About this product: New Magnifier Table Lamp 5X. This is a new compact, convenient, illuminated 5X magnifier. The powerful magnification may help to reduce eye strain. It is compact and convenient for your home, office and travel. Enlarges fine print in books, maps, newspapers, directories, legal documents, etc. It is ideal for reading assistance in low-light conditions. Includes a fluorescent bulb. Has a flexible arm that measures approximately 12" (305 mm) long. The base measures approximately 6" x 7 5/8" x 1 7/8" (153 x 194 x 48 mm).
About this product: The Biggest Album Ever just got bigger. The 25th Anniversary Edition of Thriller celebrates this ground-breaking album with 7 bonus tracks, six of which are previously unreleased. The new tracks include exclusive remixes from Kanye West, Fergie, will.i.am and Akon along with a previously unreleased track from the Thriller sessions, "For All Time," newly mixed and mastered by Michael Jackson. Also included is a BONUS DVD with new, digitally restored versions of the three videos from the album as well as the Michael Jackson's groundbreaking performance of "Billie Jean" on the "Motown 25: Yesterday, Today, Forever" television special (first broadcast on NBC May 16, 1983).
Also included in all versions of the release is a new personal greeting from Michael Jackson to his fans penned exclusively for this special release.
About this product: Kenny G's 1994 album of economically arranged standards, which also happens to include Brahms's "Lullaby" and his own "The Chanukah Song," pales in comparison to his other holiday record, the highly creative and memorable Faith. That said, Miracles will appeal to some for its easy (some would say lazy) jazz renderings on G's soprano horn. The most inventive thing on the CD is a witty reading of "Greensleeves" wedded to Dave Brubeck's "Take 5." For sheer commercial appeal and enough romantic notes to keep the fireside roaring, Kenny G will make a good Santa for his many, many fans. --Martin Keller
About this product: At the time of its release, this was the watershed for soundtracks, selling a kazillion copies. It documents Whitney Houston's character in the Kevin Costner movie, which required Houston to play only herself (although one hopes she wouldn't end up with someone as smarmy as Costner). The album is as much a testament to the production of Babyface who, through the mid-1990s, actually was the mainstream of contemporary hit music. Houston's singing is much better than her acting, and almost every song enjoyed a long tenure at the top of all the charts. Along with "I Will Always Love You" and five other Houston songs, the soundtrack also features Lisa Stansfield, Kenny G with Aaron Neville, and Joe Cocker with Sass Jordan. --Scott Wilson
About this product: Sidney Poitier won an Oscar for this endearing movie about a handyman who thinks he's just passing through a little town in New Mexico, and ends up staying awhile to build a chapel for a cluster of German-speaking nuns. The renowned actor is highly entertaining in his combative exchanges with Lilia Skala, playing a Mother Superior who survived Hitler and makes no bones about bullying the goodhearted, itinerant worker into doing more and more for her. The film has an ambling, easygoing style with several memorable moments, not least of all is Poitier leading his holy hostesses through verses of the gospel song "Amen." Lilies is directed by the late Ralph Nelson, a pioneering director of live television who also made a number of popular feature films with notable performances (Jackie Gleason in Requiem for a Heavyweight, Cary Grant in Father Goose, Cliff Robertson in Charly) in the 1960s and 1970s. --Tom Keogh
About this product: On May 6, 1993, the mutilated bodies of three 8-year-old boys were found in a shallow creek in West Memphis, Arkansas. A short time later police arrested three local teenagers, linking the boys' killings to a satanic ritual. One of the boys confessed. The intriguing court case was about to unfold as filmmakers Joe Berlinger and Bruce Sinofsky ventured forth to make this documentary. They captured footage of not only courtroom proceedings but also interviews with the major players in trial--parents, suspects, lawyers. The documentary filmmakers, whose previous film, Brother's Keeper, is as intriguing of a crime story you'll ever see, tells this story without re-creations or flashbacks. The film makes a clear argument that the court trial may not be about witchcraft but a witch hunt. As with any great drama, the faces and situations are etched upon the viewer; however, we are dealing with real lives and real crimes (told gruesomely and necessarily by police photographs and videotape), and the impact is far greater. And so is the maddening ambivalence of the trial. Like the O.J. Simpson fiasco, a verdict is reached but the truth is questioned. Did police make fatal errors the night of the crime? Do last-minute clues lead to justice? Who's lying on the stand? As with Roger and Me and Hoop Dreams, we have a provocative single incident that holds a mirror to many of society's problems. The results are just more horrifying. The Emmy-winning film was followed four years later by Paradise Lost 2: Revelations. --Doug Thomas
About this product: Directors Joe Berlinger and Bruce Sinofsky return to the scene of the crime with this urgent follow-up to their harrowing 1996 documentary, Paradise Lost: The Child Murders at Robin Hood Hills. That profoundly disturbing film chronicles the tragic and twisted case of three young men--Damien Echols, Jason Baldwin, and Jessie Misskelley--who were convicted of the brutal 1993 murders of three second graders. The film suggests that perhaps their only crime was dressing in black and liking Metallica. To the townspeople, this smacked of Satanism and marked them as made-to-order suspects. Meanwhile, Mark Byars, the stepfather of one of the victims emerged from the film as a "Why-isn't-anyone-following-up-on-this?" suspect. Revelations, which, for those who missed the first film, efficiently recaps the case, and charts the trio's maddening appeals process (police browbeat a confession out of Misskelley, who has an IQ of 71, after 12 hours of questioning), as well as the efforts of a group of Internet advocates to "Free the West Memphis Three." Byers is back as well, and he is infinitely more terrifying than anything in Book of Shadows, Berlinger's Blair Witch sequel. We learn that Byers had all his teeth extracted in the years after the murders (human bite marks are among the new evidence introduced). We also learn that his wife has since died of undetermined causes. When Byers passes a suspect lie detector test, he exults, "I knew I was innocent." A further mystery is why both Paradise Lost films have not garnered the media attention or sparked the outrage that attended Errol Morris's The Thin Blue Line, which led to the release of an innocent man who was imprisoned for more than 10 years. Both films give new meaning to the concept of reasonable doubt. --Donald Liebenson
About this product: It's made of hardened stainless steel. It measures from .001" to 6" or .01mm to 150mm. It calibratibles to zero, and can change from mm to inches with the touch of a button. It also has a locking screw, combined display, external measuring surfaces, thumb roller, rail, battery cap, depth measuring bar, step measuring surfaces and knife-shaped measuring surface for inside measurements.. It also in a molded and padded black plastic case for safe storage. It can be used for industrial work, hobby work, jewelry, gunsmithing, etc
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