About this product: At the beginning of the 21st century, physics is being driven to very unfamiliar territory--the domain of the incredibly small and the incredibly heavy. The new world is a world in which both quantum mechanics and gravity are equally important. But mysteries remain. One of the biggest involved black holes. Famed physicist Stephen Hawking claimed that anything sucked in a black hole was lost forever. For three decades, Leonard Susskind and Hawking clashed over the answer to this problem. Finally, in 2004, Hawking conceded.
THE BLACK HOLE WAR will explain the mind-blowing science that finally won out, and the emergence of a new paradigm that argues the world--this catalog, your home, your breakfast, you--is actually a hologram projected from the edges of space.
About this product: The first issues of Charles Burns's comics series Black Hole began appearing in 1995, and long before it was completed a decade later, readers and fellow artists were speaking of it in tones of awe and comparing it to recent classics of the form like Chris Ware's Jimmy Corrigan and Daniel Clowes's Ghost World. Burns is the sort of meticulous, uncompromising artist whom other artists speak of with envy and reverence, and we asked Ware and Clowes to comment on their admiration for Black Hole:
"I think I probably learned the most about clarity, composition, and efficiency from looking at Charles's pages spread out on my drawing table than from anyone's; his was always at the level of lucidity of Nancy, but with this odd, metallic tinge to it that left you feeling very unsettled, especially if you were an aspiring cartoonist, because it was clear you'd never be half as good as he was. There's an almost metaphysical intensity to his pinprick-like inkline that catches you somewhere in the back of the throat, a paper-thin blade of a fine jeweler's saw tracing the outline of these thick, clay-like human figures that somehow seem to "move," but are also inevitably oddly frozen in eternal, awkward poses ... it's an unlikely combination of feelings, and it all adds up to something unmistakably his own.
"I must have been one of the first customers to arrive at the comic shop when I heard the first issue of Black Hole was out 10 years ago, and my excitement didn't change over the years as he completed it. I don't think I've ever read anything that better captures the details, feelings, anxieties, smells, and cringing horror of my own teenage years better than Black Hole, and I'm 15 years younger than Charles is. Black Hole is so redolently affecting one almost has to put the book down for air every once in a while. By the book's end, one ends up feeling so deeply for the main character it's all one can do not to turn the book over and start reading again." --Chris Ware
"Charles Burns is one of the greats of modern comics. His comics are beautiful on so many levels. Somehow he has managed to capture the essential electricity of comic-book pop-art iconography, dragging it from the clutches of Fine Art back to the service of his perfect, precise-but-elusive narratives in a way that is both universal in its instant appeal and deeply personal." --Dan Clowes
Questions for Charles Burns
Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes? Charles Burns: There were a number of reasons for serializing Black Hole. First of all, I wanted to put out a traditional comic book-- I'd never really worked in that comic pamphlet format before and liked the idea of developing a long story in installments. There's something very satisfying to me about a comic book as an object and I enjoyed using that format to slowly build my story. Serializing the story also allowed me to focus on shorter, more manageable portions; if I had to face creating a 368-page book all in one big lump, I don't know if I’d have the perseverance and energy to pull it off. Amazon.com: One thing that stuns me about this book is how consistent it is from start to finish. From the first frames to the last ones that you drew 10 years later, you held the same tone and style. It feels as though you had a complete vision for the book from the very beginning. Is that so? Or did things develop unexpectedly as you worked on it? Burns: I guess there's a consistency in Black Hole because of the way I work. I write and draw very slowly, always carefully examining every little detail to make sure it all fits together the way I want it to. When I started the story, I had it all charted out as far as the basic structure goes, but what made working on it interesting was finding new ways of telling the story that hadn't occurred to me. Amazon.com: Some of the very best of the recent graphic novels (I'm thinking of Ghost World and Blankets, along with Black Hole) have been about the lives of teenagers. Do you think there's something about the form that helps to tell those stories so well? Burns: That's an interesting question, but I don't know the answer. Perhaps it has more to do with the authors--the kind of people who stay indoors for hours on end in total solitude working away on their heartfelt stories... maybe that kind of reflection lends itself to being able to capture the intensity of adolescence. Amazon.com: In the time you've been working on Black Hole, graphic novels have leapt into the mainstream. (I think--I hope--we're finally seeing the last of those "They're not just for kids anymore!" reviews.) What did you imagine for this project when you started it? What's it been like to see your corner of the world enter the glare of the spotlight? Burns: When I started Black Hole I really just wanted to tell a long, well-written story. The themes and ideas that run throughout the book had been turning around in my head for years and I wanted to finally get them all out--put them down on paper once and for all. I've published a few other books and while they sold reasonably well, they didn't set the publishing world on fire. I was pretty sure I'd have some kind of an audience for Black Hole, but that was never a motivating factor in writing the book. And my corner of the world is still pretty dark. I guess I'll be stepping into the spotlight for a little while when the book comes out, but I imagine I'll slip back into my dark little studio when it all settles down again so I can settle back into work.
About this product: In this masterfully written and brilliantly informed work, Dr. Thorne, the Feynman Professor of Theoretical Physics at Caltech, leads readers through an elegant, always human, tapestry of interlocking themes, answering the great question: what principles control our universe and why do physicists think they know what they know? Features an introduction by Stephen Hawking.
