About this product: As U.S. society struggles to protect both its culture and its right to free speech, there is ongoing debate about whether censorship should ever be allowed. The authors in this anthology explore a number of facets of that debate, censorship on the Internet, censorship in relation to America's war on terrorism, whether free speech should be censored, and whether freedom in the United States is threatened by censorship. (20020801)
About this product: From Huckleberry Finn to Harry Potter, from Internet filters to the v-chip, censorship exercised on behalf of children and adolescents is often based on the assumption that they must be protected from "indecent" information that might harm their development - whether in art, in literature, or on a Web site. But where does this assumption come from, and is it true?In "Not in Front of the Children", Marjorie Heins explores the fascinating history of "indecency" laws and other restrictions aimed at protecting youth. From Plato's argument for rigid censorship, through Victorian laws aimed at repressing libidinous thoughts, to contemporary battles over sex education in public schools and violence in the media, Heins guides us through what became, and remains, an ideological minefield. With fascinating examples drawn from around the globe, she suggests that the "harm to minors" argument rests on shaky foundations.There is an urgent need for informed, dispassionate debate about the perceived conflict between the free-expression rights of young people and the widespread urge to shield them from expression that is considered harmful. "Not in Front of the Children" spurs this long-needed conversation.
About this product: In 1950 Ruth W. Brown, librarian at the Bartlesville Public Library, was dismissed from her job after thirty years of exemplary service, ostensibly because she had circulated subversive materials. In truth, however, Brown was fired because she was active in a group affiliated with the Congress of Racial Equality.
This episode in a small Oklahoma town almost a half-century ago is more than a disturbing local event. It exemplifies the strange period of the Cold War known as the McCarthy era, foregrounding those who labored for racial justice, sometimes at great cost, before the civil rights movement.
The fundamental issues of the Brown case make it especially pertinent today, when differences--in race, gender, class, and national origin--are again feared, and as challenges to materials in library collections again escalate. Ruth Brown's story helps us understand the matrix of personal, community, state, and national forces that can lead to censorship, intolerance, and the suppression of individual rights.
About this product: This provocative study of gender and sexuality in contemporary Japan investigates elements of Japanese popular culture including erotic comic books, stories of mother-son incest, lunchboxes--or obentos--that mothers ritualistically prepare for schoolchildren, and children's cartoons. Anne Allison brings recent feminist psychoanalytic and Marxist theory to bear on representations of sexuality, motherhood, and gender in these and other aspects of Japanese culture. Based on five years of fieldwork in a middle-class Tokyo neighborhood, this theoretically informed, accessible ethnographic study provides a provocative analysis of how sexuality, dominance, and desire are reproduced and enacted in late-capitalistic Japan.
About this product: It was only a forty-minute foreign film, but it sparked a legal confrontation that has left its mark on America for more than half a century. Roberto Rossellini's "Il Miracolo" ("The Miracle") is deceptively simple: a demented peasant woman is seduced by a stranger she believes to be Saint Joseph, is socially ostracized for becoming pregnant out of wedlock, but is finally redeemed through motherhood.Although initially approved by state censors for screening in New York, the film was attacked as sacrilegious by the Catholic establishment, which convinced state officials to revoke distributor Joseph Burstyn's license. In response, Burstyn fought back through the courts and won.Laura Wittern-Keller and Raymond Haberski show how the Supreme Court's unanimous 1952 ruling in Burstyn's favor sparked a chain of litigation that eventually brought filmmaking under the protective umbrella of the First Amendment, overturning its long-outdated decision in Mutual v. Ohio (1915). Their story features a more formidable cast than did the film itself, with the charismatic Francis Cardinal Spellman decrying the film as a Communist plot, while outspoken film critic Bosley Crowther vigorously advocated "freedom of the screen." Meanwhile, movie producers stood by silently for fear of alienating the Church and its large movie-going membership, leaving Burstyn to muster his own defense.More than the inside story of one case, this book explores the unique place that the movies occupy in American culture and the way that culture continues to be shaped by anxiety over the social power of movies. The Burstyn decision weakened the ability of state censorship boards and the Catholic Church to influence the types of films Americans were allowed to see. Consequently, the case signaled the rise of a new era in which films would be more mature and more controversial than ever before.Focusing on this single most important case in the jurisprudence surrounding motion picture expression, Wittern-Keller and Haberski add a significant new dimension to the story of cinema, censorship, and the history of First Amendment protections.
About this product: Annabel Patterson explores the effects of censorship on both writing and reading in early modern England, drawing analogies and connections with France during the same time. The result is an original account of the interpretive and communicative systems we call culture. Patterson's work will interest anyone concerned with the relationship between art and politics. A new introduction by the author underscores the relevance of a historical perspective on censorship to contemporary culture.
About this product: Everything You Ever Wanted To Know About The Music Your Parents Never Wanted You To Hear
Believe it or not, music censorship in America did not begin with Tipper Gore's horrified reaction to her daughter's Prince album. The vilification of popular music by government and individuals has been going on for decades. Now, for the first time, Parental Advisory offers a thorough and complete chronicle of the music that has been challenged or suppressed -- by the people or the government -- in the United States.
From Dean Martin's "Wham, Bam, Thank you Ma'am" to Marilyn Manson's Antichrist Superstar; from freedom fighters such as Frank Zappa and in-your-face rappers such a N.W.A. to crusaders such as Tipper Gore, this intelligent and entertaining book shows how censorship has crossed sexual, class, and ethnic lines, and how many see it as a de facto form of racism. With nearly one hundred fascinating photographs of musicians, record burning, and controversial cover art; illuminating sidebars; and a decade-by-decade timeline of important moments in censorship history, Parental Advisory is by turns frightening and hilarious -- but always revealing.
About this product: Investigates the role played by censorship in the Spanish-language publishing industry, which led to the Latin American Boom literature of the 1960s and 1970s.
About this product: Discusses issues surrounding various types of censorship which occur in schools including censorship of literature, courses, textbooks, and expression.
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