About this product: From acclaimed writer and physicist Mark Bowen, Censoring Science tells the true story of the Bush administration’s censorship of the world’s preeminent climatologist, and the science behind global warming that they do not want you to know.
The facts don’t lie: • 2005 was the warmest year since the invention of the thermometer. • 2006 is on track to become the hottest year ever recorded in the United States. • The six hottest years on record have occurred in the last eight years, and the twenty-two hottest years on record have occurred in the last twenty-six years.
Preeminent climatologist and leading NASA scientist Dr. James Hansen has been studying climate for over three decades. It was his testimony to a Senate committee in 1988 that first brought the threat of global warming to the world’s attention. In January 2006, news broke that the Bush administration had been attempting to censor Dr. Hansen—obscuring his message and suppressing the vast body of his scientific work, which unequivocally demonstrates the reality and immense danger of global warming.
Now, for the first time and with unfiltered access, writer and physicist Mark Bowen finally tells the exclusive story of Hansen’s decades-long battle to bring the truth about global warming to light. Censoring Science illuminates the real science behind global warming and maintains that we can still prevent environmental disaster, while both strengthening our economy and our national security. In the tradition of Ron Suskind’s blockbuster bestseller, The Price of Loyalty, Censoring Science exposes the truth behind the administration’s spin doctors, and shares the inside story of one of the most important and influential scientists of our time.
About this product: Considering the great influence textbooks have as interpreters of history, politics and culture to future generations of citizens, it is no surprise that they generate considerable controversy. Focusing largely on textbook treatment of lingering - and sometimes explosive - tensions originating in World War II, "Censoring History" addresses issues of textbook nationalism in historical and comparative perspective. Discussions include Japan's Comfort Women and the Nanjing Massacre; Nazi genocide against the Jews, Gypsies, Catholics and others; Hiroshima and Nagasaki, and the Indochina wars. The essays address controversies over textbook content around the globe: How and why do specific representations of war evolve? What are the international and national forces affecting how textbook writers, publishers and state censors depict the past? How do these forces differ from country to country? Other comparative essays analyze nationalist and war controversies in German, US and Chinese textbook debates.
About this product: A bestselling art historian and a free speech advocate explore subtle new forms of censorship in the art world and beyond.
"In private, museum people have told me that self-censorship is indeed the order of the day. But it is quite rare for an official to speak about it in public. Self-censorship occurs behind closed doors. There are practically no whistle-blowers."—Hans Haacke, conceptual artist known for his socially and politically engaged art
If your idea of censorship is an anonymous bureaucrat in a government office exercising prudish control over "offensive" art and speech, wake up and smell the conglomeration. Censorship today is just as likely to be the result of a market force or a bandwidth monopoly as a line edit or the covering of a nude sculpture, and the current system of new technologies and economic arrangements has subtle, built-in mechanisms for suppressing free expression as powerful as any known in other centuries.
In Censoring Culture, the nationally known author of the ArtSpeak books and the head of the National Coalition Against Censorship's Arts Program bring together the latest thinking from art historians, cultural theorists, legal scholars, and psychoanalysts, as well as first-person accounts by artists and advocates, to give us a comprehensive understanding of censorship in a new century.
Contributors include: • J.M. Coetzee, Judy Blume, and others on self-censorship • Hans Haacke on the marriage of art and money • DeeDee Halleck on the military-media-industrial complex • Marjorie Heins on violence and children • Randall Kennedy on the risks of regulating hate speech • Lawrence Lessig on creativity and copyright in the electronic age • Judith Levine on shielding children from sex • Diane Ravitch on sensitivity guidelines for national testing • Douglas Thomas on hackers and hacking culture
About this product: The dramatic story of global warming, politics, and the scientist Al Gore calls “the most powerful and consistent voice calling for intelligent action to preserve our planet’s environment.”
Censoring Science is the gripping story of the world’s preeminent climatologist, Dr. James Hansen, the “pivotal character in the greatest and most politically charged science story of our time” (New Scientist). NASA’s leading climate expert, Dr. Hansen, first broke the international news on global warming at a Senate hearing in 1988. Little did he expect the rising storm of politically motivated resistance, denial, and obstruction.
Revealing the extent of the Bush administration’s censorship of Dr. Hansen’s findings, Censoring Science sets the record straight with solid scientific facts such as: the eight hottest years on record have occurred in the last decade, and ice is melting at record rates all around the planet. Dr. Hansen shows how we can still prevent environmental disaster if the country and the government are willing to face the truth about global warming.
