About this product: Jeannette Walls's The Glass Castle was "nothing short of spectacular" (Entertainment Weekly). Now she brings us the story of her grandmother -- told in a voice so authentic and compelling that the book is destined to become an instant classic.
"Those old cows knew trouble was coming before we did." So begins the story of Lily Casey Smith, in Jeannette Walls's magnificent, true-life novel based on her no-nonsense, resourceful, hard working, and spectacularly compelling grandmother. By age six, Lily was helping her father break horses. At fifteen, she left home to teach in a frontier town -- riding five hundred miles on her pony, all alone, to get to her job. She learned to drive a car ("I loved cars even more than I loved horses. They didn't need to be fed if they weren't working, and they didn't leave big piles of manure all over the place") and fly a plane, and, with her husband, ran a vast ranch in Arizona. She raised two children, one of whom is Jeannette's memorable mother, Rosemary Smith Walls, unforgettably portrayed in The Glass Castle.
Lily survived tornadoes, droughts, floods, the Great Depression, and the most heartbreaking personal tragedy. She bristled at prejudice of all kinds -- against women, Native Americans, and anyone else who didn't fit the mold. Half Broke Horses is Laura Ingalls Wilder for adults, as riveting and dramatic as Isak Dinesen's Out of Africa or Beryl Markham's West with the Night. It will transfix readers everywhere.
About this product: Buffy Season Eight Volume 6 showcases the first failure of the Slayer legion. Vampires have solid footing at the top of the totem and Slayers have been crushed to the bottom - in short, no one likes Buffy anymore... least of all this season's mysterious Big Bad, Twilight, who is hot on her magical trail! Now that it's the world against Slayers, Buffy must find a way to return the status quo to... status quo - and keep her girls alive long enough to do it! Enter Oz, the only person/werewolf Buffy knows who is down with the suppression of magic, and can take the Slayer army off of Twilight's magic-specific radar. With Oz's assistance the Slayers and Wiccans try to become "normal" through meditation and hard labor - although, not everyone sees the advantage of being magicless, namely, Willow, Giles, and Andrew. And they could be right; after all, is a peaceful life for a Slayer even possible?
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW A TIME MAGAZINE BEST BOOK OF THE YEAR WINNER OF THE IMPAC DUBLIN LITERARY AWARD
Out Stealing Horses has been embraced across the world as a classic, a novel of universal relevance and power. Panoramic and gripping, it tells the story of Trond Sander, a sixty-seven-year-old man who has moved from the city to a remote, riverside cabin, only to have all the turbulence, grief, and overwhelming beauty of his youth come back to him one night while he's out on a walk. From the moment Trond sees a strange figure coming out of the dark behind his home, the reader is immersed in a decades-deep story of searching and loss, and in the precise, irresistible prose of a newly crowned master of fiction.
Per Petterson, author of In the Wake, has written five novels, which have established his reputation as one of Norway's best fiction writers. Out Stealing Horses has won the Norwegian Bookseller's Prize, the Critics' Award for best novel, and TheIndependent Foreign Fiction Prize.
Anne Born, poet, critic, and historian, has translated many works from the principal Scandinavian languages into English, including two previous novels by Per Petterson.
Winner of the International IMPAC Dublin Literary Award
One of the New York Times 10 Best Books of the Year
A Los Angeles Times Book Prize Finalist
Trond's friend Jon often appeared at his doorstep with an adventure in mind for the two of them. But this morning was different. What began as a joy ride on "borrowed" horses ends with Jon falling into a strange trance of grief. Trond soon learns what befell Jon earlier that day—an incident that marks the beginning of a series of vital losses for both boys.
At age sixty-seven, Trond has settled into a rustic cabin in an isolated part of eastern Norway to live the rest of his life with a quiet deliberation. A meeting with his only neighbor, however, forces him to reflect on that fateful summer.
