Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes.
About this product: FEAR & LOATHING - LIZARD LOUNGE - 24x36 - ART PRINT / POSTER -Brand New Rolled Poster - Ships in a plastic sleeve inside of a crush-proof tube - SIZE: 24x36 inches
Art.com is the world's largest retailer of art prints, posters, photographs, and framed artwork. With our huge selection of over 400,000 prints, you'll easily find the perfect piece for your home, office, or classroom. Our art is printed on quality paper. When you order framed artwork, the piece is built by our team of in-house professionals. Visit our Amazon store today at www.amazon.com/artdotcom to find Special Offers and search for products based on 'Artist Name' and 'Subject Categories' such as Movie, Music, Vintage, TV, Children, Travel, Kitchen, Museum Art, Animals, Floral, Motivational, and Sports. Art.com is dedicated to providing you with high quality products and service by offering you 100% satisfaction guaranteed. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures that express and celebrate your distinct tastes.
About this product: Limited deluxe with four additional tracks: 'Crash Test', 'Big God', 'Self Immolation' and 'Soul Wound'. 2010 album from the Alternative Metal veterans. Mechanize is a full-fisted blast of passion and innovation that sounds like the missing link betweens 1995's groundbreaking Demanufacture and 1998's more texturally nuanced Obsolete. Songs like 'Industrial Discipline' and 'Powershifter' are crushing and colossal, melding fast and precise rhythms with vocals that pinwheel from raw and scathing to hauntingly melodic while 'Fear Campaign', which features harrowing spoken word passages, quickly segues into a showcase of punishing beats, rapid-fire riffs and ghostly keyboards. While Mechanize is instantly reminiscent of Fear Factory's most potent moments of discovery, its hardly a stroll down the old assembly line. The combination of technological advancements and experience of Fear Factory have evolved like a computer virus, constantly reconfiguring itself to maximize its destructive impact.
About this product: 2010 album from the Alternative Metal veterans. Mechanize is a full-fisted blast of passion and innovation that sounds like the missing link betweens 1995's groundbreaking Demanufacture and 1998's more texturally nuanced Obsolete. Songs like 'Industrial Discipline' and 'Powershifter' are crushing and colossal, melding fast and precise rhythms with vocals that pinwheel from raw and scathing to hauntingly melodic while 'Fear Campaign', which features harrowing spoken word passages, quickly segues into a showcase of punishing beats, rapid-fire riffs and ghostly keyboards. While Mechanize is instantly reminiscent of Fear Factory's most potent moments of discovery, its hardly a stroll down the old assembly line. The combination of technological advancements and experience of Fear Factory have evolved like a computer virus, constantly reconfiguring itself to maximize its destructive impact.
About this product: Akira Kurosawa's I Live in Fear is an expressive, caustic, portrait of madness. Toshiro Mifune (Seven Samurai) portrays an ageing industrialist driven to madness over fears of a nuclear attack. The most frightening aspect of Kurosawa's film is not the threat of nuclear annihilation, but the very proliferation of man's inhumanity and greed, expressed by the family's zeal to commit their father and keep their inheritances intact. Mifune's superb acting and Kurosawa's inventive mise-en-scene illustrate the tragic isolation that eventually overwhelms the helpless old patriarch.
About this product: The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon
About this product: Martin Scorsese's 1991 remake of J. Lee Thompson's 1962 thriller dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. Stick with the original (which starred Robert Mitchum and Gregory Peck, each of whom make a cameo appearance in this film). --Tom Keogh
About this product: The folks at Pixar can do no wrong with Monsters, Inc., the studio's fourth feature film, which stretches the computer animation format in terms of both technical complexity and emotional impact. The giant, blue-furred James P. "Sulley" Sullivan (wonderfully voiced by John Goodman) is a scare-monster extraordinaire in the hidden world of Monstropolis, where the scaring of kids is an imperative in order to keep the entire city running. Beyond the competition to be the best at the business, Sullivan and his assistant, the one-eyed Mike Wazowski (Billy Crystal), discover what happens when the real world interacts with theirs in the form of a 2-year-old baby girl dubbed "Boo," who accidentally sneaks into the monster world with Sulley one night. Director Pete Doctor and codirectors David Silverman and Lee Unkrich follow the Pixar (Toy Story) blueprint with an imaginative scenario, fun characters, and ace comic timing. By the last heart-tugging shot, kids may never look at monsters the same, nor artists at what computer animation can do in the hands of magicians. --Doug Thomas
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