and endings, write sparkling dialogue, develop memorable characters—and much, much more. She advises you about what to do when you feel stuck—and how to use helpful criticism. Best of all, she offers writing exercises that will set your imagination on fire.
With humor, honesty, and wisdom, Gail Carson Levine shows you that you, too, can make magic with your writing.
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