"In this quiet but compelling novel, Trond Sander, a widower nearing seventy, moves to a bare house in remote eastern Norway, seeking the life of quiet contemplation that he has always longed for . . . Trond's recollections center on a single afternoon, when he and Jon set out to take some horses from a nearby farm; what began as an exhilarating adventure ended abruptly and traumatically in an act of unexpected cruelty. Petterson’s spare and deliberate prose has astonishing force, and the narrative gains further power from the artful interplay of Trond's childhood and adult perspectives. Loss is conveyed with all the intensity of a boy’s perception, but acquires new resonance in the brooding consciousness of the older man."—The New Yorker
"In this quiet but compelling novel, Trond Sander, a widower nearing seventy, moves to a bare house in remote eastern Norway, seeking the life of quiet contemplation that he has always longed for. A chance encounter with a neighbor—the brother, as it happens, of his childhood friend Jon—causes him to ruminate on the summer of 1948, the last he spent with his adored father, who abandoned the family soon afterward. Trond's recollections center on a single afternoon, when he and Jon set out to take some horses from a nearby farm; what began as an exhilarating adventure ended abruptly and traumatically in an act of unexpected cruelty. Petterson’s spare and deliberate prose has astonishing force, and the narrative gains further power from the artful interplay of Trond's childhood and adult perspectives. Loss is conveyed with all the intensity of a boy’s perception, but acquires new resonance in the brooding consciousness of the older man."—The New Yorker
"Among the agreeable surprises of Per Petterson's novel is the misleading suggestion that the modesty of his narrator's voice foretells a tale of minor events, an account of the sort of photorealism that prevents anything from happening. In fact, the book contains some bold, convincingly stated coincidences well outside the range of our highbrow realists . . . The characters living and dead are equally palpable, another small wonder of Out Stealing Horses . . . This short yet spacious and powerful book—in such contrast to the well-larded garrulity of the bulbous American novel today—reminds us of the careful and apropos writing of J.M. Coetzee, W.G. Sebald and Uwe Timm. Petterson's kinship with Knut Hamsun, which he has himself acknowledged, is palpable in Hamsun's Pan, Victoria, and even the lighthearted Dreamers. But nothing should suggest that his superb novel is so embedded in its sources as to be less than a gripping account of such originality as to expand the reader's own experience of life."—Thomas McGuane, The New York Times Book Review
"By the time I had finished this novel I knew it for what it is: a triumph of narrative architecture and powerful imagery, and a subtle consideration of identity. It is the story of a life that was pursued one summer in a Nordic world of giant trees and fast-coursing rivers, bloody rivalries, feats of strength, desperate passion, a world where the father-son relationship is elemental and a little dangerous. But then that life, for reasons I shall leave you to discover, veers away toward the modern world, where tragedies are lit by ambulance lights. It has been some time since I have read a novel that pleased me so much in its artistic accomplishment."—Katherine A. Powers, The Boston Globe
"Petterson wrings great emotional depth from what seems a bare-bones tale—the decision of a 67-year-old Norwegian man to pass his final years alone in the remote countryside. Escape, especially from his past, proves elusive in an enthralling tale with some distinct prose echoes of Cormac McCarthy."—John Marshall, The Seattle Post-Intelligencer
"This is a novel that strikes deep and lingers long . . . like some shattering literary symphony."—The Independent (U.K.)
"Out Stealing Horses is tinged with an autumnal sense of loss and the self-examination of an old man looking back on his life . . . This book is a minor masterpiece of death and delusion in a Nordic land."—The Guardian (U.K.)
"The genius of this beautiful, candid work lies in its tone of gentle, if at times angry, reflection. There is no sentimentality, no easy nostalgia, only truths and an honest response to experience."—The Irish Times
"I was completely taken with Out Stealing Horses from the first page. I found it powerful yet so quietly done I could hear myself breathe and I finished with an exhalation of awe."—Amy Tan
"Haunting, minimalist prose and expert pacing give this quiet story from Norway native Petterson an undeniably authoritative presence."—Kirkus Reviews
"Award-winning Norwegian novelist Petterson renders the meditations of Trond Sander, a man nearing 70, dwelling in self-imposed exile at the eastern edge of Norway in a primitive cabin. Trond's peaceful existence is interrupted by a meeting with his only neighbor, who
About this product: The national bestseller and the first volume in Cormac McCarthy's Border Trilogy, All the Pretty Horses is the tale of John Grady Cole, who at sixteen finds himself at the end of a long line of Texas ranchers, cut off from the only life he has ever imagined for himself. With two companions, he sets off for Mexico on a sometimes idyllic, sometimes comic journey to a place where dreams are paid for in blood. Winner of the National Book Award for Fiction.
About this product: From the New York Times-bestselling author of In Harm's Way comes a true-life story of American soldiers overcoming great odds to achieve a stunning military victory.
Horse Soldiers is the dramatic account of a small band of Special Forces soldiers who secretly entered Afghanistan following 9/11 and rode to war on horses against the Taliban. Outnumbered forty to one, they pursued the enemy across mountainous terrain and, after a series of intense battles, captured the city of Mazar-i-Sharif, which was strategically essential if they were to defeat the Taliban.
The bone-weary American soldiers were welcomed as liberators, and overjoyed Afghans thronged the streets. Then the action took a wholly unexpected turn. During a surrender of six hundred Taliban troops, the Horse Soldiers were ambushed. Dangerously outnumbered, they fought for their lives in the city's immense fortress, Qala-i-Janghi, or the House of War. At risk were the military gains of the entire campaign: if the soldiers perished or were captured, the effort to defeat the Taliban might be doomed.
