About this product: The first complete book by J.R.R. Tolkien in three decades--since the publication of The Silmarillion in 1977--The Children of Húrin reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, Eagles and Orcs. Presented for the first time as a complete, standalone story, this stirring narrative will appeal to casual fans and expert readers alike, returning them to the rich landscape and characters unique to Tolkien.
Adam Tolkien on The Children of Húrin
How did a lifetime of stories become The Children of Húrin? In an essay on the making of the book, Adam Tolkien, grandson of J.R.R. Tolkien (and French translator of his History of Middle-earth), explains that the Húrin legends made up the third "Great Tale" of his grandfather's Middle-earth writing, and he describes how his father, Christopher Tolkien, painstakingly collected the pieces of the legend into a complete story told only in the words of J.R.R. Tolkien. "For anyone who has read The Hobbit and The Lord of the Rings," he writes, The Children of Húrin "allows them to take a step back into a larger world, an ancient land of heroes and vagabonds, honour and jeopardy, hope and tragedy."
A Look Inside the Book
This first edition of The Children of Húrin is illustrated by Alan Lee, who was already well-known for his Tolkien illustrations in previous editions (see our Tolkien Store for more) as well as his classic collaboration with Brian Froud, Faeries, and his Kate Greenaway Medal-winning Black Ships Before Troy, before his Oscar-winning work as conceptual designer for Peter Jackson's Lord of the Rings film trilogy brought him even greater acclaim. Here's a quick glimpse of two of Lee's interior illustrations for The Children of Húrin. (Click on each to see larger images.)
Questions for Alan Lee
We had the chance to ask Alan Lee a few questions about his illustrative collaboration with the world imagined by J.R.R. Tolkien:
Amazon.com: How much of a treat was it to get first crack at depicting entirely new characters rather than ones who had been interpreted many times before? Was there one who particularly captured your imagination?
Lee: Although it was a great honor to illustrate The Children of Húrin, the characters and the main elements of the story line are familiar to those who have read The Silmarillion and Unfinished Tales, and these narratives have inspired quite a few illustrators. Ted Nasmith has illustrated The Silmarillion and touched on some of the same characters and landscapes. This was the first time that I ventured into the First Age; while working on The Lord of the Rings books and films--and The Hobbit--I've had to refer back to events in Middle-earth history but not really depict them.
I'm drawn to characters who bear similarities to the protagonists in myths and legends; these correspondences add layers and shades of meaning, and most of the characters in this story have those archetypal qualities. However, I prefer not to get too close to the characters because the author is delineating them much more carefully than I can, and I'm wary of interfering with the pictures that the text is creating in the reader's mind.
Amazon.com: The Húrin story has been described as darker than some of Tolkien's other work. What mood did you try to set with your illustrations?
Lee: It is a tragic story, but the darkness is offset by the light and beauty of Tolkien's elegiac writing. In the illustrations I tried to show some of the fragile beauty of the landscapes and create an atmosphere that would enhance the sense of foreboding and impending loss. I try to get the setting to tell its part in the story, as evidence of what happened there in the past and as a hint at what is going to occur. My usual scarred and broken trees came in handy.
Amazon.com: You were a conceptual designer (and won an Oscar) for Peter Jackson's film trilogy of The Lord of the Rings, which I think we can safely say had a bit of success. How does designing for the screen compare to designing for the page?
Lee: They both have their share of joys and frustrations. It was great to be part of a huge film collaboration and play a small part in something quite magical and monumental; I will always treasure that experience. Film is attractive because I enjoy sketching and coming up with ideas more than producing highly finished artwork, and it's great having several hundred other people lending a hand! But books--as long as they don't get moldy from being left in an empty studio for six years--have their own special quality. I hope that I can continue doing both.
Amazon.com: Of all fiction genres, fantasy seems to have the strongest tradition of illustration. Why do you think that is? Who are some of your favorite illustrators?
Lee: A lot of excellent illustrators are working at the moment--especially in fantasy and children's books. It is exciting also to see graphic artists such as Dave McKean, in his film Mirrormask, moving between different media. I also greatly admire the more traditional work of Gennady Spirin and Roberto Innocenti. Kinuko Craft, John Jude Palencar, John Howe, Charles Vess, Brian Froud ... I'll stop there, as the list would get too long. But--in a fit of pride and justified nepotism--I'll add my daughter, Virginia Lee, to the list. Her first illustrated children's book, The Frog Bride [coming out in the U.K. in September], will be lovely.
More Tolkien Favorites
Visit our J.R.R. Tolkien Store for a complete selection of Tolkien classics, including deluxe editions, young readers' editions, and more.
About this product: The paperback editions of The Boxcar Children Mysteries: #1, The Boxcar Children; #2, Surprise Island; #3, The Yellow House Mystery; and #4, Mystery Ranch are offered together in a cardboard case.
