About this product: Holds 80 Discs; Finds & Retrieves A Disc In Less Than 5 Seconds; 1-Touch Index Tray Allows Easy Disc Location; Provides Needed Innovation For Category; Patented Disc Protection Scratch Prevention; Includes Free Online Software To Organize Collection; Peb
Made of nickel. Holds up to 18 photos. Stands 17" tall by 14" wide.Ships within 1-2 days via USPS Priority from Oregon.For shipping ease, minor assembly is required. Assembly instructions are included.
About this product: Features: Matte green frame. 12 beautiful North American song birds for each hour. Each hour is announced by the clear song of that particular bird. Built in light sensor turns sounds off when the room is dark. Dimensions: 13.5" diameter x 2" deep. Takes 3 AA batteries.
About this product: There's a smart balance of traditional Hawaiiana and contemporary tunes on this CD. There's heart-tugging warmth along with unexpected chuckles. The end result is a candid, honest reinforcement of his vocal breadth.
About this product: HIStory's 2 CDs (one hits, the other new) were Jackson's attempt to connect his glorious past to a dodgy present and--given it's commercial and artistic performance--cast a shadow on his future. Conceived as his formal coronation as the "King of Pop," HIStory's second disc instead presents Jackson as an epauletted, single-gloved Richard III. By turns paranoid, angry, bitter, sentimental, and, in one instance, possibly anti-Semitic, HIStory was less a collection of songs than a case history. A few tracks--mostly those produced by Jimmy Jam and Terry Lewis--are sleek, modern pop/soul, but too much of HIStory has the overblown vacuousness of a musician who knows his time is past, but is unsure as to how to react to the situation. --Steven Mirkin
About this product: 2008 reissue of their Moody Blues first seven album releases, each with bonus content. From their first landmark album release, Days Of Future Passed, with creative members Justin Hayward (guitar, vocals) and John Lodge (bass, vocals) coming on board plus the classics 'Nights In White Satin' and 'Tuesday Afternoon' finding instant success with radio and record buyers, their appeal became instantaneously widespread worldwide. Each release in this set of their first seven evolutionary albums includes a varying number of special mixes or versions of songs that are also represented in their final form on the respective albums from their highly spectacular career.
About this product: Shot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh
About this product: Critics and audiences didn't seem too happy with this inventive, perhaps too clever sequel to the popular 1985 comedy about a high school kid (Michael J. Fox) who travels into the past and has to bring his parents together (or lose his own existence). Director Robert Zemeckis and cast bent over backwards to add layers of time-travel complication to this follow-up, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Fox's character watching his own actions from the first film. --Tom Keogh
About this product: Dr. Emmett Brown: Then tell me, "future boy," who is president in the United States in 1985? Marty McFly: Ronald Reagan. Dr. Brown: Ronald Reagan? The actor?! Who's vice president? Jerry Lewis?
Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with this joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. Followed by two sequels. --Doug Thomas
About this product: Intriguingly scaled more along the lines of a good sci-fi short story than a steroid-enhanced action picture, Surrogates proposes a variation on spectatorship-run-amok. In the near future, human beings need no longer leave their homes: mechanical surrogates, similar in appearance (but younger looking, fitter, with fewer wrinkles and more hair) can move about in the world on the user's behalf, following commands and absorbing physical wear and tear. A cop (Bruce Willis) begins investigating a mystifying case of a user who died when his surrogate got blasted by a fancy ray-gun in the street--that's a definite violation of the company guarantee. In the course of a trim, sub-90-minute running time, the Willis character himself is forced to enter the mean streets in his own flesh-and-blood version, not his surrogate, a move that puzzles both his wife (Rosamund Pike) and partner (Radha Mitchell). In the movie's scheme of perfect surrogates and digitally-smoothed faces, the grizzled humanity of Bruce Willis comes blazing through; what a relief to see a battered human in the midst of the beautiful people. Director Jonathan Mostow (Terminator 3) gets the world right, but one waits in vain for a fuller picture of the effects of this surrogate population, or a deeper study of the creator (James Cromwell) of the technology, or a reason to get involved in the rebel leader (Ving Rhames in a fright wig) and his reservation populated by defiant non-surrogates. Sprinting along as it does, Surrogates doesn't find time for these presumably crucial details, and the result feels just a little skin-deep. --Robert Horton
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