About this product: This is a real eye-opener for those Christians who are "asleep at the wheel" and believe that their religious liberties to preach the Gospel in America --including those "politically incorrect" aspects-- are a given under the U.S. Constitution. Hint: freedom of speech and freedom of religion wither and disappear in a climate of "political correctness".
About this product: Many words and expressions are viewed as 'taboo', such as those used to describe sex, our bodies and their functions, and those used to insult other people. This book provides a fascinating insight into taboo language and its role in everyday life. It looks at the ways we use language to be polite or impolite, politically correct or offensive, depending on whether we are 'sweet-talking', 'straight-talking' or being deliberately rude. Using a range of colourful examples, it shows how we use language playfully and figuratively in order to swear, to insult, and also to be politically correct, and what our motivations are for doing so. It goes on to examine the differences between institutionalized censorship and the ways individuals censor their own language. Lively and revealing, Forbidden Words will fascinate anyone who is interested in how and why we use and avoid taboos in daily conversation.
About this product: In this gracefully written, accessible and entertaining volume, John Semonche surveys censorship for reasons of sex from the nineteenth century up until the present. He covers the various forms of American media--books and periodicals, pictorial art, motion pictures, music and dance, and radio, television, and the Internet. Despite the varieties of censorship, running from self-censorship to government bans, a common story is told. In each of the areas, Semonche explains via abundant examples how and why censorship took place. He also details how the cultural territory contested by those advocating and opposing censorship diminished over the course of the last two centuries. In an era in which sexual images are pervasive and the need for reliable information about sex and sexuality is growing, he questions the remaining rationales for censorship and the justification for placing obscenity outside the protection of the U.S. Constitution.
About this product: This original work is an unusual effort to relate modern constitutional politics to the moral character of American culture. Writing in non-technical language, Nagel demonstrates how judicial decisions embody wider social tendencies toward moral evasiveness, privatization, and opportunism. He shows that constitutional interpretation is often used to stifle political disagreement and, ultimately, to censor our own beliefs and traditions. The discussion ranges over such controversial topics as political correctness on the campus and in the case law, resistance to constitutional rights like abortion, the confirmation hearings of Clarence Thomas and Robert Bork, and judicial decisions on such issues as pornography, flag-burning, gay rights, school prayer, and school desegregation. The analysis crosses conventional political and philosophical lines. Nagel sees fundamental similarities between liberal theorists like Ronald Dworkin and conservatives like Bork. He traces judicial arrogance to the ambitious doctrinalist, William Brennan, but also to the cautious incrementalist, John Marshall Harlan. He describes the highest rituals of legality as re-enactments of the same cultural deficiencies that cause concern for the rule of law, and he suggests that real protection for legal values lies in self-confident politics. Clearly written and forcefully argued, Judicial Power and American Character is an audacious examination of judicial power as an integral part of an increasingly anxious and intolerant culture. It will be of great importance to law professors, lawyers and judges, political scientists, and educated citizens interested in constitutional interpretation, the phenomenon of "political correctness", and the possibility of moral decline.
About this product: Introduces progressive sampling foundations. Discusses various properties of progressively censored samples. Describes how to make exact or approximate inferences for different statistical models with samples based on progressive censoring schemes. DLC: Nonparametric statistics.
Through the twentieth century, from colonial Ireland to the United States, and from Franco's Spain to late Soviet Russia, to include sexuality in a novel signaled social progressiveness and artistic innovation, but also transgression. Certain novelists—such as James Joyce, Vladimir Nabokov, Luis Martín-Santos, and Viktor Erofeev—radicalized the content of the novel by incorporating sexual thoughts, situations, and fantasies and thus portraying repressed areas of social, cultural, political, and mental life.
In The Artistic Censoring of Sexuality: Fantasy and Judgment in the Twentieth-Century Novel, Susan Mooney extensively examines four modernist and postmodernist novels that prompted in their day harsh external censorship because of their sexual content—Ulysses, Lolita, Time of Silence, andRussian Beauty. She shows how motifs of censorship, with all its restrictions, pressures, rules, judgments, and forms of negation, became artistically embedded in the novels' plots, characters, settings, tropes, and themes. These novels contest censorship's status quo and critically explore its processes and power. This study reveals the impact of censorship on literary creation, particularly in relation to the twentieth century's growing interest in sexuality and its discourses.
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