About this product: Flexibility and tolerance are learned skills, as any parent knows if they've seen an irascible 2-year-old grow into a pleasant, thoughtful, and considerate older child. Unfortunately, for reasons that are poorly understood, a few children don't "get" this part of socialization. Years after toddler tantrums should have become an unpleasant memory, a few unlucky parents find themselves battling with sudden, inexplicable, disturbingly violent rages--along with crushing guilt about what they "did wrong." Medical experts haven't helped much: the flurry of acronyms and labels (Tourette's, ADHD, ADD, etc.) seems to proffer new discoveries about the causes of such explosions, when in fact the only new development is alternative vocabulary to describe the effects. Ross Greene, a pediatric psychologist who also teaches at Harvard Medical School, makes a bold and humane attempt in this book to cut through the blather and speak directly to the (usually desperate) parents of explosive children. His text is long and serious, and has the advantage of covering an enormous amount of ground with nuance, detail, and sympathy, but also perhaps the disadvantage that only those parents who are not chronically tired and time-deprived are likely to get through the entire book. Quoted dialogue from actual sessions with parents and children is interspersed with analysis that is always oriented toward understanding the origins of "meltdowns" and developing workable strategies for avoidance. Although pharmacological treatment is not the book's focus, there is a chapter on drug therapies. --Richard Farr
The Out-of-Sync Child broke new ground by identifying Sensory Processing Disorder, a common but frequently misdiagnosed problem in which the central nervous system misinterprets messages from the senses. This newly revised edition features additional information from recent research on vision and hearing deficits, motor skill problems, nutrition and picky eaters, ADHA, autism, and other related disorders.
Does your child speak a different language? Sometimes they wager for your attention, and other times they ignore you completely. Sometimes they are filled with gratitude and affection, and other times they seem totally indifferent. Attitude. Behavior. Development. Everything depends on the love relationship between you and your child. When children feel loved, they do their best. But how can you make sure your child feels loved? Since 1992, Dr. Gary Chapman's best-selling book The Five Love Languages has helped more than 300,000 couples develop stronger, more fulfilling relationships by teaching them to speak each others love language. Each child, too, expresses and receives love through one of five different communication styles. And your love language may be totally different from that of your child. While you are doing all you can to show your child love, he may be hearing it as something completely opposite.Discover your child's primary language and learn what you can do to effectively convey unconditional feelings of respect, affection, and commitment that will resonate in your child's emotions and behavior.
About this product: Nina Laden's illustrations in this simple, rhyming board book are truly magical. The format is straightforward: on alternating two-page spreads, the words "Peek a" are repeated, opposite an illustrated page with a die-cut hole, behind which lurks a cow ("MOO!"), a green ghost ("BOO!"), and a mirror (you guessed it, "YOU!"). The youngest readers will delight in trying to guess who--or what--is peeking through the window, and can easily grip the baby-fist-size holes to turn the pages for the answers. The picture of the "ZOO!" is fabulous. Through the hole, all that can be seen is a wild pattern of colors, stripes, and spots. Turn the page, and find a wild kingdom of animals, one in front of the other: peacock, zebra, penguin, cheetah, elephant, and more. Ready for more peekaboo fun? Try Nina Laden's Ready, Set, Go! . (Baby to preschool) --Emilie Coulter
Now in a NEW UPDATED version, Kurcinka offers parents the most up–to–date research, effective strategies and real life stories for:
•Managing intensity – not just the kids, but parents too
•Getting the sleep every family needs and deserves,
•Choosing their battles
•Helping children to hear their instructions
•Assisting children in getting along with siblings and peers, and
•Being successful in school and at home.
Spirited children possess traits we value in adults, yet find challenging in children. Studies now show that these children are "wired" to be more reactive to the world around them. The solution, rather than medication or punishment, is understanding temperament and working with it. Kurcinka in a supportive, warm style is able to reveal to parents how to do it, often leading them to ask, "How did she get into my home?" Winner of the Parents' Choice Award, voted one of the top twenty books for parents, and a "real life saver" for parents, this updated version is eagerly awaited by parents and professionals.
About this product: Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.
Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:
I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.
In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.
We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber
About this product: In evaluating a children's dictionary, there are two test words we always check first: "e-mail" and "iguana." After all, if "e-mail" doesn't appear in a dictionary, how up-to-date can it be? And iguanas, well, what kid doesn't want to read all about this "very large tropical American lizard with a ridge of tall scales along its back"? We are happy to report that this fine dictionary is above and beyond our gold standard. Not only are there definitions for each of the test words, there are illustrations for each, as well! This 912-page illustrated dictionary is packed with great information, including world maps on the inside covers, an easy-to-use how-to guide, and a reference section with facts and maps of the continents, pictures of flags from countries around the world, U.S. presidents and vice presidents, pronunciation guides, signs and symbols, and lots more. Sandwiched between this wealth of facts and figures are 846 pages of definitions with DK's trademark crisp, clear photographs illustrating many of the words. One of the handiest features in this volume is the multicolored alphabet running down the outer edges of every single page, with the featured letter highlighted for easy reference when flipping through. So get out there and e-mail all your iguana friends about this terrific reference guide! (Ages 9 to 12) --Emilie Coulter
NOW A NEW YORK TIMES BESTSELLER AND INCLUDED IN THE BOOKLIST TOP 10 ART BOOKS FOR YOUTH!
