About this product: Pacific Northwesterners flock to the Grand Central Bakery for their favorite baked goods: gooey jam-filled buttermilk biscuits and hand-formed rustic breads baked in a hearth-style oven, insanely flaky croissants, and flavor-packed whole wheat cinnamon rolls. Now these much-loved recipes are available to home bakers for the first time, accompanied by easy-to-follow pointers on baking for breakfast and brunch, cookies, fruit desserts, cakes, pies, and more. Piper Davis, the daughter of Grand Central's founder who grew up in Grand Central Bakeries, generously lets home bakers in on all the family secrets that have made Grand Central the first morning stop for locals for more than three decades.
About this product: A colorful history of a remarkable building, the architects, politicians, and celebrities connected to it, as well as its impact on our culture, and the recent renovation. This is the story of Grand Central Terminal in New York City, a remarkable and beautiful building whose birth, survival, and restoration reflect not only the changes that have taken place in our country's history, culture, and social consciousness but also the critical role architecture plays in the expansion of our cities. It begins with the historic struggle to save Grand Central in the wake of the destruction of Penn Station and in the face of economic forces in the real-estate industry that are intent on its demise. There follows a chronological history of the previous two stations on the site; the construction of the present building; and the grand and anecdotal human stories, movies, and radio programs that involve the great building. Also chronicled is the decline of long-distance rail travel and the emergence of the MTA as the force behind Grand Central's rebirth. Chapters and photographs (50 color plates, 100 black-and-white illustrations) provide a fascinating firsthand account of the $400 million restoration.
About this product: By Grand Central Station I Sat Down and Wept, Elizabeth Smart's passionate fictional account of her intense love-affair with the poet George Barker, is widely recognised to be a classic.
About this product: From 1923, when it was known as the Glendale Airport, to the World War II era, when the military took it over, Grand Central Air Terminal was the main commercial airport serving Southern California and the ancestral home of what became Convair (General Dynamics) and Hughes Aircraft. The first scheduled transcontinental passenger service was flown out of Grand Central by Charles Lindbergh, with Amelia Earhart among the passengers. Grand Central had the first paved runway west of the Rocky Mountains, and was a terminal for Pickwick, TWA, American, and Pan Am's Mexican subsidiary. After Pearl Harbor, commercial operations ceased and the Army Air Corps turned Grand Central into a training center and a key element in the air defenses for Los Angeles when a Japanese invasion seemed imminent.
Grand Central Terminal, one of New York City's preeminent buildings, stands as a magnificent Beaux-Arts monument to America's Railway Age, and it remains a vital part of city life today. Completed in 1913 after ten years of construction, the terminal became the city's most important transportation hub, linking long-distance and commuter trains to New York's network of subways, elevated trains, and streetcars. Its soaring Grand Concourse still offers passengers a majestic gateway to the wonders beyond 42nd Street.
In Grand Central Terminal, Kurt C. Schlichting traces the history of this spectacular building, detailing the colorful personalities, bitter conflicts, and Herculean feats of engineering that lie behind its construction. Schlichting begins with Cornelius Vanderbilt -- "The Commodore" -- whose railroad empire demanded an appropriately palatial passenger terminal in the heart of New York City. Completed in 1871, the first Grand Central was the largest rail facility in the world and yet -- cramped and overburdened -- soon proved thoroughly inadequate for the needs of this rapidly expanding city. William Wilgus, chief engineer of the New York Central Railroad, conceived of a new Grand Central Terminal, one that would fully meet the needs of the New York Central line. Grand Central became a monument to the creativity and daring of a remarkable age.
The terminal's construction proved to be a massive undertaking. Before construction could begin, more than 3 million cubic yards of rock and earth had to be removed and some 200 buildings demolished. Manhattan's exorbitant real estate prices necessitated a vast, two-story underground train yard, which in turn required a new, smoke-free electrified rail system. The project consumed nearly 30,000 tons of steel, three times more than that in the Eiffel Tower, and two power plants were built. The terminal building alone cost $43 million in 1913, the equivalent of nearly $750 million today.
Some of these costs were offset by an ambitious redevelopment project on property above the New York Central's underground tracks. Schlichting writes about the economic and cultural impact of the terminal on midtown Manhattan, from building of the Biltmore and Waldorf-Astoria Hotels to the transformation of Park Avenue. Schlichting concludes with an account of the New York Central's decline; the public outcry that prevented Grand Central's new owner, Penn Central, from following through with its 1969 plan to demolish or drastically alter the terminal; the rise of Metro-North Railroad; and the meticulous 1990s restoration project that returned Grand Central Terminal to its original splendor. More than a history of a train station, this book is the story of a city and an age as reflected in a building aptly described as a secular cathedral.
About this product: Fourteen chapters, the first, middle and last two of which are: "Origin; Discovery ... Geology; Hydrology ... Tales & Legends; Historical Bits & Pieces."
About this product: Curled deep in his burrow in a Grand Central Station crawlspace, Lee Stringer--ragged, homeless, addicted to crack--is digging around for something he can use to clean his crack pipe. Finally his fingers latch around "some sort of smooth straight stick": a pencil. In the days that follow, he carries it with him wherever he goes. "So I have this pencil with me all the time and then one day I'm sitting there in my hole with nothing to smoke and nothing to do and I pull the pencil out just to look at the film of residue stuck to the sides--you do that sort of thing when you don't have any shit--and it dawns on me that it's a pencil. I mean it's got a lead in it and all, and you can write with the thing." And so that's what he does. "Pretty soon I forget all about hustling and getting a hit. I'm scribbling like a maniac; heart pumping, adrenaline rushing, hands trembling. I'm so excited I almost crap on myself. It's just like taking a hit."
Grand Central Winter is the tale of Stringer's twin addictions--writing and crack--and the lengths he went to in order to satisfy each. But Stringer dwells on neither his descent into hell nor the long journey back. Instead, he paints a nuanced portrait of street life itself, its pleasures as well as its terrors. Hustlers, hookers, dealers, and addicts come to life in a series of vignettes that are tough, unsentimental, but compassionate to the core. There's honest rage to be found in Grand Central Winter, but precious little political posturing. "Policy is never the real issue," he writes in "Dear Homey," his advice column for New York's homeless paper, Street News. "The real issue is the hearts of men."
About this product: Provides a history of Grand Central Terminal from the mid-nineteenth century to the present, including its construction and architecture, the role played by Cornelius Vanderbilt, and facts about railroads in general.
About this product: "Trains are trips. And trips are adventures. And adventures are new ideas and romance and you can't ever know what in the world will happen which is exactly why you are going." This is precisely the species of serendipity that bounces and leaps through the pages of Maira Kalman's picture book Next Stop Grand Central, a charming tribute to New York's Grand Central Station by the artist whose murals currently spice up the historic terminal. Kalman--brilliant creator of Max the millionaire poet dog in Ooh-la-la (Max in Love)--not only reflects the vibrant nature of the busy hub, she paints comical portraits of the folks behind the scenes who make it all happen: ("Etha delivers the mail--a letter to Mr. Pickle cannot go to Mr. Schnikle.") We're also introduced to the people who "zip and zap and whiz" through Grand Central as passengers: ("The woman with the blue pancake hat is going to Chinatown to buy Poo Nik Tea.") Snapshots of "things you'll see" in the terminal include someone waiting patiently, someone waiting impatiently, and someone looking up. Things you won't see? Einstein sailing and the pyramids of Giza. Next Stop Grand Central is a compassionate, quirky view of a cross-section of humanity--and that, Kalman seems to be saying, is what Grand Central Station is all about. (Ages 5 and older) --Karin Snelson