About this product: “One of today’s best popularizers of science.”—Kirkus Reviews Loyal readers of the monthly “Universe” essays in Natural History magazine have long recognized Neil deGrasse Tyson’s talent for guiding them through the mysteries of the cosmos with stunning clarity and childlike enthusiasm. Here Tyson compiles his favorite essays across a myriad of cosmic topics. The title essay introduces readers to the physics of black holes by explaining just what would happen to your body if you fell into one, while “Hollywood Nights” assails Hollywood’s feeble efforts to get its night skies right. Tyson is the world’s best-known astrophysicist, and he’s at his best here, as a natural teacher who simplifies the complexities of astrophysics while sharing his infectious excitement for our universe. .
About this product: U.S. Air Force navigators and bombardiers have long labored under the shadow of pilots, their contributions misunderstood or simply unknown to the public. This was especially the case with the B-52 non-pilot aircrews in the Vietnam War. Yet, without them, it would have been impossible to execute nuclear war strike plans or fly conventional bombing sorties. With this book, one of their own reveals who these men were and what they did down in the Black Hole of the B-52 bomber. It is the only work to detail the B-52 air war in Vietnam from the perspective of a navigator-bombardier. The book's opening thrusts the reader into the thick of the war's climactic 1972 Hanoi Christmas bombing, an operation so poorly planned that it nearly became a disaster of epic proportions. The author then offers a history of the development of bombing techniques and the evolution of bomber aircraft, focusing on the Vietnam-era B-52. Final chapters return readers to the eleven-day Christmas War over Hanoi and Haiphong for an insider's view of that defining battle, described by the author as the last massed, heavy bomber raid the world will ever see. The author brings the book to a close with a discussion of the B-52 and its capabilities in the twenty-first century.
About this product: Over the last decade the physics of black holes has been revolutionized by developments that grew out of Jacob Bekenstein’s realization that black holes have entropy. Steven Hawking raised profound issues concerning the loss of information in black hole evaporation and the consistency of quantum mechanics in a world with gravity. For two decades these questions puzzled theoretical physicists and eventually led to a revolution in the way we think about space, time, matter and information. This revolution has culminated in a remarkable principle called "The Holographic Principle", which is now a major focus of attention in gravitational research, quantum field theory and elementary particle physics. Leonard Susskind, one of the co-inventors of the Holographic Principle as well as one of the founders of String theory, develops and explains these concepts.
About this product: Do you know: what might happen if you fall into a black hole? that the Universe does not have an edge? that the reason it gets dark at night is proof of the Big Bang? that cosmic particles time-travel through the atmosphere defying death? that our past, present and future might all coexist "out there"?
With two remarkable ideas Albert Einstein revolutionized our view of the Universe. His first was that nothing can travel faster than light - the ultimate speed limit. This simple fact leads to the unavoidable conclusion that space and time must be linked together, forever as Spacetime.
With his second monumental insight Einstein showed how Spacetime is warped and stretched by the gravity of all objects in the Universe and even punctured by black holes. But such possible twisting of Spacetime allowed a magic not even Einstein could have imagined: time-travel.
Theoretical physicist Jim Al-Khalili finally lays science fiction to rest as he opens up Einstein's Universe. Leading us gently and light-heartedly through the dizzying world of our space and time, he ultimately gives us the recipe for a possible time machine, capable of taking us Back to the Future, to Alice's Wonderland or on a trip with the Terminator.
Bright gamma-ray flares observed from sources far beyond our Milky Way Galaxy are best explained if enormous amounts of energy are liberated by black holes. The highest- energy particles in nature--the ultra-high-energy cosmic rays--cannot be confined by the Milky Way's magnetic field, and must originate from sources outside our Galaxy. Understanding these energetic radiations requires an extensive theoretical framework involving the radiation physics and strong-field gravity of black holes. In High Energy Radiation from Black Holes, Charles Dermer and Govind Menon present a systematic exposition of black-hole astrophysics and general relativity in order to understand how gamma rays, cosmic rays, and neutrinos are produced by black holes.
Beginning with Einstein's special and general theories of relativity, the authors give a detailed mathematical description of fundamental astrophysical radiation processes, including Compton scattering of electrons and photons, synchrotron radiation of particles in magnetic fields, photohadronic interactions of cosmic rays with photons, gamma-ray attenuation, Fermi acceleration, and the Blandford-Znajek mechanism for energy extraction from rotating black holes. The book provides a basis for graduate students and researchers in the field to interpret the latest results from high-energy observatories, and helps resolve whether energy released by rotating black holes powers the highest-energy radiations in nature. The wide range of detail will make High Energy Radiation from Black Holes a standard reference for black-hole research.
About this product: Readers worldwide have come to know the work of Stephen Hawking through his phenomenal million-copy hardcover best-seller A Brief History of Time. Bantam is proud to present the paperback edition of Dr. Hawking's first new book since that event, a collection of fascinating and illuminating essays, and a remarkable interview broadcast by the BBC on Christmas Day, 1992. These fourteen pieces reveal Hawking variously as the scientist, the man, the concerned world citizen, and-always-the rigorous and imaginative thinker. Hawking's wit, directness of style, and absence of pomp characterize all of them, whether he is remembering his first experience at nursery school; calling for adequate education in science that will enable the public to play its part in making informed decisions on matters such as nuclear disarmament; exploring the origins of the future of the universe; or reflecting on the history of A Brief History of Time. Black Holes and Baby Universes is an important work from one of the greatest minds of the twentieth century.
About this product: An excellent science book that is accessible to children, but does not dumb down the science. Several sophisticated concepts are presented. The content is current on some of the latest research on black holes and astrophysics.
Relatively thin book, large format with lots of pictures including many with real scientific value, not just pretty pictures.
BOOK
Amazon.com: Cartoonists are about the only people today who are working like Dickens did: writing serials that appear piece-by-piece in public before the whole work is done. What's it like to work in public like that, and for as long as a project like this takes?