Our consensus is Hip Hop Speaks to Children is the most essential poetry purchase to make this year. The poetry is enough. The illustrations are enough. The CD is enough. Together, this book is a treasure of which you cannot get enough. We shall accomplish much this year. Children will be encouraged to put their words to poetry and beats. Teachers will be encouraged to allow the artists to speak to children. —Diane Chen, School Library Journal blog "Practically Paradise"
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Hip Hop Speaks to Children is a celebration of poetry with a beat.
Poetry can have both a rhyme and a rhythm. Sometimes it is obvious; sometimes it is hidden. But either way, make no mistake, poetry is as vibrant and exciting as it gets. And when you find yourself clapping your hands or tapping your feet, you know you've found poetry with a beat!
Like Poetry Speaks to Children, the New York Times Bestselling classic poetry book and CD that started it all, Hip Hop Speaks to Children is meant to be the beginning of a journey of discovery.
READ more than 50 remarkable poems and songs!
HEAR poetry's rhymes and rhythms from Queen Latifah to Gwendolyn Brooks, Langston Hughes to A Tribe Called Quest and more! * Also hear part of Martin Luther Kind's original "I Have a Dream" speech, followed by the remarkable live performance of the speech by Nikki Giovanni, Oni Lasana and Val Gray Ward. * The Hip Hop Speaks to Children CD contains more than 30 performances, either by the artists who created them, or as unique interpretations by admiring poets and artists.
DISCOVER Langston Hughes's elegant gospel "The Negro Speaks of Rivers," A Tribe Called Quest's playful "Ham 'N' Eggs," Sterling A. Brown's hard-luck "Long Track Blues," Gwendolyn Brooks's wake-up call "We Real Cool," Kanye West's lovely "Hey Mama," and Martin Luther King Jr.'s awe-inspiring "I Have a Dream."
This is a collection of rhymes and rhythms unlike any other poetry book!
Celebrate with remarkable poets, including: Eloise Greenfield Mos Def Lucille Clifton Oscar Brown Jr. Tupac Shakur Maya Angelou Queen Latifah Nikki Grimes Walter Dean Myers Common and, of course, Nikki Giovanni
Poems Include: Ego Tripping Rapper's Delight The Negro Speaks of Rivers Hey Mama Ham 'N' Eggs Everything Is Everything Ladies First
MORE PRAISE FOR HIP HOP SPEAKS TO CHILDREN
"With its archival recordings of poems read by the poets themselves, [Hip Hop] reminds everyone that poetry springs from an oral tradition." —Publishers Weekly
"This is the way to get children interested in reading and loving poetry. ... A great book for both teachers and parents." — Valerie Lewis, owner of Hicklebee's children's bookstore
"The poems, the artwork, the CD...all complement each other to create a wonderful experience." —Becky Laney, Becky Laney's Books blog
"Love this book. I think it is a K-8 must-have for classrooms and libraries. Like I said it is packed and it may be (at first) intimidating to young readers. But, once they hear some of the audio, spend time with the illustrations, and experience some of the poetry, I think it will become a favorite." —Franki Sibberson, A Year of Reading blog
"Hip Hop Speaks to Children is a wonderfully composed collection of poems from writers like Eloise Greenfield to late rapper and poet, Tupac Shakur. ... Whether you read poetry or you hear it in a rap song, Giovanni's genius endeavor will inspire children of all ages to have fun while listening to poetry. Rap is poetry, right?" —Amy Bowllan, Amy Bowllan's Blog (a School Library Journal Blog)
"Ihighly recommend this one for all collections. If the title didn't include the word "children" it'd be an excellent book all the way to high school. My coworkers and I are already talking about doing a Hip Hop poetry story time for our elementary school kids." —Jennifer Rothschild, Biblio File blog
"This is an incredibly powerful, beautiful and important book. Both the book and CD are stellar in quality and diversity. The artwork is amazing and I find myself pulling it out of the shelf over and over for just one more re-read. The grandchildren (ages 3 and 5) love it as well and ask to hear the CD while they pore over the pages and take breaks prancing around the room and singing to the beat. They KNOW all the poems in the book and learned them in a relatively short time, which I attribute to the power of the beat, and all the artists; the poets, the illustrators, the singers and spoken word artists. What an astounding thing when a book moves children so that they LEARN - quickly and enjoyably. This book is for all ages and Ican't recommend it highly enough." —Gina Ruiz, Blogcritics Magazine