As the Americans struggled to hold the fortress, they faced some of the most intense urban warfare of our time. But until now the full story of the Horse Soldiers has never been told. Doug Stanton received unprecedented cooperation from the U.S. Army's Special Forces soldiers and Special Operations helicopter pilots, as well as access to voluminous after-battle reports. In addition, he interviewed more than one hundred participants and walked every inch of the climactic battleground.
This exciting story is filled with unforgettable characters: brave Special Forces soldiers, tough CIA operatives, cunning Afghan warlords, anxious stateside soldiers' wives who do not know where their husbands have gone, and humble Afghan boys spying on the Taliban.
Deeply researched and beautifully written, Stanton's account of America's quest to liberate an oppressed people touches the mythic. The Horse Soldiers combined ancient strategies of cavalry warfare with twenty-first-century aerial bombardment technology to perform a seemingly impossible feat. Moreover, their careful effort to win the hearts of local townspeople and avoid civilian casualties proved a valuable lesson for America's ongoing efforts in Afghanistan.
Horse Soldiers is a big-hearted and thrilling read, with an epic story that reaches not just across the cold mountains of Afghanistan but into the homes of small-town America, and confirms Doug Stanton as one of our country's preeminent storytellers.
About this product: One hundred and thirty-three years after the death of Darth Vader, the Skywalker line has reached another low point - in the person of the last living heir, Cade Skywalker. Cade has abandoned his Jedi heritage for plans of quick wealth and a pirate's life. And his actions have attracted all of the wrong kinds of attention. Tracked by Imperial agents and targeted by Black Sun assassins, Cade is run to ground on Tatooine, where his two most famous ancestors had roots. But even if he can evade those who are trying to kill him, Cade can't escape the family legacy. Before this adventure is over, Cade will be forced to think about who he is and who he wants to be - helped along by his mother, his half-sister, and the ghost of Luke Skywalker!
About this product: In a provocative, timely book, a noted journalist and expert on Arab-American affairs overturns long-held Western myths about the Arab world, and offers a doctrine to help the United States correct its assumptions concerning the region.
Wanting to know why September 11 happened, journalist Lee Smith moved to Cairo. There, he discovered that the standard explanation-a clash of East and West led to the attacks-was simply not the case. As Smith outlines in The Strong Horse, the problems of the Middle East have little to do with Israel, the United States, or the West in general. The strife exists within the Arab world itself.
Through clear-eyed analysis, Smith explodes the many myths permeating Americans' understanding of the Arab world: colonialism spurred the region's ongoing turmoil; Arab liberalism is waiting for U.S. intervention; technology and democracy can be transforming. In response to these untruths, Smith offers what he terms the “Strong Horse Doctrine”-that Arabs want to align themselves with strength, power, and violence. Given America's ongoing interest in the Middle East, Smith says America needs to be the strong horse in order to reclaim its role there, and only by understanding the nature of the region's ancient conflict can we succeed.
Billy the Kida.k.a. Henry McCarty, Henry Antrim, and William Bonneywas a horse thief, cattle rustler, charismatic rogue, and cold-blooded killer. A superb shot, the Kid gunned down four men single-handedly and five others with the help of cronies. Two of his victims were Lincoln County, New Mexico, deputies killed during the Kid's brazen daylight escape from the courthouse jail on April 28, 1881.
After dispensing with his guards and breaking the chain securing his leg irons, the Kid danced a macabre jig on the jail's porch before riding away on a stolen horse as terrified townspeopleand many sympathizerswatched. For new sheriff Pat Garrett, an acquaintance of Billy's, the chase was on. . . .
To Hell on a Fast Horse re-creates the thrilling manhunt for the Wild West's most iconic outlaw. It is also the first dual biography of the Kid and Garrett, each a larger-than-life figure who would not have become legendary without the other. Drawing on voluminous primary sources and a wealth of published scholarship, Mark Lee Gardner digs beneath the myth to take a fresh look at these two men, their relationship, and their epic ride to immortality.
About this product: There's never before been a book like Gallop! Employing a patented new technology called Scanimation, each page is a marvel that brings animals, along with one shining star, to life with art that literally moves. It's impossible not to flip the page, and flip it again, and again, and again. A first book of motion for kids, it shows a horse in full gallop and a turtle swimming up the page. A dog runs, a cat springs, an eagle soars, and a butterfly flutters. Created by Rufus Butler Seder, an inventor, artist, and filmmaker fascinated by antique optical toys, Scanimation is a state-of-the-art six-phase animation process that combines the "persistence of vision" principle with a striped acetate overlay to give the illusion of movement. It harkens back to the old magical days of the kinetoscope, and the effect is astonishing, like a Muybridge photo series springing into action or, in terms kids can relate to, like a video without a screen. Complementing the art is a delightful rhyming text full of simple questions and fun, nonsense replies: Can you gallop like a horse? giddyup-a-loo! Can you strut like a rooster? cock-a-doodle-doo! Every child who opens the book will be amazed and so will every parent.