About this product: One night, the sounds of New York City--the rumbling of subway trains, thrumming of automobile tires, hooting of horns, howling of brakes, and the babbling of voices--is interrupted by a sound that even Tucker Mouse, a jaded inhabitant of Times Square, has never heard before. Mario, the son of Mama and Papa Bellini, proprietors of the subway-station newsstand, had only heard the sound once. What was this new, strangely musical chirping? None other than the mellifluous leg-rubbing of the somewhat disoriented Chester Cricket from Connecticut. Attracted by the irresistible smell of liverwurst, Chester had foolishly jumped into the picnic basket of some unsuspecting New Yorkers on a junket to the country. Despite the insect's wurst intentions, he ends up in a pile of dirt in Times Square.
Mario is elated to find Chester. He begs his parents to let him keep the shiny insect in the newsstand, assuring his bug-fearing mother that crickets are harmless, maybe even good luck. What ensues is an altogether captivating spin on the city mouse/country mouse story, as Chester adjusts to the bustle of the big city. Despite the cricket's comfortable matchbox bed (with Kleenex sheets); the fancy, seven-tiered pagoda cricket cage from Sai Fong's novelty shop; tasty mulberry leaves; the jolly company of Tucker Mouse and Harry Cat; and even his new-found fame as "the most famous musician in New York City," Chester begins to miss his peaceful life in the Connecticut countryside. The Cricket in Times Square--a Newbery Award runner-up in 1961--is charmingly illustrated by the well-loved Garth Williams, and the tiniest details of this elegantly spun, vividly told, surprisingly suspenseful tale will stick with children for years and years. Make sure this classic sits on the shelf of your favorite child, right next to The Wind in the Willows. (Ages 9 to 12)
About this product: An award-winning science fiction writer, esteemed professor of comparative literature at the University of Massachusetts-Amherst, and celebrated essayist and memoirist, Samuel Delany is one of America's keenest observers. He was also a longtime habitué of many of the sex theaters in New York City's Times Square, spending, by his own estimate, "thousands and thousands of hours" at the Capri, Variety Photoplays, the Eros, and the Venus. In the 1990s all of these theaters were shut down through new restrictive zoning laws, part of a combined effort by the Walt Disney Corporation and the administration of Mayor Rudy Giuliani to gentrify the area, replacing these seedily memorable institutions with antiseptic, innocuous architectural and cultural creations in the name of health safety. But as Delany reveals in his new book, Times Square Red, Times Square Blue, the decision to clean up Times Square had little to do with public health, and everything to do with corporate greed.
In the two essays that comprise this eloquent, provocative book, Delany grieves for the loss of this strip of sexual release. Though he is careful not to romanticize or sentimentalize the peep shows and porn theaters, he does illuminate the way in which these venues crossed class, racial, and sexual orientation lines, providing a delightfully subversive utopia--and a microcosm of New York life. In the first essay, "Times Square Blue," Delany details his shared erotic and conversational encounters with working-class and homeless men in the theaters (which primarily showed straight porn films) and the genuine friendships that resulted; these immensely personal reminiscences also provide a social history of late-20th-century Times Square. Drawing on historical and theoretical resources in the second essay, "Three, Two, One, Contact: Times Square Red," Delany next builds a thoughtful and passionate argument against the gentrification of the area and the classist, characterless direction in which he sees New York heading. Read together, the essays of Times Square Red, Times Square Blue are both heartfelt homage to a beloved city and lament for a quirky vitality increasingly phased out by encroaching capitalism. --Kera Bolonik
“Friedman has drawn a vivid picture of the Times Square area and its denizens. He writes about the porn palaces with live sex shows, and the men and women who perform in them, prostitutes and their pimps, the runaways who will likely be the next decade's prostitutes, the clergymen who fight the smut merchants and the cops who feel impotent in the face of the judiciary.”—Publishers Weekly
This classic account of the ultra-sleazy, pre-Disneyfied era of Times Square is now the subject of a documentary film of the same name to be theatrically released this year. With this edition, Tales of Times Square returns to print with seven new chapters.
About this product: This resource is directly related to its literature equivalent and filled with a variety of cross-curricular lessons to do before, during, and after reading the book. This reproducible book includes sample plans, author information, vocabulary building ideas, cross-curriculum activities, sectional activities and quizzes, unit tests, and ideas for culminating and extending the novel.
About this product: As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s.
First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life.
Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere.
Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?
About this product: Poor little Lori. All he wants is to go see Times Square, but somehow he is thwarted every step of the way. First he takes a subway but gets out at South Ferry. Then he takes a bus but finds himself at 242nd Street. So he tries a taxi, and here's what happens: The driver says, "Do you have enough money to pay me?" Lori answers, "What a silly question! I am much too little to have enough money for a taxi." So the driver says, "Please get out then." Will Lori ever get to Times Square? Maybe with a little help from a very... slow... moving... friend.
The incomparable Maurice Sendak illustrates Amos Vogel's enormously amusing story, which first appeared in 1963 and has been rereleased for a new generation of lucky readers. Lori's melodramatic range of emotions throughout his arduous day is pure delight for fans of Sendak's familiar artwork, as seen in such classics as Where the Wild Things Are and In the Night Kitchen. Try not to be overly concerned at the idea of a small child wandering the streets of New York alone. This was written in another era, after all, and the silliness factor far outweighs the "unsafe" aspect. (Ages 4 to 8) --Emilie Coulter
About this product: The adventures of a country cricket who unintentionally arrives in New York and is befriended by Tucker Mouse and Harry Cat. Spanish language edition.
About this product: For more than a century, Times Square has mesmerized the world with the spectacle of its dazzling supersigns, its theaters, and its often-seedy nightlife. New York City's iconic crossroads has drawn crowds of revelers, thrill-seekers, and other urban denizens, not to mention lavish outpourings of advertising and development money.
Many have hotly debated the recent transformation of this legendary intersection, with voices typically falling into two opposing camps. Some applaud a blighted red-light district becoming a big-budget, mainstream destination. Others lament an urban zone of lawless possibility being replaced by a Disneyfied, theme-park version of New York. In Money Jungle, Benjamin Chesluk shows that what is really at stake in Times Square are fundamental questions about city life--questions of power, pleasure, and what it means to be a citizen in contemporary urban space.
Chesluk weaves together surprising stories of everyday life in and around the Times Square redevelopment, tracing the connections between people from every level of this grand project in social and spatial engineering: the developers, architects, and designers responsible for reshaping the urban public spaces of Times Square and Forty-second Street; the experimental Midtown Community Court and its Times Square Ink. job-training program for misdemeanor criminals; encounters between NYPD officers and residents of Hell's Kitchen; and angry confrontations between city planners and neighborhood activists over the future of the area.
With an eye for offbeat, telling details and a perspective that is at once sympathetic and critical, Chesluk documents how the redevelopment has tried, sometimes successfully and sometimes not, to reshape the people and places of Times Square. The result is a colorful and engaging portrait, illustrated by stunning photographs by long-time local photographer Maggie Hopp, of the street life, politics, economics, and cultural forces that mold America's urban centers.